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American entertainment company From Wikipedia, the free encyclopedia
Regency Enterprises[a] is an American-British-Luxembourgish entertainment company formed by Arnon Milchan. It was founded in 1982 as the successor to Regency International Pictures (formerly known as Embassy International Pictures N.V.).
| |
| Regency Enterprises Arnon Milchan Enterprises | |
| Company type | Associate |
| Industry | Film and television production |
| Predecessors | Embassy International Pictures N.V. Alcor Films |
| Founded | July 12, 1982 |
| Founder | Arnon Milchan |
| Headquarters | West Hollywood, California, U.S. London, England Luxembourg City, Luxembourg[1] |
Key people | Arnon Milchan Brad Weston |
| Owners | Arnon Milchan (80%) 20th Century Studios (20%) |
| Divisions |
|
| Website | www |
Arnon Milchan founded his company as Embassy International Pictures N.V., which held the name for seven years until it was changed to Regency International Pictures. This company originally had no distribution deal of producing films with various studios such as The Ladd Company, Columbia Pictures, TriStar Pictures, Warner Bros., Touchstone Pictures, Vestron Pictures, Universal Pictures and 20th Century Fox (now known as 20th Century Studios), with the latter ending up being the distributor of the majority of Regency's library. It produced films such as Once Upon a Time in America and Q&A, but was shut down in 1991.
On January 15, 1991, Milchan and Regency, as well as Scriba & Deyle of Germany and Canal+ of France, formed a $600 million joint venture to finance 20 films in five years, all of which were to be distributed by Warner Bros.[3] Arnon Milchan rebranded Regency International Pictures to Regency Enterprises. A subsidiary company, New Regency Productions, was also created.[4] Formerly with offices on the Warner Bros. lot, New Regency is currently located on the 20th Century Studios lot. New Regency primarily produces movies, and has at least 100 movies to its credit. New Regency produced 2013's 12 Years a Slave, 2014's Birdman, and 2015's The Revenant, which earned the company two Academy Awards for Best Picture in a row, and three nominations.
Founder Arnon Milchan's daughter Alexandra Milchan headed their offshoot "Regency Vision", originally intended as a competitor to companies like New Line Cinema's Fine Line Features, a "specialty features" division.[5]
On March 24, 1999, New Regency executive David Matalon joined the supervisory board of Puma AG, an international sports company. At the time, Regency was the largest single shareholder in Puma, with more than a 25% stake.[6] Arnon Milchan also owned Puma stock, which he later sold for $676 million in May 2003.[7]
On September 9, 1997, Milchan signed a 15-year distribution pact with 20th Century Fox worldwide in all media with the exception of foreign television rights, ending a previous association with Warner Bros. (1991–1999). Fox's then-parent company News Corporation funneled $200 million in New Regency, in exchange for a 20% stake in the company.[2] On January 17, 2011, Fox and New Regency extended the pact, to expire in 2022.[8]
On May 21, 2008, they hired Hutch Parker as co-chairman of the studio.[9] He would eventually left the post on January 11, 2012.[10] In July of that same year New Regency announced that they launched a film production joint venture with British-based entertainment production company Shine Group to launch Shine Pictures with the former's Hutch Parker & Bob Harper joining the new subsidiary along with Shine Group's CEO Elizabeth Murdoch.[11]
In June 2012, New Regency announced that they formed a deal with EMJAG Digital Production and Shine America to create and distribute digital content. Under the deal with EMJAG Digital Productions, New Regency along with Shine America will co-produce and co-finance select digital products under a first-look deal with EMJAG's previous deal with Paramount being transferred to New Regency and Shine America.[12][13]
In January 2019, New Regency re-formed its international sales team to take back control of its international television licensing activities.
The Walt Disney Company inherited Fox's stake in Regency Enterprises and New Regency Productions after Disney acquired 21st Century Fox's assets on March 20, 2019.[14] Following the acquisition, 20th Century Fox and Fox Searchlight Pictures became divisions of Walt Disney Studios and were renamed 20th Century Studios and Searchlight Pictures, respectively, on January 17, 2020, with distribution of films by Regency Enterprises transferred to Disney, in exchange for a 20% stake in the parent company.[15] On December 13, 2021, New Regency renewed their global distribution deal with Disney.[16][17] This includes Disney's handling of global theatrical distribution, home entertainment, and first pay rights for New Regency. New Regency's sales team, led by Charlotte Thorp and primarily based out of London, United Kingdom will handle all other television and SVOD rights after the first pay window as well as other business development.[18]
New Regency Television International (formerly known as Regency Television) is a joint venture between Regency Enterprises and Fox Television Studios founded in 1998. Regency's best-known television shows include The WB/UPN sci-fi drama Roswell and the Fox sitcoms Malcolm in the Middle and The Bernie Mac Show.
