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American music journalist (born 1966) From Wikipedia, the free encyclopedia
Robert James Sheffield (born February 2, 1966) is an American music journalist and author.[1]
Rob Sheffield | |
|---|---|
.jpg) Sheffield at the 2007 Brooklyn Book Festival | |
| Born | Robert James Sheffield February 2, 1966 Milton, Massachusetts, U.S. |
| Occupation | Author, columnist |
| Nationality | American |
| Genre | Music pop culture |
| Spouse | Renee Crist
(m. 1991; died 1997)Ally Polak (m. 2006) |
He is a long time contributing editor at Rolling Stone, writing about music, TV, and pop culture. Previously, he was a contributing editor at Blender, Spin and Details magazines. A native of Milton, Massachusetts, Sheffield has a bachelor's degree from Yale University and master's degree (1991) from the University of Virginia.[2]
Sheffield has written eight books. His first, a memoir published by Random House in January 2007, is titled Love Is a Mix Tape: Life and Loss, One Song at a Time. An excerpt of the book was featured in the January 2007 issue of GQ. A national bestseller, the book was met with much acclaim.[4][5]
Sheffield's sixth book, released in April 2017, is called Dreaming the Beatles: The Love Story of One Band and the Whole World. An excerpt was published online by Rolling Stone.[6] USA Today gave Dreaming the Beatles three and one-half (out of four) stars and called it a "charming new collection of essays."[7] Spin added that "Dreaming the Beatles is equal parts history and cultural criticism, as Sheffield draws from dozens of sources to lay down the story of how the Beatles came to be, before writing about why any of it matters."[8] MTV opined that "Dreaming the Beatles is one of the best books about the band ever written."[9] Sheffield won the ASCAP Foundation's Virgil Thomson Award for Outstanding Music Criticism for Dreaming the Beatles in 2017.[10]
Sheffield's latest book, published in November 2024, about singer Taylor Swift, is entitled Heartbreak Is the National Anthem: How Taylor Swift Reinvented Pop Music. Writing in The New York Times, Amanda Hess praises his encyclopedic knowledge of Swift's music, fans, and business acumen, but especially her talent as a songwriter, saying "everything always leads back to her virtuosic writing".[11] Publishers Weekly says "the unrestrained delight with which Sheffield captures his subject, [mixes] a fan’s exuberance with a music critic’s nuanced analysis."[12] Kirkus Reviews similarly calls it "an affectionate homage from an ardent fan".[13]
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