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Peter Doell is an American recording and mastering engineer known for his work with Miles Davis, Toto, Céline Dion and The Beach Boys.[1] Doell has been a staff engineer at Capitol Studios, Sunset Sound Recorders[2][3] and Universal Mastering Studios West.[4][5][6] His film and TV work includes Road To Perdition, Black Hawk Down and Monsters, Inc., American Idol, The Voice and Empire.[7][8][9]
Peter Doell | |
|---|---|
| Born | Rochester, New York |
| Occupation(s) | Recording Engineer, Mixing Engineer, Mastering Engineer |
Doell is a member of the executive committee of the Audio Engineering Society Los Angeles Section, the National Academy of Recording Arts and Sciences Producers and Engineers Wing and past member of the AES Mastering Panel.[10]
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Doell grew up in Rochester, New York. His interest in music was sparked by the summer concert series "The Arrangers Holiday" at the Eastman School of Music, where Phil Ramone was the recording engineer. During high school, Doell played the electric bass on bands he put together.[11][2]
Doell started college enrolled in a biology program to later pursue a career in medicine. He changed from biology to music after seeing the multi-track tape recorders at his college's music department.[11] Doell graduated from University at Albany with a B.A. in Electronic Music Composition.[10]
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Recording engineer
Doell began his career as a recording engineer at Dimension Sound in Boston in 1974. In 1980, he relocated to Los Angeles as a recording engineer at Wally Heider Studios.[11] He was assistant engineer on Eddie Money's album “No Control” produced by Tom Dowd[12][2]
After a year at Wally Heider, Doell moved to Sunset Sound Factory, where he was a technician for 18 months. In 1983 Doell moved to Capitol Studios,[13][14][15] where he worked for 15 years.[2] Peter Doell was the recording engineer for the albums “While the City Sleeps...” by George Benson and “Tutu” by Miles Davis, produced by Tommy LiPuma. He was recommended to LiPuma by James Newton Howard.[11] Davis won the Grammy Award for "Best Jazz Instrumental Performance, Soloist" for his performance on "Tutu".[16]
Throughout the late 80s and 90s, Doell was recording engineer on albums including “Festival” by Lee Ritenour (1988), “Standard Time, Vol. 3: The Resolution of Romance” by Wynton Marsalis (1990), “The Sun Don't Lie” by Marcus Miller (1993), “Duets” and “Duets II” by Frank Sinatra (1993 and 1994), “Falling into You” by Céline Dion (1996) and the original motion picture soundtrack for “Tarzan” by Phil Collins and Mark Mancina (1999).[12]
Mastering engineer
In the early 2000s, Doell took on a role as mastering engineer.[17] He worked as senior mastering engineer at Universal Mastering Studios West's Studio A.[2][18] This room was known for its unusually large dimensions for a mastering studio (32’x21’x11’).[4] Doell mastered records from labels affiliated to Capitol Music Group, owned by Universal Music Group (UMG), as well as from independent clients.[5][19] At Universal, Doell mastered the album "Toto XIV", which won a TEC Award in 2016 in the "Record Production/Album" category.[20]
In February 2016, Doell joined AfterMaster Audio Labs[6] as senior mastering engineer as the company expanded its mastering services.[21][22][23]
In September 2022, Doell founded the mastering studio 21st Century Audio. Albums mastered by Doell at 21st Century Audio include "Fifty" by The Manhattan Transfer ,[24] "Live in Italy" by the Peter Erskine Trio and "Vulnerable" by Nikkole.[25]
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Doell organizes a weekly lunchtime gathering in Burbank, California. Producers and engineers meet on the outdoor patio of a Mexican restaurant. Attendance has reached 150.[26][27]
Grammy Awards
Doell is credited as mastering engineer on the following Grammy-nominated albums at the 65th Annual Grammy Awards:[28]
