Finnish composer From Wikipedia, the free encyclopedia
Sebastian Fagerlund (born 6 December 1972) is a Finnish composer. He is described as “a post-modernimpressionist whose sound landscapes can be heard as ecstatic nature images which, however, are always inner images, landscapes of the mind”.[1]
Echoes of Western culture[specify], Asian musical traditions, and heavy metal have all been detected in his music.[2]
His output covers a wide variety of genres, ranging from opera to chamber music and works for solo instruments. The most prominent are his concertos and his works for orchestra.
From 2013-2019 Fagerlund was the artistic director of the RUSK Chamber Music Festival together with clarinetist Christoffer Sundqvist.[3]
Fagerlund was born in Pargas. He began his musical studies with violin lessons at the Turku Conservatory[fi], where his teacher was Simo Vuoristo. After a year spent studying in the Netherlands, he applied for the Sibelius Academy to study composition and graduated from the class of Erkki Jokinen in 2004. He has also attended master classes with Michael Jarrell, Magnus Lindberg, Ivan Fedele and others.
The Clarinet Concerto (2006) marked a turning point in Fagerlund’s career as a composer, and was followed by the tone poemIsola (Island, 2007), another major orchestral work. Both works were premiered at the Korsholm Music Festival. His surrealistic chamber opera Döbeln (2009), constructed around hallucinations, won the Record of the Year Award of the Finnish Broadcasting Company (Yle) and was a commission from the West Coast Opera Kokkola. Further works include Ignite (2010) and the violin concertoDarkness in Light'x, written for Pekka Kuusisto and immensely successful when premiered in Tampere in September 2012. The concerto was partly inspired by the literature of Haruki Murakami. The guitar concerto Transit (2013), commissioned by Yle and premiered by Ismo Eskelinen has continued Fagerlund’s series of concertos.
Fagerlund has said: “A sort of primitivism is present in many of my works. As a result, rhythm, in particular, has become very important. I am fascinated by relentless drive and energy.”.[7] Salient features of Fagerlund’s music are his interest in large-scale forms and details of them, and a view of music as the expresser of fundamental questions and existential experiences.[1]
Lanterna, seven settings for piano trio and orchestra (2023)
Arcantio, for double bass and chamber orchestra (2023)
Helena's Song, for violin and orchestra (2023)
Chamber
Imaginary Landscapes for ensemble (9 players) (2002)
Short Stories for saxophone quartet (2002)
Clarinet Quintet (2004)
Breathe for clarinet, accordion and cello (2005–2006)
Cadenza for clarinet and instrument with low range (2006)
String Quartet No. 1 (2006–2007)
Scherzic for viola and cello (2008)
Sky for Baroque ensemble (2008)
Traces and Shadows for cello and piano (2009–2010)
Sky II for ensemble (10 players) (2009)
Oceano for violin, viola and cello (2010–2011)
Rush for violin, clarinet, two pianos and cimbalom (2010–2011)
Exhibit for ensemble (2010)
Fuel for clarinet, cello and piano (2010)
Rounds for clarinet and piano (2011)
Rush II “Aldeburgh Version” for violin, clarinet, cimbalom and piano 4 hands (2011)
Clarinet Sonata (2011)
Silent Words for cello and piano (2013)
Transient Light for horn, violin, cello and piano (2013)
Stilla for violin and piano (2014)
Windways for recorder quartet (2015–16)
Octet Autumn Equinox for clarinet, bassoon, horn, 2 violins, viola, cello and double bass (2016)
String Quartet No. 2 From the Ground (2017)
Fuel II for flute, clarinet, violin, violoncello, piano (2018)
Woodlands Variations for bassoon and string quartet (2018)
Remain for piano trio (2022)
Solo
Flow for clarinet (1999)
Ground for alto saxophone (1999/2001)
Environs for organ (2003)
Reminiscence for violin (2003)
Recordanza for tenor recorder (2005)
6 Piano Pieces (for young players) (2007)
Licht im Licht for piano (2007)
Kromos for guitar (2011)
Woodlands for bassoon (2012)
Materie for violin (2019)
Recitativo for cello (2021)
Vocal/Choral
Liten svit for baritone and piano (2001)
Revontulet soprano and piano (2001)
Sinnlighetens fest for male choir (2002)
Höga lågor, stilla vatten for soprano, mezzo-soprano, baritone and chamber orchestra (2003)
Teckning (Drawing) for male choir (2006)
Staden 3 songs for soprano and piano (2009)
Nocturne for female choir (2010)
Dream Land for male choir (2019)
Electronic
Element for 8-channel tape (1998)
2023 - Terral – Strings to the Bone, Chamber Symphony, Sharon Bezaly, flute, Tapiola Sinfonietta, cond. John Storgårds, BIS-2639
2022 – Breathe – Trio Klangspectrum, GENUIN
2021 – Nomade – Cello Concerto, Water Atlas, Nicolas Altstaedt, cello, Finnish Radio Symphony Orchestra, cond. Hannu Lintu, BIS-2455
2021 – Oceano – Chamber Music by Sebastian Fagerlund, String Quartet Meta4, Paavali Jumppanen, piano, Christoffer Sundqvist, clarinet, Hervé Joulain, horn, BIS-2324
2020 – Kromos – 21st Century Guitar Music, Ismo Eskelinen, guitar, BIS-2395
2018 – Höstsonaten (Autumn Sonata), Anne Sofie von Otter, Erika Sunnegårdh, Helena Juntunen, Tommi Hakala, Nicholas Söderlund, Finnish National Opera Chorus & Orchestra, cond. John Storgårds, BIS-2357
2018 – Stonework, Drifts, Transit – Guitar Concerto, Ismo Eskelinen, guitar, Finnish Radio Symphony Orchestra, cond. Hannu Lintu, BIS-2295
2016 – Mana – Bassoon Concerto, Woodlands, Bram van Sambeek, bassoon, Lahti Symphony Orchestra, cond. Okko Kamu, BIS-2206 (with Bassoon Concerto by Kalevi Aho)
2015 – Darkness in Light – Violin Concerto, Ignite, Pekka Kuusisto, violin, Finnish Radio Symphony Orchestra, cond. Hannu Lintu, BIS-2093.