On July 17, 2007, Regency Television shut down all production and closed its business after nine years in operation. On January 17, 2011, New Regency announced a return to the television business after 20th Century Fox extended its distribution business with Regency until 2022. Since New Regency re-formed its international sales team to take back control of its international television licensing activities in January 2019, Warner Bros. Domestic Television Distribution now handles domestic television rights to 1984's Once Upon a Time in America and the 1991–1999 Regency Enterprises library (except 1993's Six Degrees of Separation).
New Regency Television International launched at the start of 2019. Based out of London and drawing from New Regency's long-established relationships with the best writing, directing and producing talent, the division is focused on developing and producing high-end, authored and distinctive scripted content for the international marketplace.[19]
| Release Date | Title | Distributor | Notes | Budget | Gross (worldwide) |
|---|---|---|---|---|---|
| as Embassy International Pictures | |||||
| February 18, 1983 | The King of Comedy | 20th Century Fox | $19 million | $2.5 million | |
| June 1, 1984 | Once Upon a Time in America | Warner Bros. | co-production with The Ladd Company, PSO International and Rafran Cinematografica | $30 million | $5.3 million |
| December 18, 1985 | Brazil | Universal Pictures | co-production with Brazil Productions and 20th Century Fox | $15 million | $9.9 million |
| January 31, 1986 | Stripper | 20th Century Fox | N/A | $90,000 | |
| April 18, 1986 | Legend | Universal Pictures | co-production with 20th Century Fox | $15.5 million | $23.5 million |
| October 4, 1987 | Man on Fire | Tri-Star Pictures | uncredited; co-production with Acteurs Auteurs Associes, 7 Films Cinema, Cima Produzioni, France 3 Cinema and Sep Films | N/A | $519,596 |
| as Regency International Pictures | |||||
| February 3, 1989 | Who's Harry Crumb? | Tri-Star Pictures | uncredited; co-production with Frostbacks and NBC Productions | N/A | $10.9 million |
| March 1989 | Big Man on Campus | Vestron Pictures | as Regency International Pictures | Direct-to-video release | |
| December 8, 1989 | The War of the Roses | 20th Century Fox | uncredited; co-production with Gracie Films Nominated - Golden Globe Award for Best Motion Picture - Musical or Comedy |
$26 million | $160.2 million |
| December 15, 1989 | Family Business | Tri-Star Pictures | co-production with Gordon Company | N/A | $12.1 million |
| Release Date | Title | Distributor | Notes | Budget | Gross (worldwide) |
|---|---|---|---|---|---|
| as Regency International Pictures | |||||
| March 23, 1990 | Pretty Woman | Buena Vista Pictures | Uncredited; co-production with Touchstone Pictures and Silver Screen Partners IV Nominated - BAFTA Award for Best Film Nominated - César Award for Best Foreign Film Nominated - Golden Globe Award for Best Motion Picture - Musical or Comedy |
$14 million | $463.4 million |
| April 27, 1990 | Q&A | Tri-Star Pictures | co-production with Odyssey Distributors | $6 million | $11.2 million |
| as Regency Enterprises | |||||
| March 15, 1991 | Guilty by Suspicion | Warner Bros. | uncredited | $16 million | $9.48 million |
| May 10, 1991 | Switch | uncredited on domestic releases, credited as Odyssey/Regency internationally; co-production with HBO Pictures and Cinema Plus L.P. | $14 million | $15.5 million | |
| December 20, 1991 | JFK | co-production with Le Studio Canal+, Alcor Films, Ixtlan Productions and A. Kitman Ho Productions Nominated - Academy Award for Best Picture Nominated - Golden Globe Award for Best Motion Picture – Drama |
$40 million | $205.4 million | |
| February 28, 1992 | The Mambo Kings | co-production with Le Studio Canal+ and Alcor Films | $15.5 million | $6.7 million | |
| Memoirs of an Invisible Man | co-production with Le Studio Canal+, Alcor Films and Cornelius Productions | $30–40 million | $14.4 million | ||
| March 27, 1992 | The Power of One | co-production with Village Roadshow Pictures, Le Studio Canal+ and Alcor Films | $18 million | $2.8 million | |
