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2011 studio album / greatest hits by Cascada From Wikipedia, the free encyclopedia
Original Me is the fourth studio album from German Eurodance act Cascada, first released on 17 June 2011. Recording sessions for the album took place from 2009 to 2011 at Plazmatek Studio, Yanou Studio 1. The entire album, like their previous albums, was produced by the two DJs from Cascada, Yanou and DJ Manian. The album’s genre follows in the footsteps of the preceding album, Evacuate the Dancefloor, completely shifting away from the uptempo eurodance, containing electropop songs that are influenced by urban contemporary and pop music. Musically, the album is composed of electro-infused dance tracks with thick euro synths, cymbal crashing beats and Europop lyrics. Lyrically, the album, like the preceding albums, is composed of songs about love, dancing, and relationships.
Original Me | ||||
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Studio album / greatest hits by | ||||
Released | 17 June 2011 | |||
Recorded | 2009–2011; Plazmatek Studio, (Cologne, Germany) | |||
Genre | ||||
Length | 37:52 | |||
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Producer | ||||
Cascada chronology | ||||
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Singles from Original Me | ||||
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The album was released as a two disc set. The first disc features the eleven original songs for the album. The second set is a greatest hits compilation CD, featuring every single Cascada has released internationally. Critical reception of the album was mixed, with critics praising the sound and lyrics. Despite this, the album underperformed compared to the group's previous records. This led to the album being dropped by Cascada's US record Label, Robbins Entertainment.
"Pyromania" was the first single released from the album on 19 March 2010; it was later released in the U.S. in the summer of the same year. The single achieved moderate chart positions worldwide. “Night Nurse” was released as a promotional single on 7 November 2010 in the U.K., but was released commercially in the United States exclusively on 16 December 2011. “San Francisco” was released on 1 May 2011 in Europe and in the U.S. on 4 November 2011. It peaked in the top 15 in the Netherlands, Austria and Germany. The 4th single "Au Revoir", was released in the U.K. and Germany on 23 September 2011, and in the U.S. on 15 November 2011.
The album was produced over a two-year time period at Plazmatek Studios in Germany. Every song on the album was produced by the two disc jockeys of Cascada, DJ Manian and Yanou. Like the previous albums by the recording group, album features songwriting credits from other writers including Tony Cornelissen, Allan Eshuijs, Jonathan Kinnear, James Kinnear and Andres Ballinas. New writers on the album include Mimoza Blinsson, Alfred Tuohey, Nina Peifer, Max Persson, and Salar Gorgees. Some of the production was aided by writers on the album like Alfred Tuohey and Andres Ballinas.
For this album, Cascada decided to experiment with a new release strategy, planning to produce and release different singles and then attempting to bind them all into an album. A new single "Pyromania" was released in 2010. When interviewed about the new music coming out, lead singer Natalie Horler described their current music as going in a "slightly more pop direction".[2] She still classifies it as dance music as it has combine their "clubby electronic pop" sound, with less beat per minute.[2] A second single, "Night Nurse", was the released along with a music video featuring Natalie in full body paint of various colors in many scenes. This song never got a commercial release but was featured on a compilation CD in the UK. All of the singles released before the album's release date were came out six months apart, with "Pyromania" released in March, "Night Nurse" released in November and "San Francisco" released in June.
The album is comprised heavily of electropop music influenced by Europop, Eurodance and R&B. It follows in the sound of the previous album, Evacuate the Dancefloor, taking away the bell-synths, drum machines and synthesizers used in the Eurodance style they were previously known for. The production features more cymbal crashing beats, modern robotic synths and heavily auto-tuned male vocals. Other instruments featured in the production of this album include piano loops, guitars and synth strings. On two of the songs, “Unspoken” and “Independence Day”, Zimbabwean-German rapper Carlprit was featured, rapping throughout the first and second verse while Horler sang the chorus.
