Polonaise
Dance of Polish origin From Wikipedia, the free encyclopedia
Dance of Polish origin From Wikipedia, the free encyclopedia
The polonaise (/pɒləˈnɛz/, French: [pɔlɔnɛz]; Polish: polonez, Polish pronunciation: [pɔˈlɔnɛs]) is a dance of Polish origin,[2] one of the five Polish national dances in 3
4 time. Its name is French for "Polish" adjective feminine/"Polish woman"/"girl". The original Polish name of the dance is Chodzony (pronounced [xɔˈd͡zɔnɨ]), meaning "the walking dance". It is one of the most ancient Polish dances representing Polish cultural dance tradition. Polonaise dance influenced European ballrooms, folk music and European classical music.
 "Polish Dances. A collection of the most favorite polonaises", cover (1890) | |
| Native name | Polonez, chodzony |
|---|---|
| Genre | Traditional dance |
| Time signature | 3/4 |
| Origin | Poland |
| Polonaise, traditional Polish dance | |
|---|---|
| Country | Poland |
| Reference | 01982 |
| Region | Europe and North America |
| Inscription history | |
| Inscription | 2023 (18th session) |
| List | Representative |
The polonaise has a rhythm quite close to that of the Swedish semiquaver or sixteenth-note polska, and the two dances share a common origin. Polska dance was introduced to Sweden during the period of the Vasa dynasty and the Polish–Swedish union.
The polonaise is a very popular dance uninterruptedly danced in Poland till today. It is the opening dance in all major official balls and events, at New Year's balls, on national days as well as various less official parties. The polonaise is always the first dance at a studniówka ("student ball"), the Polish equivalent of the senior prom that occurs approximately 100 days before exams, hence its name "studniówka" or literally in Polish "the ball of the hundred days".
In 2023, the dance was included on the UNESCO Intangible Cultural Heritage Lists being recognized as "a form of joint celebration", which "commemorates important moments in family and community life and symbolizes cooperation, reconciliation and equality."[3][4]
The notation alla polacca (Italian: polacca means "polonaise") on a musical score indicates that the piece should be played with the rhythm and character of a polonaise. For example, the third movement of Beethoven's Triple Concerto op. 56, marked "Rondo alla polacca," the last movement in Weber's Clarinet Concerto No. 2 is marked "Alla Polacca", his Horn Concertino likewise ends with a polka movement, and the finale of Chopin's Variations on "Là ci darem la mano" both feature this notation. In his book Classic Music: Expression, Form, and Style, Leonard G. Ratner cites the fourth movement from Beethoven's Serenade in D major, Op. 8, marked "Allegretto alla Polacca," as a representative example of the polonaise dance topic (Ratner 1980, pp. 12–13).
Frédéric Chopin's polonaises are generally the best known of all polonaises in classical music. Other composers who wrote polonaises or pieces in polonaise rhythm include Johann Sebastian Bach, Georg Philipp Telemann, Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Danzi, Bernhard Henrik Crusell, Karol Kurpiński, Józef Elsner, Maria Agata Szymanowska, Henryk Wieniawski, Franz Schubert, Carl Maria von Weber, Clara Schumann, Robert Schumann, Franz Liszt, Johann Kaspar Mertz, Moritz Moszkowski, Modest Mussorgsky, Nicolai Rimsky-Korsakov, Pyotr Ilyich Tchaikovsky and Alexander Scriabin.
Another more recent prolific polonaise composer was the American Edward Alexander MacDowell.
John Philip Sousa wrote the Presidential Polonaise, intended to keep visitors moving briskly through the White House receiving line. Sousa wrote it in 1886 after a suggestion from President Chester A. Arthur.[5]
Tchaikovsky's opera Eugene Onegin, an adaption of Alexander Pushkin's novel in poetry verse, includes a famous polonaise.
The polonaise is a Polish dance and is one of the five historic national dances of Poland.[6] The others are the Mazur (Mazurka), Kujawiak, Krakowiak and Oberek.[7] Polonaise originated as a peasant dance known under various names – chodzony ("pacer"), chmielowy ("hops"), pieszy ("walker") or wielki ("great"), recorded as early as the 15th century. In later centuries, it gained popularity among the urban population and the nobles.[8][9] By the late 16th century, the folk versions of polonaise (accompanied by singing) were commonly danced by the lower Polish nobility, but the dance was not known under its current name until the 17th century.[2] With time, it also became a favorite dance of the Polish aristocratic class[10] and acquired an instrumental form.[2]
The polonaise was first introduced in the 17th century in French courts, although the form originated in Poland and was very popular throughout Europe. This dance in 3/4 metre was designed to entertain the French royal court. The term polonaise was used over the term polonez at the start of the 18th century.
Princess Anna Maria of Saxony collected sheet music for polonaises throughout her life time, collecting over 350. Her collection was focused on the finest examples of instrumentation.
The polones (from either the Dutch polonez, or possibly the Portuguese polonesa) is a common feature of wedding receptions in Maluku. A loosely-defined group dance, it typically resembles a country dance or cèilidh, or in some cases a line dance.