| May 1, 1992 | Turtle Beach | co-production with Village Roadshow Pictures | N/A | $778,535 | |
| October 9, 1992 | Under Siege | co-production with Le Studio Canal+ and Alcor Films | $35 million | $156.6 million | |
| February 5, 1993 | Sommersby | co-production with Le Studio Canal+ and Alcor Films; theme music later served as basis for its own logo | $30 million | $150.1 million | |
| February 26, 1993 | Falling Down | co-production with Le Studio Canal+, Alcor Films and Arnold Kopelson Productions | $25 million | $40.9 million | |
| May 28, 1993 | Made in America | co-production with Le Studio Canal+, Alcor Films, Stonebridge Entertainment and Kalola Productions, Inc. | $22 million | $104 million | |
| July 16, 1993 | Free Willy | under Warner Bros. Family Entertainment, co-production with Le Studio Canal+, Alcor Films and Donner/Shuler-Donner | $20 million | $153.6 million | |
| August 6, 1993 | That Night | co-production with Le Studio Canal+ and Alcor Films | $7 million | $20,473 | |
| November 24, 1993 | George Balanchine's The Nutcracker | under Warner Bros. Family Entertainment, co-production with Elektra Entertainment, Robert A. Krasnow Productions and Robert Hurwitz Productions | $19 million | $2.1 million | |
| December 8, 1993 | Six Degrees of Separation | MGM/UA Distribution Co. | co-production with Metro-Goldwyn-Mayer and Maiden Movies | $15 million | $6.4 million |
| December 25, 1993 | Heaven & Earth | Warner Bros. | co-production with Le Studio Canal+, Alcor Films, Ixtlan Productions, and Todd-AO/TAE Productions | $33 million | $5.9 million |
| July 20, 1994 | The Client | co-production with Alcor Films | $45 million | $117.6 million | |
| August 26, 1994 | Natural Born Killers | co-production with Alcor Films, Ixtlan Productions and J.D. Productions | $34 million | $50.3 million | |
| September 16, 1994 | The New Age | co-production with Alcor Films and Ixtlan | $245,217 | ||
| September 30, 1994 | Second Best | co-production with Alcor Films and Sarah Radclyffe/Fron Film | N/A | $86,115 | |
| December 2, 1994 | Cobb | co-production with Alcor Films | $1.07 million | ||
| February 3, 1995 | Boys on the Side | co-production with Le Studio Canal+, Alcor Films and Hera Productions | $21 million | $23.4 million | |
| July 14, 1995 | Under Siege 2: Dark Territory | co-production with Seagal/Nasso Productions | $60 million | $104 million | |
| July 19, 1995 | Free Willy 2: The Adventure Home | under Warner Bros. Family Entertainment, co-production with Le Studio Canal+, Alcor Films and Shuler-Donner/Donner Productions | $31 million | $30 million | |
| September 22, 1995 | Empire Records | co-production with Alan Riche/Tony Ludwig Productions | $10 million | $303,841 | |
| October 27, 1995 | Copycat | $20 million | $32 million | ||
| December 15, 1995 | Heat | co-production with Forward Pass | $60 million | $187.4 million | |
| July 24, 1996 | A Time to Kill | $40 million | $152 million | ||
| August 16, 1996 | Tin Cup | co-production with Gary Foster Productions | $45 million | $75.8 million | |
| August 23, 1996 | Carpool | $17 million | $3.3 million | ||
| September 6, 1996 | Bogus | co-production with Yorktown Productions | $25 million | $4.4 million | |
| September 20, 1996 | Sunchaser | co-production with Veechio-Appledown Productions | $31 million | $21,508 | |
| October 20, 1996 | North Star | co-production with AFCL Productions, M6, Federal Films, Monarchy Enterprises, Nordic Screen Development, Urania Films, Canal+, Sofinergie 3, Cofimage 6, ProCrep, and The Eurimages Fund of the Council of Europe | $18 million | N/A | |
| April 18, 1997 | Murder at 1600 | co-production with Arnold Kopelson Productions | N/A | $41.1 million | |
| August 6, 1997 | Free Willy 3: The Rescue | under Warner Bros. Family Entertainment, co-production with Shuler Donner/Donner | $3.4 million | ||
| September 19, 1997 | L.A. Confidential | co-production with The Wolper Organization Nominated – Academy Award for Best Picture Nominated – BAFTA Award for Best Film Nominated – Golden Globe Award for Best Motion Picture – Drama Inducted into the National Film Registry in 2015 |