“San Francisco” is a song written as a tribute to the city San Francisco in California, like the hit singles “Empire State of Mind” by American rapper Jay-Z and California Gurls by American pop recording artist Katy Perry. The song has been most notably compared to “California Gurls” in sound, noting the similar floaty synth hook and grinding beats.[3] The second track, “Au revoir,” is an electropop song with influences of glam schlager[3] about how some men put up a front and how it does not faze Horler. “Stalker” is about an infatuation with another person that has left the other partner wanting to be around that one person all day, every day. The song is an electro infused dance cut that features the use of fizzing synthesizers and a drum machine with drums and a piano loop starting off the song. “Night Nurse” is an electropop song that has the recycled beat of “Pyromania” but has an ominous undertone and excessively Auto-Tuned male vocals.[3] The song alludes to a love affair while featuring references to medicine, remedies and chemistry. “Pyromania” is the fourth track on the album and is written about a love for fire. It features a robotic sound,[3] aided by the Auto-Tuned male vocals and the Lady Gaga electro-style,[3] and a “pyro-pyro” hook.
The third song, “Unspoken”, features German rapper Carlprit and is about a mutual attraction between two lovers and their synchronicity with each other. The title track is an electropop song about conformity and the modern standard of beauty. The song features the use of Auto-Tune on Horler’s vocals along with bleeping synth effects reminiscent of 1980’s electro music. The ninth track from the album, “Sinner On the Dancefloor,” is written about a love affair on the dance floor and features pin-sharp beats produced by the drum machine, thick eurodance synthesizers, and the Auto-Tune effects on unknown male vocals on the song. “Enemy” is a slinky Euro disco[3] song about a relationship at a standstill. “Hungover” is an obligatory pop ballad[3] with urban influences that resembles the sound of American musician Ryan Tedder’s musical work. The sixth track on the album, “Independence Day”, is a pop song that is influences by rock[3] and hip hop.[3] It features the vocals of German rapper Carlprit and is about a relationship underfire.
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "San Francisco" | Yann Peifer, Manuel Reuter, Tony Cornelissen | Manuel "Manian" Reuter, Yann "Yanou" Peifer | 3:46 |
2. | "Au Revoir" | Peifer, Reuter, Allan Eshuijs | Reuter, Peifer | 3:08 |
3. | "Unspoken" (with Carlprit) | Peifer, Reuter, Jonathan Kinnear, James Kinnear, Rudi Schwamborn | Reuter, Peifer | 3:26 |
4. | "Pyromania" | Peifer, Reuter, Eshuijs | Reuter, Peifer | 3:30 |
5. | "Enemy" | Peifer, Reuter, Steve Robson | Reuter, Peifer | 3:30 |
6. | "Independence Day" (with Carlprit) | Peifer, Reuter, Andres Ballinas, Schwamborn | Reuter, Peifer, Andres Ballinas* | 3:51 |
7. | "Stalker" | Peifer, Reuter, Eshuijs, Mimoza Blinsson, Alfred Tuohey | Reuter, Peifer, Alfred Tuohey (co.) | 3:32 |
8. | "Night Nurse" | Peifer, Reuter, Cornelissen | Reuter, Peifer | 3:22 |
9. | "Sinner on the Dancefloor" | Peifer, Reuter, Ballinas | Reuter, Peifer | 2:56 |
10. | "Original Me" | Peifer, Reuter, Cornelissen, Nina Peifer | Reuter, Peifer | 3:09 |
11. | "Hungover" | Peifer, Reuter, Jo. Kinnear, Ja. Kinnear, Max Persson, Salar Gorgees | Reuter, Peifer | 3:48 |
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "Everytime We Touch" | Peter Risavy, Maggie Reilly, Stuart MacKillop | Manuel "Manian" Reuter, Yann "Yanou" Peifer | 3:19 |
