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2011 film by Scott Stewart From Wikipedia, the free encyclopedia
Priest is a 2011 American action horror film directed by Scott Stewart and stars Paul Bettany as the title character.[2][3] It is loosely based on the Korean comic of the same name by Hyung Min-woo, in turn inspired by the computer game Blood by Monolith Productions.[4][5] Set in an alternate universe where humanity and vampires have warred for centuries, after the last Vampire War, a veteran Warrior Priest lives in obscurity until his niece (Lily Collins) is kidnapped by vampires.
| Priest | |
|---|---|
Theatrical release poster | |
| Directed by | Scott Stewart |
| Written by | Cory Goodman |
| Based on | Priest by Min-Woo Hyung |
| Produced by |
|
| Starring | |
| Cinematography | Don Burgess |
| Edited by | Lisa Zeno Churgin |
| Music by | Christopher Young |
Production companies | |
| Distributed by | Sony Pictures Releasing |
Release date |
|
Running time | 87 minutes |
| Country | United States |
| Language | English |
| Budget | $60 million |
| Box office | $78.3 million[1] |
The film was released on May 13, 2011. The film earned over $78 million at the box office against a $60 million production budget, but it was panned by critics, who praised the film's visual style and art direction while criticizing the movie's use of genre clichés, writing, acting, editing, and action scenes.
A centuries-long war between humans and vampires devastates the planet's surface and leads to a theocracy under "The Church". Despite vampires' vulnerability to sunlight, their strength and speed make them impossible to defeat until humanity shelters in walled cities and trains elite warriors, the Priests, who turn the tide. After the war, most vampires are killed, while the remainder are placed in reservations. With the war over, the Clergy disbands the few surviving Priests, who try to integrate into city society. Outside the walled cities, some humans seek out a living, free from The Church's totalitarian control.
One particular Priest is approached by Hicks, the sheriff of a free town, Augustine. Hicks reveals Priest's brother, Owen, and his wife, Shannon, died in a vampire attack, and Priest's niece, Lucy, was kidnapped. Being in love with Lucy, Hicks asks for Priest's help in rescuing her. Priest asks the Clergy to reinstate his authority, but leader Monsignor Orelas disbelieves the vampire story and refuses. Priest leaves the city and Orelas sends three Priests and a Priestess to bring him back.
Priest and Hicks arrive at Nightshade Reservation where Familiars, humans infected with a pathogen making them subservient to vampires, live alongside their masters. After a battle, the pair discovers that most vampires shelter in the vampire Hive of Sola Mira, believed to be abandoned after the war. There, Priestess decides to join them, having fought alongside Priest during the war and feeling a closer allegiance to him than The Church. The last time the two fought in Sola Mira, Priest failed to save one of his own, an event that still haunts him. Priest, Priestess and Hicks destroy a Hive Guardian vampire, then discover the vampires have bred a new army and dug a tunnel towards a town called Jericho. The other three of Orelas' Priests arrive at Jericho as night falls and an armored train arrives, unleashing vampires. The creatures are led by a powerful human wearing a black hat. When the Priests reject Black Hat's offer to join him, he kills them all.
The next morning, Priest, Priestess, and Hicks arrive in Jericho, discovering the town empty and the three Priests crucified. Priest deduces that the vampires have used trains to travel by day and attack free towns by night after noticing a recently-broken pocket watch near the train station, with the walled cities at the end of the train line. Hicks believes the cities are likewise protected by the sun, but Priest explains that their clouds of smoke and ash permanently deprive them of sunlight. If the train reaches a city, the attack will be a slaughter.
Hicks threatens Priest, believing he will kill Lucy if she is infected. Priestess reveals Lucy is actually Priest's daughter. He was in a relationship with Shannon, Lucy's mother, and Owen stepped in as a husband and father when Priest was taken by the Church. Lucy was never told the truth.
While Priestess rushes ahead to plant a bomb on the railroad tracks, Priest and Hicks board the train to rescue Lucy. Battling vampires and Familiars, the two are overpowered by Black Hat just as they find Lucy. Black Hat is revealed as the priest lost in the attack on Sola Mira. After his capture, the vampire Queen gave him her blood, turning him into the first Vampire-Human hybrid who can survive the sun. As Priest fights Black Hat, Lucy discovers the truth about her parentage. On the tracks ahead of the train, Priestess battles several Familiars, but one destroys the explosives' detonator. To accomplish her mission, she mounts the explosives on her motorbike and drives it into the train engine, jumping off before the ensuing explosion. The subsequent derailment kills the vampires and Black Hat while Hicks, Priest, Priestess, and Lucy escape.
