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1959 film by Muktha Srinivasan From Wikipedia, the free encyclopedia
Odi Vilaiyaadu Paapa (transl. Play around, child) is a 1959 Indian Tamil-language film directed by V. Srinivasan. The film stars S. S. Rajendran and B. Saroja Devi.[1]
Odi Vilaiyaadu Paapa | |
---|---|
Directed by | V. Srinivasan |
Written by | K. Appannaraj |
Starring | S. S. Rajendran B. Saroja Devi |
Cinematography | Sampath E. N. Balakrishnan |
Music by | V. Krishnamoorthy |
Production company | Jagajothi Films |
Release date |
|
Country | India |
Language | Tamil |
This article needs a plot summary. (May 2022) |
Credits adapted from Saadhanaigal Padaitha thamizh thiraipada varalaru:[1]
Odi Vilaiyaadu Paapa shares its name with a poem written by Tamil poet Subramania Bharati.[2] It was directed by V. Srinivasan (who later became popularly known as Muktha Srinivasan) and produced by the studio Jagajothi Films. The story and dialogues were written by K. Appannaraj, while the cinematography was handled by Sampath and E. N. Balakrishnan. The art director was Angamuthu, the editor was N. G. Rajan and the music director was V. Krishnamoorthy, while the lyrics were written by Kambadasan. Bharati was also credited as lyricist. The length of the film was 14,517 feet (4,425 m).[1]
The music was composed by V. Krishnamoorthy.[3]
Song | Singer/s | Lyricist | Duration (m:ss) |
---|---|---|---|
"Pachai Kuzhandhaiyadi Kannil" | Seerkazhi Govindarajan & Radha Jayalakshmi | Mahakavi Subramania Bharathiyar | 05:27 |
"Kuyil Paadiyadhe" | P. Susheela | Kambadasan | 02:55 |
"Odi Vilaiyaadu Paapa" | Seerkazhi Govindarajan | Mahakavi Subramania Bharathiyar | 03:37 |
"Odi Vilaiyaadu Paapa" (pathos) | S. Janaki | Mahakavi Subramania Bharathiyar | 03:18 |
"Kummiyadi Kummiyadi" | P. Susheela | Mahakavi Subramania Bharathiyar | 02:55 |
"Paattu Mudiyum Munney" | P. B. Sreenivas | Kambadasan | 03:31 |
"Vaavendru Azhaikkudhe Thennai" | Seerkazhi Govindarajan & P. Susheela | Kambadasan | 04:57 |
Odi Vilaiyaadu Paapa was released on 25 September 1959,[1] and failed commercially.[4] Srinivasa Rao, editor of Narada magazine criticised Srinivasan for directing the film to show his prowess, and not giving any less financially well-off person or newcomer the chance to direct.[5]
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