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Fātemeh Vā'ezi (Persian: فاطمه واعظی, born March 16, 1950, in Tonekabon, Iran), better known as Parisā (Persian: پریسا), is a Persian classical singer, Avaz master, and one of the foremost female vocalists from Iran.[1][2]
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Parisā | |
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,_Persian_Classical_Vocalist_(Singer)_and_Persian_Vocal_Music_Master.jpg) Parisa, 2015 (photo by Saghar Barekat) | |
| Background information | |
| Birth name | Fātemeh Vā'ezi |
| Born | March 16, 1950 |
| Origin | Tonekabon, Iran |
| Genres | Classical Persian music |
| Occupation(s) | Vocalist, singer, musician |
| Years active | 1960s to present |
| Website | Parīssā |
After finishing high school, emphasizing Persian literature, she started her musical work under the supervision of the renowned Persian Radif teacher, Mahmoud Karimi, a highly respected teacher of classical Persian music whose vast knowledge of the ancient repertoire was fundamental to her career.
Karimi once commented: "Parisa is my most promising pupil, and she can sing all the modes with the skill of re-interpretation or improvisation necessary to perform Iranian music correctly".[3]
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In the early 1970s, Parisa trained intensely with vocal master Mahmud Karimi at the Honarestan-e Musiqi-ye Meli (National Music Academy) and occasionally performed at the Ministry of Culture's Rudaki Hall. Fulbright scholar of Iranian music Lloyd Miller was also studying with master Karimi in the men's vocal class at the Music Academy. One day master Karimi invited Miller to visit the women's class. Miller was stunned by Parisa's excellent verbal skills and decided to do everything possible to help her rise to the top of the Tehran music scene. As a music writer in most publications in Tehran, Miller began to continually praise everything about Parisa, while he was also writing relatively negative reviews about some of the westernized pop-oriented concerts presented by the Ministry of Culture at Rudaki Hall. Miller was the PR person for the Center for Preservation and Propagation of Iranian Music, directed by grand master Daryush Safvat.
Since Parisa was funded by a scholarship from the Ministry of Culture, she could not be a member of the NIRT Center until she worked off her scholarship by performing for the Ministry. This situation saddened Miller, but one day was invited to Rudaki Hall for a meeting with an official from the Ministry. At the conference, Miller was asked what it would take to stop writing scathing negative articles about the Ministry for their "inappropriate modern and pop music efforts". According to him, if the Ministry would "allow Parisa to join the Center's cadre of rising young masers of totally traditional music," he would "only write about the good concerts at the Ministry like western classical music or other harmless efforts." The next day when Miller went to the Center he was shocked to see Parisa sitting waiting for an interview with master Safvat. She was consequently immediately accepted and began her career as one of Iran's foremost vocalists.
Meanwhile, Miller had applied to be the A and R person for CBS Iran but was rejected in favor of Marcel, a popular modernized piano personality. Miller was told he was dismissed because he had an agenda and couldn't be fair in his music selections. Miller was not discouraged, and at a party soon after, he befriended Marsel and enticed him to come to Dr. Safvat's Center to hear the incredible vocalist and instrumentalists in the country. Marcel was immediately converted to Parisa and soon produced three cassette tapes that hit the top of the music charts in Tehran. Parisa and the Center's musicians offered many concerts in Iran and at the annual Shiraz Art Festival. She also performed at festivals in Europe and Japan.
After the 1979 revolution, Parisa was no longer allowed to perform in public. However, she should have been the one lady vocalist who would have been accepted, except that other less appropriate singers would try to get back their claim to fame. So she devoted herself to her family and giving private lessons.[4]
In 1980, she was again invited to teach traditional Persian music at the Center, which she continued to do until 1995. Since then, she has performed at music festivals and major concert halls throughout the world with many prominent groups and musicians, including Dastan Ensemble, Dariush Tala'i, and Hossein Omoumi.[1]
Parisa currently lives in Tehran, Iran.