Priest returns to the city and confronts Orelas during Mass, telling him of the burnt train containing the vampires' bodies, but not the Queen's. He proves this by throwing a vampire head onto the floor, shocking everyone in the room. Orelas still refuses to believe him, declaring the war is over. Outside the city Priest meets Priestess, who confirms other Priests have been notified and will meet them soon.
The priests of our story are like Jedi knights. They have these supernatural abilities to fight vampires and they saved humanity before the movie even begins. Now, a generation later, society has moved on from war, and the priests are like pariahs. They're almost like Vietnam vets—they've been cast aside by society and they're now reviled and feared.
— Director Scott Stewart[3]
Priest is directed by Scott Stewart and written by Cory Goodman. The film is based on the supernatural horror and action Korean comics Priest by Min-Woo Hyung.
The project was first announced in March 2005 when the studio Screen Gems bought Goodman's spec script.[6] In January 2006, Andrew Douglas, who directed The Amityville Horror, was attached to direct Priest.[7] In June 2006, actor Gerard Butler entered negotiations to star as the title character, and filming was scheduled to start in Mexico on October 1, 2006.[8] Filming did not proceed and, by three years later, director Douglas had been replaced by Stewart,[9] while Butler had been replaced in the starring role by Paul Bettany.[10] Stewart and Bettany had previously worked together in the Screen Gems film Legion.
With a budget of $60 million,[11] filming began in August 2009 in Los Angeles, California,[12] and it concluded in November 2009.[13] The film was the most expensive production from Screen Gems, to that date,[11] and as of 2018 is still tied for third-most expensive, behind only Underworld: Awakening and Resident Evil: Retribution.
Tokyopop flew Min-Woo Hyung to where production was taking place so the comics' creator could visit the art department and discuss the film with Stewart. The film diverges from the comics in following a different timeline of events and adding elements of the sci-fi western, cyberpunk and post-apocalyptic science-fiction genres.[2][14] The director described Priest's vampires as not being human in origin, and humans bitten by vampires became familiars instead.[15] There are different forms of vampires, such as hive drones, guardians, and a queen. Since the vampires were intended to move quickly, they were fully computer-generated for the film. While vampires are harmed by sunlight in most lore, the film's vampires are instead photosensitive, being albino cave-dwellers. Stewart said, "They are the enemy we don't really understand, but we fought them for centuries. They are mysterious and alien, with their own culture. You sense that they think and communicate, but you don't really understand what they are saying." The director also called Priest an homage to The Searchers with the title character being similar to John Wayne's character and the vampires being similar to the Comanche.[16] The animated prologue for the film was created by American animator and director Genndy Tartakovsky.[17] The production team includes:[18]
Priest was released in the United States and Canada on May 13, 2011.[1] The film's release date changed numerous times in 2010 and 2011.[19] It was originally scheduled for October 1, 2010,[13] but it moved earlier to August 27, 2010, to fill a weekend slot when another Screen Gems film, Resident Evil: Afterlife, was postponed.[20] When the filmmakers wanted to convert Priest from 2D to 3D, the film was newly scheduled for release on January 14, 2011.[21] It was delayed again to May 13, 2011, so the film could attract summertime audiences.[22]
Priest was released outside the United States and Canada on May 6, 2011, in four markets. It grossed an estimated $5.6 million over the weekend, with "decent debuts" of $2.9 million in Russia and $1.8 million in Spain. It performed poorly in the United Kingdom with under $700,000.[23]
The film was released in the United States and Canada on May 13, 2011, in 2,864 theaters with 2,006 having 3D screenings.[24] It grossed an estimated $14.5 million over the weekend, ranking fourth at the box office. Its performance was considered subpar compared to similar films in the Underworld series and Resident Evil series.[25] To date, Priest has grossed an estimated $76.5 million, of which $29.1 million was from North America.[1]
Priest was largely panned by critics. Review aggregator Rotten Tomatoes gives the film a score of 15% based on reviews from 101 critics and reports a rating average of 4.00 out of 10 with a consensus that "Priest is admittedly sleek and stylish, but those qualities are wasted on a dull, derivative blend of sci-fi, action, and horror clichés".[26] At Metacritic, which assigns a weighted average score out of 100 to reviews from mainstream critics, the film received an average score of 41 based on 13 reviews, indicating "mixed or average reviews".[27] CinemaScore polls reported that the average grade audiences gave the film was a "C+" on an A+ to F scale.[citation needed]
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