- Fifty – The Manhattan Transfer (Best Jazz Vocal Album)
- Live in Italy – Peter Erskine Trio (Best Jazz Instrumental Album)
RIAA
Doell is credited as engineer in the following RIAA certified records:[29][30]
- A New Day Has Come, Céline Dion (3× Platinum)
- Christmas Memories, Barbra Streisand (Platinum)
- This Time, Dwight Yoakam (3× Platinum)
- If There Was A Way, Dwight Yoakam (Platinum)
- Reckoning, R.E.M. (Gold)
Goldmine Magazine
Doell is credited as mastering engineer on Nikkole's 2021 album "Vulnerable", chosen #1 on Goldmine Magazine's 2022 Top 10 Soul and R&B albums of the year.[31]
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| Year | Album | Artist | Role |
|---|---|---|---|
| 1970 | Asante | McCoy Tyner | Remixing |
| 1972 | The Last Session | Lee Morgan | Remixing |
| 1975 | Teaser | Tommy Bolin | Mastering |
| 1977 | Street Survivors | Lynyrd Skynyrd | Remixing |
| 1986 | While the City Sleeps... | George Benson | Engineer |
| 1986 | Tutu | Miles Davis | Engineer |
| 1986 | Rock Therapy | Stray Cats | Engineer |
| 1986 | Abstract Emotions | Randy Crawford | Mixing |
| 1988 | Recently | Joan Baez | Engineer |
| 1988 | Born 2 B Blue | Steve Miller | Engineer |
| 1989 | Repeat Offender | Richard Marx | Engineer |
| 1990 | Standard Time, Vol. 3: The Resolution of Romance | Wynton Marsalis | Engineer |
| 1990 | If There Was a Way | Dwight Yoakam | Engineer |
| 1991 | Back from Rio | Roger McGuinn | Engineer |
| 1992 | La Croix d’Amour | Dwight Yoakam | Engineer |
| 1993 | This Time | Dwight Yoakam | Engineer |
| 1993 | The Sun Don't Lie | Marcus Miller | Engineer |
| 1994 | Healing Hands of Time | Willie Nelson | Engineer |
| 1995 | Absolutely! | Clayton-Hamilton Jazz Orchestra | Engineer |
| 1996 | What the Hell Happened to Me? | Adam Sandler | Engineer |
| 1996 | Static Prevails | Jimmy Eat World | Engineer |
| 1996 | Stars and Stripes, Vol. 1 | The Beach Boys | Engineer |
| 1999 | Tarzan (Original Motion Picture Soundtrack) | Phil Collins, Mark Mancina | Engineer |
| 1999 | At First Sight (Score/Original Motion Picture Soundtrack) | Mark Isham | Mixing |
| 2000 | The Road to El Dorado (Original Motion Picture Soundtrack) | Elton John | Engineer |
| 2000 | Complete Blue Note Elvin Jones Sessions | Elvin Jones | Remixing |
| 2002 | An American Journey: Winter Olympics 2002 | John Williams | Scoring Crew |
| 2002 | A New Day Has Come | Céline Dion | Engineer |
| 2002 | 200 km/h in the Wrong Lane | t.A.T.u. | Mastering |
| 2004 | Trios | Wynton Marsalis | Engineer |
| 2006 | To Go: Stick It in Your Ear | The Jackson 5 | Mastering |
| 2006 | To Go: Stick It in Your Ear | Commodores | Mastering |
| 2006 | To Go: Stick It in Your Ear | James Brown | Mastering |
| 2007 | Hits and Rarities | Sheryl Crow | Mastering |
| 2009 | You Never Can Tell: The Complete Chess Recordings 1960-1966 | Chuck Berry | Remixing |
| 2009 | The High End of Low | Marilyn Manson | Mastering |
| 2009 | Let's Talk About Love/A New Day Has Come | Céline Dion | Engineer |
| 2010 | Rarities Edition: Street Survivors | Lynyrd Skynyrd | Remixing |
| 2010 | Have Mercy: His Complete Chess Recordings (1969-1974) | Chuck Berry | Mixing |
| 2011 | Re: (Disc)overed | Puddle of Mudd | Mastering |
| 2011 | Beg for Mercy | Adam Lambert | Mastering |
| 2013 | Transition | Steve Lukather | Mastering |
| 2013 | Made in California | The Beach Boys | Engineer |
| 2013 | Icon | Tom Jones | Mastering |
| 2013 | Icon | The Beach Boys | Mastering |
| 2014 | Genius Loves Company (10th Anniversary Deluxe Edition) | Ray Charles | Mastering |
| 2015 | Toto XIV | Toto | Mastering |
| 2016 | Dr. Um | Peter Erskine | Mastering |
| 2017 | Second Opinion | Peter Esrkine | Mastering |
| 2021 | Dimmi di più | Elemento 38 | Mastering |
| 2021 | Vulnerable | Nikkole | Mastering |
| 2022 | Live in Italy | Peter Erskine Trio | Mastering |
| 2022 | Fifty | The Manhattan Transfer ft. WDR Funkhausorchester | Mastering |
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