Natalie Arras Tepper sees the broad, airy vistas of upper New York State as we should like to see them. In this, Tepper's third annual exhibition, distinct, significant areas of tones are played against each other to produce effects of modeling as solid and as vital as the substance the artist interprets. While refreshingly free in treatment, these nature-inspired melodies are nevertheless designed, not casual. The spontaneous brush-strokes are the result of the kind of forethought and understanding that accompany the master sculptor on his excursions into the stone. Thus far Tepper's every step, in the realm of painting, has been a step forward.[3]
Natalie's works are signed in bold block letters simply N.A.Tepper.
She died on Aug 5, 1950[8] At the time of death, Natalie Arras Tepper, relict of the late Robert Tepper, resided in Woodstock, N.Y. (and in earlier years, Brooklyn, N.Y).
Winter in Manhattan 1940, "Looking down 11th Ave. after the snow storm by Tepper, Woodstock N.Y." (on back)[9]
Albany Institute of History and Art Fifth Annual Exhibition, 1940. The World of Art section, Times Union, Albany N.Y., Sunday April 28, 1940 with 3/4 page image of Winter in Manhattan.
Six smoke stack building in Winter in Manhattan is the distinguished IRT Powerhouse building at 58th and 59th streets; SOCONY on parking garage is the acronym Standard Oil Company of New York
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