$35 million | $126.2 million | |
| October 17, 1997 | Breaking Up | N/A | $11,690 | ||
| The Devil's Advocate | co-production with TaurusFilm and Kopelson Entertainment | $57 million | $153 million | ||
| November 14, 1997 | The Man Who Knew Too Little | co-production with TaurusFilm and Polar Productions | $20 million | $13.7 million | |
| February 20, 1998 | Dangerous Beauty | co-production with TaurusFilm and Bedford Falls Productions | $8 million | $4 million | |
| April 10, 1998 | City of Angels | co-production with TaurusFilm and Atlas Entertainment | $55 million | $198.7 million | |
| July 29, 1998 | The Negotiator | co-production with TaurusFilm and Mandeville Films | $43.5 million | $88 million | |
| February 5, 1999 | Simply Irresistible | 20th Century Fox | co-production with TaurusFilm and Polar Productions | $6 million | $4.3 million |
| April 16, 1999 | Goodbye Lover | Warner Bros. Pictures | co-production with TaurusFilm, Gotham Entertainment Group and Lightmotive | $20 million | $1.9 million |
| April 23, 1999 | Pushing Tin | 20th Century Fox | co-production with TaurusFilm, Linson Films and Fox 2000 Pictures | $33 million | $8.4 million |
| April 30, 1999 | Entrapment | co-production with TaurusFilm, Fountainbridge Films and Michael Hertzberg Productions | $66 million | $212.4 million | |
| May 14, 1999 | A Midsummer Night's Dream | Fox Searchlight Pictures | co-production with TaurusFilm and Panoramica | $11 million | $16.1 million |
| October 15, 1999 | Fight Club | 20th Century Fox | co-production with TaurusFilm, Linson Films and Fox 2000 Pictures | $63 million | $100.9 million |
| Release Date | Title | Distributor | Notes | Budget | Gross (worldwide) |
|---|---|---|---|---|---|
| June 2, 2000 | Big Momma's House | 20th Century Fox | co-production with TaurusFilm, Friendly Films and Runteldat Entertainment | $30 million | $174 million |
| October 6, 2000 | Tigerland | co-production with KirchMedia and Haft Entertainment | $10 million | $148,701 | |
| October 20, 2000 | Bedazzled | co-production with KirchMedia and Trevor Albert Productions | $48 million | $90 million | |
| April 20, 2001 | Freddy Got Fingered | co-production with Epsilon Motion Pictures and MBST Productions | $14 million | $14.3 million | |
| September 28, 2001 | Don't Say a Word | co-production with Epsilon Motion Pictures, Village Roadshow Pictures, NPV Entertainment, Further Films and Kopelson Entertainment | $50 million | $100 million | |
| October 5, 2001 | Joy Ride | co-production with Epsilon Motion Pictures, Bad Robot and LivePlanet | $23 million | $36.6 million | |
| November 21, 2001 | Black Knight | co-production with Epsilon Motion Pictures, Runteldat Entertainment, Cass Film and The Firm, Inc. | $50 million | $40 million | |
| December 21, 2001 | Joe Somebody | co-production with Epsilon Motion Pictures, Fox 2000 Pictures and Kopelson Entertainment | $38 million | $24.5 million | |
| April 5, 2002 | High Crimes | co-production with Epsilon Motion Pictures, Monarch Pictures, Manifest Film Company and Janet Yang Productions | $42 million | $63.8 million | |
| April 26, 2002 | Life or Something Like It | co-production with Epsilon Motion Pictures, ITI Cinema and Davis Entertainment | $40 million | $16.9 million | |
| May 10, 2002 | Unfaithful | co-production with Epsilon Motion Pictures and Fox 2000 Pictures | $50 million | $119 million | |
| February 14, 2003 | Daredevil | co-production with Epsilon Motion Pictures, Marvel Enterprises, ITI Cinema and Horseshoe Bay Productions | $78 million | $179.2 million | |
| May 16, 2003 | Down with Love | co-production with Fox 2000 Pictures, Jinks/Cohen Company, ITI Cinema, Plateau Film Malzemeleri San. ve Tic. A.Ş., Mediastream Dritte Film GmbH & Co. Beteiligungs KG and Epsilon Motion Pictures | $35 million | $39.5 million | |
| May 30, 2003 | Wrong Turn | USA distribution only; produced by Summit Entertainment, Constantin Film, Newmarket Films, Media Cooperation One and Stan Winston Studio | $12.6 million | $28.7 million | |
