Paris 05:59: Théo & Hugo

2016 film by Olivier Ducastel and Jacques Martineau From Wikipedia, the free encyclopedia

Paris 05:59: Théo & Hugo

Paris 05:59: Théo & Hugo (French: Théo et Hugo dans le même bateau; also known as Theo and Hugo in some territories) is a 2016 French erotic romantic drama film written and directed by Olivier Ducastel and Jacques Martineau. It was shown in the Panorama section at the 66th Berlin International Film Festival.[1] The film won the Audience Award at the Berlin Festival's 2016 Teddy Awards.[2]

Quick Facts French, Directed by ...
Paris 05:59: Théo & Hugo
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Theatrical release poster
FrenchThéo et Hugo dans le même bateau
Directed by
Written by
  • Olivier Ducastel
  • Jacques Martineau
Produced byEmmanuel Chaumet
Starring
CinematographyManuel Marmier
Edited byPierre Deschamps
Music byKarelle+Kuntur
Production
companies
  • Ecce Films
  • Epicentre Films
Distributed byEpicentre Films
Release dates
  • 15 February 2016 (2016-02-15) (Berlin)
  • 27 April 2016 (2016-04-27) (France)
Running time
97 minutes
CountryFrance
LanguageFrench
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The film stars Geoffrey Couët and François Nambot as two gay men who meet during the film's opening 20-minute scene at L'Impact, a gay sex club,[3] and follows them as they get to know each other during the next two hours, biking and walking in northeast Paris, visiting a hospital, riding the metro, and visiting one's apartment, encountering a woman on the Paris Métro and a counter server in a kebab shop.[4] The action of the film begins at 4:27 am and concludes at 5:59 am.[5] The film received favourable reviews from critics.

Production

The film was filmed over the course of 15 days, including nine nights, on a small budget. The original script set the film over the course of 28 days, but was later changed to occur during real-time in the course of 93 minutes in the early morning hours.[citation needed]

Cast

Reception

The film received favourable reviews from critics. On Rotten Tomatoes it has an approval rating of 92% with an average score of 6.90/10 out of 25 critics,[6] while on Metacritic it has a score of 74% out of 11 critics.[7]

References

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