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Although still based in Iran, for the last 20 years, she has been able to tour widely, performing Persian and Sufi music in Europe and the US, and has recorded several albums. Here is a list of her activities up to 2012:
| 1970-1975 | Vocalist in the Ministry of Arts and Culture, performing throughout Iran, Pakistan and Afghanistan. | ||||
| 1973 | Concerts: 40 concerts in 40 cities in France to introduce the art of Persian classical music. | ||||
| 1975-1981 | Vocalist and instructor at the Center for Preservation and Propagation of Iranian Music. Published numerous recordings by CBS Records. | ||||
| 1975, 1976, 1977 | Concerts: The Shiraz Arts Festival performed some of the most groundbreaking and memorable concerts along with influential young musicians at the time. | ||||
| 1978 | Concerts: Invited to attend the "Asian Traditional Performing Arts Festival" in Japan under the auspices of the Japan Foundation. The main emphasis was placed on the vocal music of Burma, India, Iran, Mongolia and Japan. The official reports of the series of seminars and workshops have been documented in a book entitled Musical Voices of Asia published by the Japan Foundation (1980). Eleven 16mm movies, an album of three LP records, and an accompanying CD entitled Classical Vocal Art of Persian were also produced from this event. | ||||
| 1979-1995 | Unable to perform publicly after the Iranian revolution. Devoted this time to research and teaching the vocal Radif contributed to the publication The Art of Persian Music, by Jean During and published by Mage publications, and the accompanying CD: The Anthology of Persian Music. | ||||
| 1995 | Album released: Baz Amadam
Series of concerts in England, France, Germany, Sweden, Switzerland and the Netherlands after 15 years of silence. | ||||
| 1996 | Festival: Festival des Voix Sacreés, France
Three vocalists were invited to represent the vocal tradition of their respective religions: Jewish, Christian and Islamic, at "l´Arsenal de Metz". | ||||
| 1996 | Concerts: Salle Olivier Messiaen and Radio Denmark
Invited by Radio France. with Hossein Omoumi (Ney), Saam (Daf) The disc Tale of Love was released from these performances later. | ||||
| 1996 | Concert: Théâtre de la Ville, Paris
with Hossein Omoumi (Ney), Saam (Daf) | ||||
| 1996 | Concert: Royal Festival Hall II, London
with Hossein Omoumi (Ney), Saam (Daf) | ||||
| 1997 | Festival: e Festival de L´ Été à Bourges, France
Invited for an event entitled "Nuit des Voix de Femme". | ||||
| 1998 (Sep-Oct) | Album released: Tale of Love (Medley)
Festival: Women In Traditions, invited by MultiCulti inc. London (Queen Elizabeth Hall), with Hossein Omoumi (Ney) and Saam (Daf) | ||||
| 1998 | Tour: USA and Canada
with Hossein Omoumi (Ney), Pejman Haddadi (Tombak), Saam (Daf) New York (Symphony Space), Philadelphia (Rosemont College, Lawrence Hall), Tampa (University of South Florida - Coopers Hall), Miami: Ash Auditorium (Hyatt Regency Hotel), Washington DC (George Washington University Lisner Auditorium, Atlanta (Emory University), San Diego (Museum of Contemporary Art), Seattle (University of Washington- HUB Auditorium), San Francisco (Palace of Fine Art), Los Angeles (UCLA Wadsworth Theater), Portland (Scottish Rite Center), Vancouver (Centennial Theatre), Toronto (Seneca College), Montreal (Dalle Brebouf College) Later the albums Tale of Love I and II were released from these performances. | ||||
| 1999 (Feb) | Tour: Australia
Sydney (University of Macquarie), Melbourne (University of Latrobe), Adelaide (Theatre of Royal), Perte (University of Perte) | ||||
| 1999 (Aug) | Album released: Tale of Love I | Esfahan
Concert: Voix d ete en Creuse, France, with Hossein Omoumi | ||||
| 1999 (Oct) | Festival: "FestKoncert" of Munchen, Germany | ||||
