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Japanese manga series by Reiji Miyajima and its adaptations From Wikipedia, the free encyclopedia
Rent-A-Girlfriend (Japanese: 彼女、お借りします, Hepburn: Kanojo, Okarishimasu), abbreviated as Kanokari (かのかり), is a Japanese manga series written and illustrated by Reiji Miyajima. It has been serialized in Kodansha's Weekly Shōnen Magazine since July 2017, and has been compiled into thirty-eight tankōbon volumes as of October 2024. The series is licensed in North America by Kodansha USA, which released the first volume in English in June 2020.
Rent-A-Girlfriend | |
彼女、お借りします (Kanojo, Okarishimasu) | |
---|---|
Genre | |
Manga | |
Written by | Reiji Miyajima |
Published by | Kodansha |
English publisher | |
Imprint | Shōnen Magazine Comics |
Magazine | Weekly Shōnen Magazine |
Demographic | Shōnen |
Original run | July 12, 2017 – present |
Volumes | 38 |
Manga | |
Rent-A-(Really Shy!)-Girlfriend | |
Written by | Reiji Miyajima |
Published by | Kodansha |
English publisher |
|
Magazine | Magazine Pocket |
Demographic | Shōnen |
Original run | June 21, 2020 – present |
Volumes | 3 |
Anime television series | |
Directed by |
|
Written by | Mitsutaka Hirota |
Music by | Hyadain |
Studio | TMS Entertainment |
Licensed by |
|
Original network | JNN (MBS, TBS) |
English network | |
Original run | July 11, 2020 – present |
Episodes | 36 |
Television drama | |
Rental A Girlfriend | |
Directed by | Daisuke Yamamoto |
Written by | Kumiko Asō |
Music by | Yuki Munakata |
Licensed by | Viki |
Original network | ANN (ABC TV, TV Asahi) |
Original run | July 3, 2022 – September 25, 2022 |
Episodes | 10 |
Video game | |
Rent-A-Girlfriend: The Horizon and the Girl in the Swimsuit | |
Developer | Mages |
Publisher | Mages |
Genre | Visual novel |
Platform | |
Released |
|
An anime television series adaptation produced by TMS Entertainment, aired from July to September 2020 on MBS's Super Animeism block. A second season aired from July to September 2022. A third season aired from July to September 2023. A fourth season is set to premiere in 2025. A live-action television drama adaptation also aired from July to September 2022.
By March 2024, the manga had over 13 million copies in circulation.
Kazuya Kinoshita is dumped by his girlfriend Mami Nanami after dating for a month. He decides to rent a beautiful girlfriend named Chizuru Mizuhara. However, because he thinks she was inauthentic, he gives her a low rating. When Chizuru berates him for that during their next outing, he realizes she is meaner than he expected. Just then, Kazuya learns that his grandmother has been hospitalized following a collapse. Chizuru comes along and his grandmother is smitten by how great she is. Kazuya continues renting Chizuru in order to keep up appearances with his family and friends, but things get complicated when they discover they are next-door apartment neighbors and attend the same college. Later, other girls from the rental girlfriend business also join in, along with Kazuya's ex-girlfriend, who seems intent on ending this fake relationship. However, as Kazuya falls in love with Chizuru, he becomes determined to do whatever he can to make their rental relationship into a real one.
Written and illustrated by Reiji Miyajima, the series began serialization in Kodansha's Weekly Shōnen Magazine on July 12, 2017.[20] It has been compiled into thirty-eight volumes as of October 2024.[21] The series is licensed in North America by Kodansha USA, which released the first volume in English on June 2, 2020.[22] Kodansha published an anthology of the series on August 17, 2020.[23][24]
A spin-off manga series, titled Rent-A-(Really Shy!)-Girlfriend (彼女、人見知ります, Kanojo, Hitomishirimasu), also written and illustrated by Miyajima, has been serialized in Kodansha's Magazine Pocket app since June 21, 2020. The series focuses on the character Sumi Sakurasawa.[25] It has been compiled into three volumes as of May 2022.[26] The series is also published in North America by Kodansha USA.[27]
An anime television series adaptation was announced on December 15, 2019.[2] The series was animated by TMS Entertainment and directed by Kazuomi Koga, with Mitsutaka Hirota handling series composition, Kanna Hirayama designing the characters, and Hyadain composing the music.[2] The Peggies performed the opening theme "Centimeter" (センチメートル, Senchimētoru).[28] Halca performed the first ending theme "Kokuhaku Bungee Jump" (告白バンジージャンプ, "Confession Bungee Jump") starting from Episodes 2–6 and 8–11,[29][d] while Halca also performed the second ending theme "First Drop" for Episode 7,[30][e] and Sora Amamiya performed the third ending theme "Kimi wo Tousite" (君を通して, "Through You") for Episode 12.[31] It aired from July 11 to September 26, 2020, on the Super Animeism programming block on MBS and other networks.[32][33][f] Season 1 ran for 12 episodes.[32]
Crunchyroll streamed the series outside of Asia.[34] On August 11, 2020, Crunchyroll announced that the series would receive an English dub,[5] which premiered on August 28.[35] In Southeast Asia and South Asia, the series is licensed by Muse Communication and released on the streaming service iQIYI in Southeast Asia.[36] Animax later began airing the series.[37]
