Nintendocore
Music genre From Wikipedia, the free encyclopedia
Nintendocore[note 1] is a broadly defined style of music that most commonly fuses chiptune and video game music with hardcore punk and/or heavy metal. The genre is sometimes considered a direct subgenre of post-hardcore[10] and a fusion genre between metalcore and chiptune.[11]
| Nintendocore | |
|---|---|
| Other names | |
| Stylistic origins | |
| Cultural origins | Early 2000s, United States |
| Typical instruments | |
| Other topics | |
Characteristics
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Perspective
Nintendocore frequently features the use of electric guitars, drum kits, and typical rock instrumentation alongside synthesizers, chiptune, 8-bit sounds, and electronically produced beats.[1][3][12] It originated primarily from hardcore punk and heavy metal,[13][3][14] and subgenres of those styles such as post-hardcore,[12][15] metalcore,[15] and screamo.[3][16] Artists in the genre have also incorporated elements of electro,[3] noise,[17] noise rock,[1][18] and post-rock.[15][17] Nintendocore groups vary stylistically and come from a wide array of influences. Horse the Band combines metalcore, heavy metal, thrash metal, and post-hardcore with post-rock passages.[3][15][16] "The Black Hole" from Horse the Band's third album, The Mechanical Hand, is an example of Nintendocore, featuring screamed vocals, heavy "Nintendo riffs," and "sound effects from numerous games."[19] Math the Band includes electro and dance-punk styles.[20] Minibosses use Kyuss-inspired heavy metal riffing,[21] and The Advantage is associated with styles such as noise rock and post-rock.[22] The Depreciation Guild was an indie band that incorporated 8-bit sounds, video game music, and elements of shoegaze.[23]
Some bands feature singing, such as The Depreciation Guild, whose frontman Kurt Feldman provides "ethereal" and "tender vocals,"[23] and The Megas, who write lyrics that mirror video game storylines.[24] Others, such as Horse the Band and Math the Band, add screamed vocals into the mix.[3][4][15][16][25] But yet other groups are strictly instrumental, such as Minibosses,[21] and The Advantage.[1][17] While otherwise diverse, all Nintendocore groups "use specific instruments to mimic the sounds of Nintendo games."[12]
History
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Perspective
Horse the Band was an early pioneer of Nintendocore and the originator of the term, which frontman Nathan Winneke coined as a joke.[3][15] According to The A.V. Club, the group's "contorted roars, metal-core hysterics, esoteric video game references, and crusty 8-bit-style synth became inextricably linked to the nebulous genre."[15]
Another Nintendocore pioneer is The Advantage,[26] whom The New York Times praises as one of the groups who brought video game music into the mainstream modern music spotlight.[2] The Advantage is an instrumental rock band formed by two students attending Nevada Union High School.[2] Spencer Seim first heard the original two band members play at a 1999 Nevada Union High School talent show, beginning his musical career, and continued to lead the group forward after high school.[2] The group "plays nothing but music from the original Nintendo console games."[2] By creating rock cover versions of video game sound tracks, they have "brought legitimacy to a style of music dubbed Nintendocore."[1]
The Phoenix-based rock group, Minibosses, "[is] one of the most well-established bands in the Nintendocore genre, with an impressive roster of covers including Contra, Double Dragon, Excitebike," and covers of other video game themes.[24] Minibosses is known as one of the primary representatives of Nintendo rock,[27] performing at various video game expositions.[24] In addition to covers, the band has also produced original work.[24] The Harvard Crimson refers to Minibosses as "sworn rivals" of The NESkimos,[1] another Nintendocore practitioner.[24]
The 2007 debut album by The Depreciation Guild, In Her Gentle Jaws, has been referred to as Nintendocore by Pitchfork Media. The website wrote that "In Her Gentle Jaws sticks its neck out further than Nintendocore staples like The Advantage or Minibosses", and that the album's instrumental title track "could plausibly come from an NES cartridge."[23]
In 2016, a group of artists, under the Nintendocore Lives label, released a compilation album, Smash 64, themed after the original Super Smash Bros. game, in an attempt to revitalize the genre.[28]
See also
Notes
- Always intentionally spelled capitalized.
References
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