German artist, author, poet, orator and translator From Wikipedia, the free encyclopedia
Natias Neutert (spoken: "noytərt"; born February 24, 1941[1]) is a German artist, author, poet, orator,[2] and translator[3] who lives in Hamburg and Berlin.
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In 1965, he screened his short film Noch und Nöcher (with Iris Berben) at the Berlinale.[8] But his actual artist's departure was in 1968. Instead of a normal academic final degree, he founded the first Internationale Walter Benjamin Gesellschaft in Hamburg. Its purpose: to promote Benjamin into a global prototype of theory of revolutionary change beside Marx, and to connect Benjamin's insights with the mass phenomenon of pop music.[9] From his first docentship at the Hamburg University of Applied Sciences[10] in 1971, through his 2014 book Wo sind wir, wenn wir im Bilde sind? (Where Are We When We Are In The Picture?)[11] he has always been concerned with the freedom, power, and variety of imagination.
Between the 1970s and 1980s almost every child knew him as "Zaubertramp"[12] because of his conjuring performances all over the country, his appearances in TV shows like Sesamstrasse and others, and because his children's book, which he illustrated himself, became a bestseller.[13] He also developed a performance art, about which Die Zeit No. 32, 04. August 1978 wrote: "In his person are blended jugglery, poetry, standup theater, and self-expression into a kind of entertainment that is really based on a colloquy with the audience".[14] As a solo artist who presented almost two-hour performances at thousands of cabarets, street and folk festivals, he also appeared at the top theatres, opera houses, and art museums in Germany, which earned him the nickname "Totalkünstler" (total artist).[15]
Since the turn of the 21st century, he has concentrated more and more on freely spoken lectures which include distinctive performance art elements.[16][17]
2002: Phantombild des Paradoxen (Composite Sketch of Paradoxy), performance lecture in celebration of the 450-anniversary of the Philipps-Universität Marburg 2002.
2008: Guest Poet on Ringelnatz-Sommer, Kulturhistorisches Museum, Wurzen[32]
2017: Sich die Freiheit nehmen. Über die Bilderfinderin Hannah Höch (Taking Freedom. About the Image-inventress Hannah Höch), lecture-performance at Galerie St. Gertrude, Hamburg 2017.[34]
In the '70s, Neutert began translations from English into German,[35] and since living in New York in 1980, he has also translated works from German into English,[36]
In 2013, at the Leipzig Book Fair,[37] during a public reading at "Leipzig liest"[38] Neutert provided insights into his greatest private passion project—translating Gottfried Benn’s poetry adequately to preserve his linguistic innovations as well as his poetic sound.[39]
Anthologies
1999: Dompteur des flüchtigen Augenblicks, in: Martin Pudenz: Selbst. Umschau/Braus Verlag, Heidelberg 1999. ISBN3-8295-6816-9[40]
2000: Shigeru Ban. Ein sanfter Revolutionär (A Soft Revolutionary), in: Shigeru Ban Architects/Paper Tube Architecture — 10 Works 1990-2000. Galerie Kammer, Architektur und Kunst, Junius Verlag, Hamburg 2000. ISBN3-88506-299-2.
2004: Das Abwesende, das stets anwesend ist. Die Beunruhigungsfigur des Denkens, in: Ruhm, Tod und Unsterblichkeit. Über den Umgang mit der Endlichkeit. Hrsg. von Konrad Paul Lissmann, Philosophicum Lech, Bd.7, Paul Zsolnay Verlag Wien, 2004, ISBN3-552-05299-2.
2006: Aus der Stille. Eine Antwort auf Friedrich Hölderlin (From the silence. A response to Friedrich Hölderlin), in: Vom Wesentlichen zur Substanz, Bad Driburg, 2006.
2014 Fahrradspaß. Geschichten und Gedichte. Selected by Alexander Kluy. Reclam Verlag Stuttgart 2014, ISBN978-3-15-010976-2.
Editing
1968: "Nathias-Neutert-Magazin", Nr. 1, 18. Oktober 1968, Cicero Presse, Hamburg.
1971: Nathias Neutert: Bausteine für eine polyästhetische Erziehung (Building Blocks for a Polyesthetic Education). Fachhochschule für Gestaltung, Hamburg 1971.
Nathias Neutert:»Adorno ist tot. Der von uns verschiedene Philosoph". Pozzo Press, Hamburg 1971.
1976: Nathias Neutert: 100 Tricks und Zaubereien, 1st edition in 1976, 10th edition in 1993. Rowohlt Verlag, Reinbek bei Hamburg, ISBN3-499-20119-4.
1977: Nathias Neutert: Was ist und was sein soll, Edition Pozzo Press, Karlsruhe 1977.
1982: Natias Neutert: You Can Make Magic, Angus & Robertson, London/Canberra 1982. ISBN0-207-14843-0.
2014: Natias Neutert: Wo sind wir, wenn wir im Bilde sind? Über Differenziale der Einbildungskraft. Lilienstaub & Schmidt, Berlin 2014, ISBN978-3-945003-98-5.
Natias Neutert: »Wo sind wir, wenn wir im Bilde sind? Über Differenziale der Einbildungskraft«. Lilienstaub & Schmidt, Berlin 2014, p. 4. ISBN978-3-945003-98-5
Laura von Spreckelsen: Grenzübertritte: Zu den Aktivitäten von Natias Neutert in Berlin, Nike New Art in Europe, Essays and Interviews, vol. 22, 6. issue, March/April 1988.