2. | "What Hurts the Most" | Steve Robson, Jeffrey Steele | Reuter, Peifer | 3:38 |
3. | "Evacuate the Dancefloor" | Peifer, Reuter, Allan Eshuijs | Reuter, Peifer | 3:27 |
4. | "Truly Madly Deeply" | Daniel Jones, Darren Hayes | Reuter, Peifer | 2:55 |
5. | "What Do You Want from Me?" | Peifer, Reuter, Tony Cornelissen | Reuter, Peifer | 2:48 |
6. | "Bad Boy" | Peifer, Reuter | Reuter, Peifer | 3:12 |
7. | "How Do You Do" | Per Gessle | Reuter, Peifer | 3:15 |
8. | "A Neverending Dream" | Alexander Kaiser, Matthias Uhle | Reuter, Peifer | 3:23 |
9. | "Fever" | Peifer, Reuter, Ballinas | Reuter, Peifer | 3:20 |
10. | "Wouldn't It Be Good" | Nik Kershaw | Reuter, Peifer | 3:27 |
11. | "Dangerous" | Peifer, Reuter, Cornelissen | Reuter, Peifer | 2:59 |
12. | "Because the Night" | Bruce Springsteen, Patti Smith | Reuter, Peifer | 3:26 |
13. | "Faded" | Matthew Gerrard, Jessica Origliasso, Lisa Origliasso, Robbie Nevil | Reuter, Peifer | 2:49 |
14. | "Perfect Day" | Peifer, Reuter, Eshuijs | Reuter, Peifer | 3:45 |
15. | "Last Christmas" | George Michael | Reuter, Peifer | 3:52 |
No. | Title | Writer(s) | Producer(s) | Length |
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1. | "San Francisco" | Yann Peifer, Manuel Reuter, Tony Cornelissen | Manuel "Manian" Reuter, Yann "Yanou" Peifer | 3:49 |
2. | "Au Revoir" | Peifer, Reuter, Allan Eshuijs | Reuter, Peifer | 3:08 |
3. | "Stalker" | Peifer, Reuter, Eshuijs, Mimoza Blinsson, Alfred Tuohey | Reuter, Peifer, Alfred Tuohey* | 3:32 |
4. | "Night Nurse" | Peifer, Reuter, Cornelissen | Reuter, Peifer | 3:23 |
5. | "Pyromania" | Peifer, Reuter, Eshuijs | Reuter, Peifer | 3:30 |
6. | "Unspoken" (featuring Carlprit) | Peifer, Reuter, Jonathan Kinnear, James Kinnear, Rudi Schwamborn | Reuter, Peifer | 3:26 |
7. | "Original Me" | Peifer, Reuter, Cornelissen, Nina Peifer | Reuter, Peifer | 3:09 |
8. | "Sinner on the Dancefloor" | Peifer, Reuter, Ballinas | Reuter, Peifer | 2:56 |
9. | "Enemy" | Peifer, Reuter, Steve Robson | Reuter, Peifer | 3:30 |
10. | "Hungover" | Peifer, Reuter, Jo. Kinnear, Ja. Kinnear, Max Persson, Salar Gorgees | Reuter, Peifer | 3:49 |
11. | "Independence Day" (featuring Carlprit) | Peifer, Reuter, Andres Ballinas, Schwamborn | Reuter, Peifer, Andres Ballinas* | 3:51 |
Total length: | 38:03 |
The album peaked 46 in Austria, 44 in Switzerland and 24 in the UK becoming the band's lowest chart position in those countries. The album peaked 41 in their home country, Germany, becoming their second lowest charting album there.
Charts (2011) | Peak position |
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Austrian Albums (Ö3 Austria)[13] | 46 |
German Albums (Offizielle Top 100)[14] | 41 |
Scottish Albums (OCC)[15] | 17 |
Swiss Albums (Schweizer Hitparade)[16] | 44 |
UK Albums (OCC)[17] | 24 |
UK Dance Albums (OCC)[18] | 2 |
Region | Certification | Certified units/sales |
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United Kingdom (BPI)[19] | Silver | 60,000‡ |
‡ Sales+streaming figures based on certification alone. |
Region | Date | Format | Label |
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Netherlands[20] | 17 June 2011 | CD, digital download | Zooland Records, Universal Music |
United Kingdom | 19 June 2011 | All Around the World | |
Germany[21] | 24 June 2011 | Zooland Records, Universal Music | |
Spain | 20 June 2011 | ||
Canada[12] | 5 July 2011 | CD, digital download (Single Disc) | |
Australia[22] | 8 July 2011 | CD, digital download | |
United States[23] | 29 November 2011 | Digital download |
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