Sisters with Transistors
2020 film, directed by Lisa Rovner From Wikipedia, the free encyclopedia
Sisters with Transistors is a 2020 American documentary film directed by Lisa Rovner in her directorial debut.[1][2][3] It premiered at the 2020 South by Southwest Film Festival and was later screened at AFI Fest. The rights to the documentary were acquired by Metrograph Pictures.[4]
 | This article contains one or more duplicated citations. The reason given is: https://www.theguardian.com/film/2021/apr/23/sisters-with-transistors-film-electronic-musics-forgotten-pioneers-clara-rockmore (refs: 2, 7) (August 2024) |
| Sisters with Transistors | |
|---|---|
| Directed by | Lisa Rovner |
| Produced by | Anna Vaney Marcus Werner Hed |
| Starring | Laurie Anderson |
| Cinematography | Bill Kirstein |
| Music by | Quinn Tsan, Alexander Babbitt |
| Distributed by | Metrograph Pictures |
Release date |
|
Running time | 86 minutes |
| Country | United States |
Synopsis
The documentary is made up of rare testimonies and archive footage. It chronicles the stories of the pioneering but little-known women of electronic music. These composers found, thanks to machines, a space of liberty and creativity that the male-dominated world of traditional music did not allow them. The film takes us into the heart of their studio-laboratories, and into a tangle of multicolored cables, tape scraps, primitive computers and oversized synthesizers. Narrated by Laurie Anderson, the ten artists featured in the documentary are Maryanne Amacher, Bebe Barron, Suzanne Ciani, Delia Derbyshire, Pauline Oliveros, Daphne Oram, Éliane Radigue, Clara Rockmore, Wendy Carlos and Laurie Spiegel.[5][6][7]
Reception
Sisters with Transistors was positively received by critics.[8][9] Rogerebert.com's Charlie Brigden gave it four stars and noted that the documentary "often feels less like a film and more like a manifesto". The narrative, futuristic soundtrack and avant-garde aspect of the film were all highly praised.[10] The New York Times' Glenn Kenny described the film as "informative" and "fascinating.[11] Critics at NME and Slate also gave the documentary four stars and positive reviews.[12][13]
References
External links
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