| October 17, 2003 | Runaway Jury | co-production with Epsilon Motion Pictures and Mojo Films | $60 million | $80.2 million | |
| April 9, 2004 | The Girl Next Door | co-production with Epsilon Motion Pictures and Daybreak Productions | $20–21 million | $30.4 million | |
| April 23, 2004 | Man on Fire | co-production with Fox 2000 Pictures, Epsilon Motion Pictures, ITI Cinema and Scott Free Productions | $70 million | $130.3 million | |
| September 24, 2004 | First Daughter | co-production with Epsilon Motion Pictures, Spirit Dance Entertainment and Davis Entertainment | $30 million | $10.4 million | |
| January 14, 2005 | Elektra | co-production with Epsilon Motion Pictures, Marvel Enterprises, Horseshoe Bay Productions and SAI Productions | $43–65 million | $57 million | |
| March 25, 2005 | Guess Who | Columbia Pictures | co-production with Epsilon Motion Pictures, 3 Arts Entertainment, Tall Trees Productions and Katalyst Media; international distribution by 20th Century Fox | $35 million | $103.1 million |
| June 10, 2005 | Mr. & Mrs. Smith | 20th Century Fox | co-production with Epsilon Motion Pictures, Summit Entertainment and Weed Road Pictures | $110 million | $487.3 million |
| September 30, 2005 | Little Manhattan | co-production with Epsilon Motion Pictures and Pariah | N/A | $1.1 million | |
| October 21, 2005 | Stay | co-production with Epsilon Motion Pictures | $50 million | $8.48 million | |
| November 11, 2005 | Bee Season | Fox Searchlight Pictures | co-production with Epsilon Motion Pictures, Bona Fide Productions, i5 Films, Fox Searchlab and Merkel Verwaltungsgesellschaft Productions | $14 million | $6.9 million |
| January 27, 2006 | Big Momma's House 2 | 20th Century Fox | co-production with Epsilon Motion Pictures, Deep River Films, Firm Films and Runteldat Entertainment | $40 million | $141.5 million |
| February 17, 2006 | Date Movie | co-production with Epsilon Motion Pictures | $20 million | $84.8 million | |
| April 21, 2006 | The Sentinel | co-production with Epsilon Motion Pictures, Furthur Films | $60 million | $78.1 million | |
| May 12, 2006 | Just My Luck | co-production with Epsilon Motion Pictures, Cheyenne Enterprises and Silvercup Studios | $28 million | $38.2 million | |
| July 21, 2006 | My Super Ex-Girlfriend | co-production with Epsilon Motion Pictures and Pariah | $30 million | $61 million | |
| November 22, 2006 | The Fountain | Warner Bros. Pictures | co-production with Epsilon Motion Pictures, Muse Entertainment Enterprises and Protozoa Pictures; international distribution by 20th Century Fox (expect for France, Germany, Switzerland and Austria) | $35 million | $16 million |
| Deck the Halls | 20th Century Fox | co-production with Epsilon Motion Pictures | $51 million | $46.8 million | |
| January 26, 2007 | Epic Movie | co-production with Epsilon Motion Pictures and Paul Schiff Productions | $20 million | $86.9 million | |
| April 6, 2007 | Firehouse Dog | co-production with C.O.R.E. Digital Pictures and Epsilon Motion Pictures | N/A | $17.2 million | |
| December 14, 2007 | Alvin and the Chipmunks | co-production with Dune Entertainment, Fox 2000 Pictures, ITI Cinema and Bagdasarian Productions | $60 million | $361.3 million | |
| January 25, 2008 | Meet the Spartans | co-production with 3 in the Box | $30 million | $84.6 million | |
| February 14, 2008 | Jumper | co-production with Hypnotic, Dune Entertainment and Epsilon Motion Pictures | $85 million | $225.1 million | |
| March 14, 2008 | Shutter | co-production with Vertigo Entertainment | $8 million | $48 million | |
| April 11, 2008 | Street Kings | Fox Searchlight Pictures | co-production with 3 Arts Entertainment and Dune Entertainment | $20 million | $65.5 million |
| May 9, 2008 | What Happens in Vegas | 20th Century Fox | co-production with 21 Laps Entertainment, Mosaic Media Group, Dune Entertainment and Penn Station Productions | $35 million | $219.3 million |
| June 3, 2008 | The Onion Movie | 20th Century Fox Home Entertainment | co-production with 3 Arts Entertainment | N/A | N/A |
