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The Paschal troparion or Christos anesti (Greek: Χριστός ἀνέστη) is the characteristic troparion for the celebration of Pascha (Easter) in the Byzantine Rite.
Like most troparia, it is a brief stanza often used as a refrain between the verses of a psalm, but is also used on its own. It is sung in the first plagal (or fifth) tone. Its author or date is unknown.
| Greek | Transliteration | English translation[1] | Poetic English translation by Vladimir Morosan |
|---|---|---|---|
Χριστὸς ἀνέστη ἐκ νεκρῶν, θανάτῳ θάνατον πατήσας, καὶ τοῖς ἐν τοῖς μνήμασι, ζωὴν χαρισάμενος! | Christós anésti ek nekrón, thanáto thánaton patísas, ké tís en tís mnímasi, zoín charisámenos! | Christ is risen from the dead, by death trampling death, and to those in the tombs granting life! | Christ is risen from the dead, trampling down death by death, and upon those in the tombs bestowing life! |
The first line paraphrases from 1 Corinthians 15:20 (Νυνὶ δὲ Χριστὸς ἐγήγερται ἐκ νεκρῶν).[2] The troparion is part of the Paschal Divine Liturgy of the Byzantine Rite, and it was certainly in use in the 5th or 6th century.[2] Its ultimate origin is unknown; Metropolitan Hilarion (Alfeyev) (2009) has suggested a 2nd-century origin.[3]
According to the testimony of the Jerusalem tropologion (or iadgari, an ancient hymnography surviving only in a Georgian translation of the 8th century[4]), the troparion was sung at the end of the Easter Vigil in the late ancient Jerusalem Easter liturgy.[2] Based on the Typikon of the Great Church, the troparion was part of the non-monastic liturgy at the Hagia Sophia by the 10th century.[2]
In Finland, the Orthodox Church of Finland is a minority church. However, the Orthodox Easter Vigil has been broadcast on radio and television for decades, and so the troparion gradually became well-known to non-Orthodox Finns. In 1986, the Evangelical Lutheran Church of Finland – the largest religious denomination in the country — added the troparion to its revised official hymnal, where it is hymn number 90, used for Easter. It is recommended to be sung three times in succession.[5]
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