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Moroccan band From Wikipedia, the free encyclopedia
Nass El Ghiwane (Arabic: ناس الغيوان) are a musical group established in 1970 in Casablanca, Morocco.[1][2] The group, which originated in avant-garde political theater,[3] has played an influential role in Moroccan chaabi (or shaabi).[2]
Nass El Ghiwane | |
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| Background information | |
| Origin | Casablanca, Morocco |
| Genres | Moroccan |
| Years active | 1971–present |
| Members | Rachid Batma, Hamid Batma, Redouane Raifak, Allal Yaala, Omar Sayed |
| Past members | Abd El-Aziz Tahiri, Abderahmane Kirouche (Paco), Boujemaa Brahim, Larbi Batma |
Nass El Ghiwane were the first band to introduce Western instruments like the modern banjo. Their music incorporates a trance aesthetic, reflecting the influence of local gnawa music,[4] and is inspired by ancient North African Sufi poetry, most prominently that of Abderrahman El Majdoub, whose work was a direct inspiration to the band. They are also credited with helping bring a new social movement to Morocco.[5] The group was called “The Rolling Stones of Africa” by Martin Scorsese[6] and was one of few Moroccan bands to receive international media attention.[7]
In an interview with Al Bayan, Omar Sayed explained that, in Morocco, the term Nass El Ghiwane (ناس الغيوان "people of song") refers to practitioners of the malhun musical tradition.[8]
The band is the focus of music documentary Trances, directed by Ahmed El Maanouni, who described Nass El Ghiwane as Morocco's soul music.[9] Originally released in 1981, it was restored in 2007 by the World Cinema Foundation at Cineteca di Bologna /L’Immagine Ritrovata Laboratory. The film was picked specifically by Martin Scorsese for the World Cinema Foundation's first release and was screened at the Cannes Film Festival in 2007 and at Djemaa el-Fna square in Marrakesh, Morocco.[5] The film has since been distributed by the Criterion Collection.[10]
The band's song "Ya Sah" appears in the film The Last Temptation of Christ and on the associated album Passion – Sources.[11][12] The film's director, Martin Scorsese, credits Nass El Ghiwane with opening a new universe to him.[13][14]
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Live albums
Contributing artist
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