| July 11, 2008 | Meet Dave | 20th Century Fox | co-production with Deep River Productions, Dune Entertainment and Guy Walks Into a Bar Productions | $60 million | $50.7 million |
| August 15, 2008 | Mirrors | co-production with Luna Pictures and Enteractive | $35 million | $78.1 million | |
| December 25, 2008 | Marley & Me | co-production with Fox 2000 Pictures, Sunswept Entertainment and Dune Entertainment | $60 million | $247.8 million | |
| January 9, 2009 | Bride Wars | co-production with Fox 2000 Pictures, Riche/Ludwig Productions, Birdie Productions and Dune Entertainment | $30 million | $114.7 million | |
| July 31, 2009 | Aliens in the Attic | co-production with Dune Entertainment and Josephson Entertainment | $45 million | $57.9 million | |
| November 13, 2009 | Fantastic Mr. Fox | co-production with 20th Century Fox Animation, Indian Paintbrush, and American Empirical Pictures | $40 million | $46.5 million | |
| December 23, 2009 | Alvin and the Chipmunks: The Squeakquel | co-production with Fox 2000 Pictures, Bagdasarian Productions and Dune Entertainment | $70 million | $443.1 million |
| Release Date | Title | Distributor | Notes | Budget | Gross (worldwide) |
|---|---|---|---|---|---|
| June 4, 2010 | Marmaduke | 20th Century Fox | co-production with Davis Entertainment and Dune Entertainment | $50 million | $83.8 million |
| June 23, 2010 | Knight and Day | co-production with Dune Entertainment | $117 million | $261.9 million | |
| August 18, 2010 | Vampires Suck | co-production with 3 in the Box | $20 million | $81.4 million | |
| October 19, 2010 | Mirrors 2 | 20th Century Fox Home Entertainment | Direct-to-video release | ||
| November 26, 2010 | Love & Other Drugs | 20th Century Fox | co-production with Fox 2000 Pictures, Dune Entertainment, Stuber Pictures and Bedford Falls Productions | $30 million | $103 million |
| February 18, 2011 | Big Mommas: Like Father, Like Son | co-production with Friendly Films, Runteldat Entertainment, The Collective and Dune Entertainment | $32 million | $82.3 million | |
| June 1, 2011 | Marley & Me: The Puppy Years | 20th Century Fox Home Entertainment | Direct-to-video release | ||
| July 1, 2011 | Monte Carlo | 20th Century Fox | co-production with Fox 2000 Pictures, Di Novi Pictures, Dune Entertainment and Blossom Films | $20 million | $39.7 million |
| September 30, 2011 | What's Your Number? | co-production with Contrafilm | $20 million | $30.4 million | |
| October 28, 2011 | In Time | co-production with Strike Entertainment | $40 million | $174 million | |
| December 16, 2011 | Alvin and the Chipmunks: Chipwrecked | co-production with Fox 2000 Pictures, Dune Entertainment, ITI Cinema and Bagdasarian Productions | $80 million | $342.7 million | |
| December 25, 2011 | The Darkest Hour | Summit Entertainment | co-production with Bazelevs Company and Jacobson Company; international distribution by 20th Century Fox | $34.8 million | $64.6 million |
| January 18, 2013 | Broken City | 20th Century Fox | co-production with 1984 Private Defense Contractors, Emmett/Furla Films, Inferno Distribution, Closest to the Hole Productions, Leverage Entertainment, Black Bear Pictures, Allen Hughes Productions and Envision Entertainment | $35 million | $34.5 million |
| June 7, 2013 | The Internship | co-production with TSG Entertainment, 21 Laps Entertainment and Wild West Picture Show Productions | $58 million | $93.5 million | |
| October 4, 2013 | Runner Runner | co-production with Appian Way Productions and Double Feature Films | $30 million | $62.7 million | |
| November 8, 2013 | 12 Years a Slave | Fox Searchlight Pictures | U.S distribution only; co-production with River Road Entertainment, Plan B Entertainment and Film4 Productions; international distribution by Summit Entertainment Academy Award for Best Picture Golden Globe Award for Best Motion Picture – Drama Inducted into the National Film Registry in 2023 |
$20–22 million | $187.7 million |
| March 28, 2014 | Noah | Paramount Pictures | co-production with Protozoa Pictures | $125 million | $362.6 million |
| June 17, 2014 | Joy Ride 3: Roadkill | 20th Century Fox Home Entertainment | Direct-to-video release | ||
