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2024 studio album by Glass Beach From Wikipedia, the free encyclopedia
Plastic Death (stylized in lowercase) is the second studio album by Los Angeles indie rock band Glass Beach. It was released on January 19, 2024, by Run for Cover Records. The album sees the band move primarily into progressive rock, leaving behind the emo of their debut album The First Glass Beach Album. It was preceded by two singles, "The CIA" and "Rare Animal". Collaborators on the album include "secret fifth member" Daxe Schaeffer, Skatune Network's Jer Hunter, and mastering engineer Will Yip. The album was positively received by critics.
Plastic Death | ||||
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Studio album by | ||||
Released | January 19, 2024 | |||
Genre | Progressive rock | |||
Length | 63:11 | |||
Label | Run for Cover | |||
Glass Beach chronology | ||||
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Singles from Plastic Death | ||||
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After a series of teasers from the band and their label, Glass Beach released the album's lead single, "The CIA", on October 11, 2023.[1] The song came with a music video directed by the band's drummer William White.[1] The song was described as "almost alt-rock-radio-ready" but without "compromising their proggy, exploratory tendencies",[1] "zany, shapeshifting art pop",[2] and as existing "in a strange space, someplace where prog, post-punk, and jazz coalesce".[3]
The album was announced on November 6, 2023, set for release on January 19, 2024, by Run for Cover Records.[4] The announcement came with the second single, "Rare Animal".[4] The song includes gang vocals from the full band and their "secret fifth member Daxe", which vocalist J McClendon likened to a Greek chorus.[5]
Though pulling from a variety of genres, Plastic Death is primarily considered a progressive rock album.[6][7] Other genres include jazz fusion,[6] alternative rock,[6] and progressive metal.[7] The album notably leaves behind the emo sound that defined The First Glass Beach Album.[6][7]
Stereogum and Treble both named Plastic Death as their "album of the week" ahead of its release.[6][7] Stereogum's Chris DeVille called Plastic Death a "rare sophomore album feat" and "an entirely new phase of evolution for the band."[6] Treble's Jeff Terich wrote that the "beauty of a record with Plastic Death is that the restraint is always temporary; give them time to get there, and Glass Beach will prove just what kind of masterful bedlam they can stir up."[7] Rachel Evangeline Chiong of Exclaim! described it as "a monolith of an album, narratively entwined front to back."[8] Paste reviewer Grant Sharples stated that "on paper, it may seem like an unfocused mess, but they execute everything with stylistic flair."[9] Consequence's Abby Jones called the album "a vivid, moving, yet realistic examination on the world at large".[10] Flood's Will Schube called the album's sound "tantalizing, a little scary, and wholly wondrous".[11] Critics also praised the work of mastering engineer Will Yip.[9][7]
No. | Title | Length |
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1. | "Coelacanth" | 6:34 |
2. | "Motions" | 3:32 |
3. | "Slip Under the Door" | 5:28 |
4. | "Guitar Song" | 2:28 |
5. | "Rare Animal" | 4:38 |
6. | "Cul-de-Sac" | 4:35 |
7. | "Whalefall" | 4:10 |
8. | "Puppy" | 3:17 |
9. | "The Killer" | 4:13 |
10. | "The CIA" | 4:42 |
11. | "200" | 3:49 |
12. | "Commatose" | 9:49 |
13. | "Abyss Angel" | 5:56 |
Total length: | 63:11 |
All tracks are written by J McClendon, Jonas Newhouse, Layne Smith, and William White.
Notes