Natalia Molebatsi
South African writer From Wikipedia, the free encyclopedia
Natalia Molebatsi is a South African writer, poet, performer, editor, and cultural organizer.
Natalia Molebatsi | |
|---|---|
| Born | |
| Occupation(s) | Writer, poet, performer and editor |
| Website | www |
Biography
Summarize
Perspective
Natalia Molebatsi was born and raised in the township of Tembisa, near Johannesburg in South Africa.[1][2]
She is a Pan-African queer feminist poet, writer, and performer.[3] She is the author of two poetry collections, Sardo Dance and Elephant Woman Song, and the editor of We Are: A Poetry Anthology and Wild Imperfections: An Anthology of Womanist Poems. She is a founding member of the band Soul Making,[2] and in 2015 her CD Natalia Molebatsi & The Soul Making was released.[4] Molebatsi is the co-founder of Black Girls Brilliance
Her poetry is included in Lived Resistance against the War on Palestinian Children (edited by Heidi Morrison); Letter to South Africa: Poets Calling the State to Order; Happiness the Delight-Tree: An Anthology of Contemporary International Poetry; New Coin; and New Daughters of Africa edited by Margaret Busby).[5][4] Her academic writing is included in books and journals such as the National Political Science Review, Muziki,[6] Agenda Feminist Media and Sasinda Futhi Siselapha: Black Feminist Approaches to Cultural Studies In South Africa’s Twenty-Five Years Since 1994.
Molebatsi has performed poetry, facilitated creative writing workshops and presented public speaking seminars in 21 countries including Nigeria, Senegal, Kenya, Zimbabwe, Ethiopia, England, Italy, Azerbaijan, Argentina, China, Palestine and Germany. Among notable events she has featured are the Yari Yari Ntoaso women's conference in Ghana, Poetry Africa, Aké Arts and Book Festival in Abeokuta, Lagos International Poetry Festival[7] and the Buenos Aires International Book Fair
Molebatsi is a teacher and PhD candidate in Performance Studies at Northwestern University She has worked at the University of South Africa for over 15 years in different capacities including marketing and lecturing. Her scholarship is at the intersections of poetry and performance studies, Pan-African feminist theory, gender and sexuality studies, queer and lesbian theories, Black studies and media studies.
Further reading
- Khatija Bibi Khan (January 2013), "The creative visions of Natalia Molebatsi in post-1994 South Africa, in Sardo Dance (2009)", Commonwealth Youth and Development, Volume 11, Issue 1, pp. 87–101.
- Natalia Molebatsi; T Tu Huynh (April 2020), "Our World through Our Words: the People and Their Stories through Our Ancestors' Voices", African and Asian Studies 19(1–2):81–98.
- Natalia Molebatsi (July 2019), "Affirming Our Memories: Experiences and realities of feminist poets through the radio", Agenda 33(4):1–11.
Links
References
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