| October 3, 2014 | Gone Girl | 20th Century Fox | co-production with TSG Entertainment | $61 million | $369.3 million |
| October 17, 2014 | Birdman | Fox Searchlight Pictures | co-production with M Productions, Le Grisbi Productions, TSG Entertainment and Worldview Entertainment Academy Award for Best Picture Nominated – Golden Globe Award for Best Motion Picture – Musical or Comedy |
$18 million | $103.2 million |
| October 21, 2014 | Wrong Turn 6: Last Resort | 20th Century Fox Home Entertainment | co-production with Summit Entertainment and Constantin Film | Direct-to-video release | |
| March 6, 2015 | Unfinished Business | 20th Century Fox | co-production with Escape Artists | $35 million | $14.4 million |
| April 17, 2015 | True Story | Fox Searchlight Pictures | co-production with Plan B Entertainment | N/A | $5.3 million |
| May 29, 2015 | Aloha | Columbia Pictures | co-production with RatPac Entertainment, Scott Rudin Productions and Vinyl Films; international distribution by 20th Century Fox | $37–52 million | $26.3 million |
| December 11, 2015 | The Big Short | Paramount Pictures | co-production with Plan B Entertainment Nominated – Academy Award for Best Picture Nominated – Golden Globe Award for Best Motion Picture – Musical or Comedy |
$50 million | $133.4 million |
| December 18, 2015 | Alvin and the Chipmunks: The Road Chip | 20th Century Fox | co-production with Fox 2000 Pictures, Bagdasarian Productions and TSG Entertainment | $90 million | $234 million |
| December 25, 2015 | The Revenant | co-production with RatPac Entertainment, Anonymous Content, M Productions and Appian Way Productions Nominated – Academy Award for Best Picture Golden Globe Award for Best Motion Picture – Drama |
$135 million | $533 million | |
| November 23, 2016 | Rules Don't Apply | co-production with RatPac Entertainment, Worldview Entertainment, Shangri-La Entertainment, Demarest Films and Taitra | $25 million | $3.9 million | |
| December 21, 2016 | Assassin's Creed | co-production with Ubisoft Motion Pictures, DMC Films and The Kennedy/Marshall Company | $125 million | $240.7 million | |
| February 17, 2017 | A Cure for Wellness | co-production with Blind Wink Productions | $40 million | $26.6 million | |
| March 23, 2018 | Unsane | Bleecker Street | co-distributed with Fingerprint Releasing; co-production with Extension 765; international distribution by 20th Century Fox | $1.5 million | $14.3 million |
| November 2, 2018 | Bohemian Rhapsody | 20th Century Fox | co-production with GK Films and Queen Films Nominated – Academy Award for Best Picture Golden Globe Award for Best Motion Picture – Drama |
$50–55 million | $903.7 million |
| November 9, 2018 | The Girl in the Spider's Web | Columbia Pictures | co-production with Metro-Goldwyn-Mayer, Scott Rudin Productions, Yellow Bird, The Cantillon Company and Pascal Pictures | $43 million | $35.2 million |
| November 16, 2018 | Widows | 20th Century Fox | co-production with Film4, Lammas Park Productions, See-Saw Films and TSG Entertainment | $42 million | $76 million |
| April 13, 2019 | Guava Island | Amazon Studios | Released on Amazon Prime Video | ||
| September 20, 2019 | Ad Astra | 20th Century Fox | co-production with TSG Entertainment, Bona Film Group, Plan B Entertainment, RT Features, Keep Your Head Productions and MadRiver Pictures | $80–100 million | $132.8 million |
| October 18, 2019 | The Lighthouse | A24 | co-production with RT Features; international distribution by Focus Features | $4 million | $18 million |
| December 25, 2019 | Little Women | Columbia Pictures | co-production with Pascal Pictures Nominated – Academy Award for Best Picture |
$40 million | $206 million |
| Release Date | Title | Distributor | Notes | Budget | Gross (worldwide) |
|---|---|---|---|---|---|
| October 30, 2020 | His House | Netflix | co-production with BBC Films, Vertigo Entertainment and Starchild Pictures | — | — |
| September 17, 2021 | Everybody's Talking About Jamie | Amazon Studios | co-production with Film4 Productions and Warp Films | ||