| 2000 (Apr) | Concert: London: Queen Elizabeth Hall
With Behdad Shahideh (Tar), and her son, Dara Afraz, for the first time. He accompanied the group with Daf. | ||||
| 2001 (Nov) | Concert: Switzerland: Voix Sacrées du Monde, Lausanne [5]
with Behdad Shahideh (Tar), Dara Afraz (Daf) | ||||
| 2002 (Jun-Jul) | Festival: The Silk Road, Washington D.C., USA
36th Annual Smithsonian Folk Life Festival performing with Daryush Talai (Tar)[6] | ||||
| 2002 (Sep-Oct) | Album released: Tale of Love II | Nava
Tour: USA, with Daryush Talai: New York (Asia Society and Museum), Hawaii (Honolulu Academy of Arts), Berkley (First Congregational Church), Los Angeles (Wadsworth Theatre, Persian Arts Society) | ||||
| 2002 (Oct-Dec) | Tour: Europe, with Dastan Ensemble:
Berlin (SFB Grosser Sendesaal), Hamburg (Musikhalle), Kobenhavem (Amager Bio), Stockholm (Folkets Hus) Goteborg (Universitet / Astisten), Helsingborg (Dunkers Kulturhus), Antwerpen, Amsterdam, Utrecht, Oslo, Frankfurt (HR Sendesaal), Giessen (Kongresshalle), Munchen (Goethe Institute, Freiburg (Historisches Kaufuaus), London (Queen Elizabeth Hall), Koln, Heidelberg (Kongresshaus Stadthalle) | ||||
| 2003 (Apr-Jun) | Album released: Shoorideh - Parissa and Ensemble Dastan
Tour: Canada and USA, with Dastan Ensemble Toronto, Montreal, Ottawa, Vancouver, Seattle, Portland, Orange County, San Francisco, New York, New Haven, Washington D.C., Cleveland, Chicago, Atlanta | ||||
| 2004 | Concert: European tour in Berlin, Paris, and London with Dastan Ensemble | ||||
| 2005 | Album released: Gol-e Behesht - Parissa and Ensemble Dastan
A European tour with Dastan Ensemble and joining the Tar and Setar Seminar in the Netherlands. Venice, Rome, Freiberg, Koln, Oslo | ||||
| 2006 | Concert: Madrid, Spain
Performing the album Shoorideh with Dastan Ensemble | ||||
| 2006 | Tour: USA and Canada, with Dastan Ensemble:
Montreal, Ottawa, Toronto, Vancouver, New York, Atlanta, Dallas, Chicago, Ann Arbor, Michigan, Orange County, Los Angeles, San Francisco, San Diego | ||||
| 2007 | Concert: Performing the Gol-e Behesht in the Fes Festival
Fes, Morocco with Dastan Ensemble | ||||
| 2007 | Album released: Simplicity - Parissa and Iman Vaziri | ||||
| 2007 | Concert: Brussels, Belgium: Female Voices Festival
Performing the album Simplicity. with Iman Vaziri (Tar) and Ali Rahimi (Tombak) Some master classes and workshops were included in this festival. | ||||
| 2007 | Concert: Brussels, Belgium: Female Voices Festival
Performing the album Simplicity. with Iman Vaziri (Tar) and Ali Rahimi (Tombak) Some master classes and workshops were included in this festival. | ||||
| 2008 | Concert: Italy and Spain
Florence (Italy): Festival MUSICA DEI PAPOLI Barcelona (Spain): QADAR Festival Performing the album Simplicity and a new one-hour program | ||||
| 2008 | Concert: Paris, Rennes & Dusseldorf
Performing the expanded version of the project Simplicity with the company of Kamancheh in Düsseldorf. Iman Vaziri (Tar), Ali Rahimi (Tombak) and Ehsan Zabihifar (Kamancheh) | ||||
| 2009 | Concert: Asia Society, New York
performing at the Muslim Voices festival, Asia Society Iman Vaziri (Tar), Dara Afraz (Tombak) | ||||
| 2009 | Concert: Lombrana, Santander, Spain (August 8)
performing at the Santander International Festival Iman Vaziri (Tar), Dara Afraz (Tombak) | ||||
| 2009 | Concert: Uppsala, Sweden
performing at the Uppsala Sacred Music Festival Iman Vaziri (Tar), Dara Afraz (Tombak) and Ehsan Zabihifar (Kamancheh) | ||||
| 2010 | Concert: Santiago, Sweden
performing at the festival of Sacred sounds Iman Vaziri (Tar), Dara Afraz (Tombak) |
2012 (May–June) | Tour: West USA and Canada
with Hamnavazan Ensemble | ||
- Iranian music
- Persian traditional music
Parisa performing in Shiraz Art Festival. - List of Iranian women
- Shiraz Arts Festival
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