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1984 film by R. Sundarrajan From Wikipedia, the free encyclopedia
Naan Paadum Paadal (transl. The song I sing) is a 1984 Indian Tamil-language film written and directed by R. Sundarrajan. The film stars Sivakumar, Mohan, Ambika and Pandiyan. It was released on 14 April 1984.[1] The film was remade in Telugu as Mangalya Bandham (1985).[2]
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| Naan Paadum Paadal | |
|---|---|
Theatrical release poster | |
| Directed by | R. Sundarrajan |
| Written by | R. Sundarrajan |
| Produced by | Rajesh Khanna A. Francis Xavier R. Palaniswamy |
| Starring | Sivakumar Mohan Ambika Pandiyan |
| Cinematography | Rajarajan |
| Edited by | R. Baskaran B. Krishnakumar |
| Music by | Ilaiyaraaja |
Production company | |
Release date |
|
| Country | India |
| Language | Tamil |
Gowri, a widowed school teacher, lives with her late husband's loving family, finding comfort in their support, her teaching career, and reading novels by her favourite author, CRS. Subramani, a novelist who writes under the pseudonym CRS, moves into the same housing complex to stay with his nephew, Selvam, while working on his latest book. Initially unaware of his true identity, Gowri is suspicious of Subramani due to a series of misunderstandings, while he becomes intrigued by her reserved yet compassionate nature.
Subramani learns about Gowri's tragic past: once a talented singer, she fell in love with Anand, a doctor, and married him with their families' blessings. However, Anand tragically died in an accident just three days after their wedding, leaving Gowri heartbroken. In her grief, she gave up singing and dedicated herself to teaching and supporting Anand's family.
As Gowri discovers Subramani's identity as CRS, she begins to warm up to him, appreciating his kindness and perspective. Their friendship deepens, and she grows protective of him, leading her family to consider the possibility of her remarrying. Subramani also develops feelings for Gowri but remains uncertain about her readiness to move forward. The story culminates with Gowri facing a pivotal decision: whether to embrace a new chapter in her life or remain steadfast in her devotion to her past.
The idea of Naan Paadum Paadal came to R. Sundarrajan came from a true incident.[3] Sivakumar worked as Ambika's makeup artist during the filming of the climax.[4] According to Kovaithambi, they had decided two climaxes for the film which led to confusion over which to choose; it was Ilaiyaraaja who chose the climax which was featured in the film.[5] The climax was shot at Muttom, Kanyakumari.[6]
The music was composed by Ilaiyaraaja.[7] The song "Paadava Un Paadalai" uses the conga, a percussion commonly used in Afro-Cuban genres.[8] The song "Paadum Vanambadi" is set in the raga known as Patdeep,[9] while "Devan Kovil" is set in Yamunakalyani.[10]
| Song | Singers | Lyrics | Length |
|---|---|---|---|
| "Paadavaa Un Paadalai" | S. Janaki | Vairamuthu | 04:21 |
| "Devan Kovil" | S. N. Surendar, S. Janaki | Muthulingam | 04:22 |
| "Machane Vatchikodi" | Gangai Amaran, S. P. Sailaja | Vaali | 5:08 |
| "Paadum Vanambadi" | S. P. Balasubrahmanyam | Na. Kamarasan | 4:06 |
| "Seer Kondu Vaa" | S. P. Balasubrahmanyam, S. Janaki | Gangai Amaran | 5:24 |
| "Devan Kovil (Solo)" | S. Janaki | Muthulingam | 04:09 |
| "Paadava Un Paadalai (Pathos)" | S. Janaki | Vairamuthu | 04:31 |
Jayamanmadhan of Kalki wrote Sundarrajan can be praised for many things, for the way the poignant story has been told elegantly, for creating characters that stand out in the mind and not rushing till the intermission to insert songs.[11]
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