| March 18, 2022 | Deep Water | Hulu | co-production with 20th Century Studios, Film Rites, Entertainment 360, Keep Your Head and Entertainment One; international distribution by Amazon Prime Video | $48.9 million | |
| April 22, 2022 | The Northman[20] | Focus Features | co-production with Perfect World Pictures and Square Peg; international distribution by Universal Pictures | $70–90 million | $69.6 million |
| August 31, 2022 | I Came By[21] | Netflix | co-production with XYZ Films, Two & Two Pictures and Film4 Productions | — | — |
| September 9, 2022 | Barbarian[22] | 20th Century Studios | co-production with Almost Never Films, Hammerstone Studios, BoulderLight Pictures and Vertigo Entertainment | $4 million | $45.4 million |
| October 7, 2022 | Amsterdam[23] | co-production with DreamCrew, Keep Your Head, and Corazon Hayagriva | $80 million | $31.2 million | |
| September 29, 2023 | The Creator[24] | co-production with Entertainment One and Bad Dreams | $104 million | ||
| December 25, 2023 | Occupied City[25] | A24 | co-production with Film4, Family Affair Films, Lammas Park and VPRO | — | $151,716 |
| June 21, 2024 | The Bikeriders[26][27] | Focus Features | co-production with Tri-State Pictures | $30—40 million | $23.9 million |
| November 1, 2024 | Blitz[28] | Apple TV+[29] | co-production with Apple Studios, Working Title Films and Lammas Park | — | — |
| Year | Title | Distributor | Notes | |
|---|---|---|---|---|
| Undated films | ||||
| TBA | Watch Dogs[30] | TBA | co-production with Ubisoft Film & Television | |
| Artemis[31] | 20th Century Studios | co-production with Genre Films | ||
| Blood Meridian[32] | TBA | co-production with Black Bear Pictures | ||
| Eight Perfect Murders[33] | TBA | co-production with Maximum Effort | ||
| Chippendales[34] | 20th Century Studios | co-production with Point Grey Pictures, Bold Films and Permut Productions | ||
| Years | Title | Network | Co-production with | Seasons | Episodes |
|---|---|---|---|---|---|
| as Regency Enterprises | |||||
| 1994–1995 | Free Willy | ABC | Le Studio Canal+, Donner/Shuler-Donner Productions, Nelvana and Warner Bros. Television | 2 | 21 |
| 1995–1996 | The Cilent | CBS | Michael Filerman Productions and Warner Bros. Television | 1 | 22 |
| 1997–1998 | Michael Hayes | Trotwood Productions, Baumgarten/Prophet Entertainment and Columbia TriStar Television | |||
| as Regency Television | |||||
| 1999–2002 | Roswell | The WB (seasons 1–2) UPN (season 3) |
Jason Katims Productions and 20th Century Fox Television | 3 | 61 |
| 1999 | Ryan Caulfield: Year One | Fox | Fox Television Studios | 1 | 8 |
| Year | Title | Network | Co-production with | Notes | Seasons | Episodes |
|---|---|---|---|---|---|---|
| as New Regency | ||||||
| 2021 | The Beast Must Die | BritBox (UK) AMC (US) |
Scott Free Productions | miniseries | 1 | 5 |
| 2022–present | Fraggle Rock: Back to the Rock | Apple TV+ | The Jim Henson Company and Fusfeld & Cuthbertson Regional Entertainment | 2 | 27 | |
| 2023 | The Crowded Room | Apple Studios, Weed Road Productions and EMJAG Productions | miniseries | 1 | 10 | |
| 2024–present | Mr. & Mrs. Smith | Amazon Prime Video | Gilga, Super Frog, Big Indie Pictures and Amazon MGM Studios | 8 | ||
| The Edge of Sleep | QCode, Oddfellows Entertainment, Automatik Entertainment | Television adaptation | 1 | 6 | ||
| Year | Title | Network | Co-production with | Notes |
|---|---|---|---|---|
| 2025 | Prime Target[35] | Apple TV+ | co-production with Scott Free Productions and Jacaranda Productions | miniseries |
| Release Date | Title | Network | Co-production with |
|---|---|---|---|
| May 9, 1999 | The Hunt for the Unicorn Killer | NBC | Dan Wigutow Productions |
| Release Date | Title | Network | Co-production with |
|---|---|---|---|
| December 20, 2000 | How to Marry a Billionaire: A Christmas Tale | Fox | Stu Segall Productions and Fox Television Studios |
| January 10, 2001 | Dodson's Journey | CBS | Firefly Productions and Fox Television Studios |
| September 1, 2003 | L.A. Confidential | Trio | Warner Bros. Television |
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