On September 25, 2020, shortly before the first season's finale was streamed internationally, it was announced that a second season had been greenlit for production.[38] The main cast and staff reprised their roles, with Studio Comet cooperating in the production. The second season aired from July 2 to September 17, 2022.[39][40][g] The opening theme is "Himitsu Koi-Gokoro" (ヒミツ恋ゴコロ, "Secret Love Heart") by CHiCO with HoneyWorks, while the ending theme is "Ienai" (言えない, "Can't Say") by MIMiNARI featuring asmi.[42]
On May 18, 2021, it was announced Sentai Filmworks picked up the home video rights.[43]
After the final episode of the second season, a third season was announced, with Shinya Une replacing Kazuomi Koga as director.[44][45] It aired from July 8 to September 30, 2023.[h] The opening theme is "Renai Miri Film" (恋愛ミリフィルム, "Love Millimeter Film") by Halca.[46] Amber's performed the first ending theme "End Roll" (エンドロール) from Episodes 25–31 and 34–36,[47] and the second ending theme "End Roll (Ballad Version)" (エンドロール (Ballad Version)) from Episodes 32–33.[i]
On July 12, 2024, a fourth season was announced and is set to premiere in 2025.[48]
A crossover smartphone game titled Kanojo, Okarishimasu Heroine All-Stars (彼女、お借りしますヒロインオールスターズ) was developed by Enish. It featured Chizuru, Mami, Ruka, and Sumi along with female characters from other Weekly Shōnen Magazine manga series like Fairy Tail, The Seven Deadly Sins, Domestic Girlfriend, Girlfriend, Girlfriend, Fire Force, Yamada-kun and the Seven Witches, and Negima! Magister Negi Magi. It was released in September 2021.[49][50] The game's service ended on January 25, 2023.[51][52]
A visual novel, titled Rent-A-Girlfriend: The Horizon and the Girl in the Swimsuit (彼女、お借りします ~水平線と水着の彼女~), developed by Mages, was announced in July 2024.[53] The game follows an original story, which is an alternate scenario set during the third season of the anime, and features all main characters. The main cast from the anime reprised their roles in the game. It is set to be released in Japan for PlayStation 4 and Nintendo Switch on November 28, 2024. The limited edition of the game will be bundled with a four-disc drama CD and an original soundtrack album, featuring over 30 tracks, including the game's theme song "Cider no Mukō" (サイダーの向こう, "Beyond the Cider") by Sora Amamiya, Aoi Yūki, Nao Tōyama, Rie Takahashi, and Yū Serizawa.[54]
A live-action television drama adaptation aired on ABC and TV Asahi from July 3 to September 25, 2022.[11] It stars Ryūsei Ōnishi and Hiyori Sakurada as Kazuya and Chizuru, respectively.[6] Viki began streaming the series on January 27, 2023, under the title Rental A Girlfriend.[55]
By July 2023, the manga had over 11 million copies in circulation.[56] By March 2024, the manga had 13 million copies in circulation.[57]
In May 2024, K Manga announced on its first anniversary that the series was the best selling and fourth most read manga on the app.[58]
The series received a mixed reception from various critics. Joe Ballard of Comic Book Resources (CBR) described the anime adaptation as a "hot mess" with sluggish pacing but also an "intriguing, action-packed rom-com and a semi-developing love story".[59] Meanwhile, Ethan Wescoatt of CBR praised the story, which he called "mature" for a harem anime, in addition to the male and female leads, noting that Chizuru was an intriguing character due to hiding her true, multidimensional personality behind her perfect girlfriend façade and that Kazuya's struggles were relatable to the audience.[1]
Alex Henderson of Anime Feminist described the series premiere as "comedy of errors with a horny streak" but noted that but it also hinted at deeper themes. They further noted that the dynamic between Kazuya and Chizuru was intriguingly balanced despite the slapstick violence. Henderson praised the anime for touching on the social implications of the rental girlfriend business, treating Chizuru with respect and highlighting her agency.[60] Meanwhile, Dee of Anime Feminist, who reviewed the first three episodes of the anime, noted that the series initially showed promise as a refreshing and potentially progressive rom-com anime adding that Chizuru was a well-developed character and Kazuya having potential for growth. However, Dee criticized the reveal of Mami's manipulative and abusive behavior in the third episode, stating it "suck all the joy out of the series". Dee further stated that the episode reduced Kazuya to a stereotypical "boilerplate hapless harem protagonist".[61]
Nicholas Dupree of Anime News Network described the first two seasons as being tedious, with an interesting conflict introduced only at the last minute, while the preceding episodes were filled with repetitive and uninteresting rom-com antics. He added that while expectations for season three were low, the series "surprisingly" delivered a compelling romantic dramedy that addressed the flaws of Kazuya and found a "solid" narrative focus. Dupree concluded that the third season's production quality was consistent with previous seasons, focusing on character appeal, especially for the female characters. He noted that despite flaws, the third season offered the best material in a while, addressing key issues and delivering a compelling story.[62]
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