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Canadian-American artist From Wikipedia, the free encyclopedia
Panteha Abareshi (Persian: پانتهآ ابارشی; born 1999)[1] is a Canadian-born American multidisciplinary artist and curator, primarily working within installation art, video art, and performance art. They are of Jamaican and Iranian descent, and their work is about chronic illness and disability.[2] Abareshi is based in Los Angeles, California.[2] Abareshi identifies with the pronouns they/them/theirs.[3]
Panteha Abareshi | |
---|---|
پانتهآ ابارشی | |
Born | 1999 (age 24–25) Montreal, Quebec, Canada |
Education | University of Southern California |
Occupation | visual artist |
Notable work | For Medical Use Only (2019) |
Website | www |
Panteha Abareshi was born in 1999 in Montreal, Quebec, Canada; and raised in Tucson, Arizona.[1][4] Abareshi's mother is Jamaican and their father is Iranian; they were primarily raised by their single father.[5][6][7] Abareshi was born with the genetic blood disorder, Sickle cell zero beta thalassemia which causes chronic pain and more pain as they age.[4][5] Their blood disorder was diagnosed at age two.[7] Abareshi identifies with the pronouns they/them/theirs.[3]
Abareshi attended the University of Southern California (USC) in the Roski School of Art and Design.[1] At USC, Jennifer West has served as a mentor and teacher.[8]
Abareshi uses the experience of chronic illness to examine concepts of medical violence, representation, materialness, and more.[1][5] Abareshi's video work, For Medical Use Only (2019) has been influential for artist Carolyn Lazard.[9]
In January 2020, Abareshi was on the cover of Bitch Magazine (spring 2020, 86 issue).[10] In spring 2020, they published the art book, Panteha Abareshi: I Am Inside the Body (published by Sming Sming Books).[11] Abareshi was awarded the 2021 VSA Emerging Artists Competition, by the Kennedy Center.[4]
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