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2005 studio album by Jack De Johnette and Foday Musa Suso From Wikipedia, the free encyclopedia
Music from the Hearts of the Masters is an album by American drummer Jack De Johnette and Gambian kora player Foday Musa Suso. It was recorded in January 2002 in New York City, and was released in 2005 by Golden Beams Productions.[1][2][3][4]
| Music from the Hearts of the Masters | ||||
|---|---|---|---|---|
| ||||
| Studio album by | ||||
| Released | 2005 | |||
| Recorded | January 2002 | |||
| Studio | New York City | |||
| Genre | Jazz, World music | |||
| Length | 1:01:56 | |||
| Label | Golden Beams Productions GBP1112 | |||
| Jack De Johnette chronology | ||||
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| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |    [1] |
| The Penguin Guide to Jazz | [5] |
| All About Jazz | [6] |
| All About Jazz | [7] |
| PopMatters |   [8] |
In a review for AllMusic, Michael G. Nastos wrote: "Suso and... DeJohnette team up in duets that do not juxtapose, but complement the rhythmic strengths of the different instruments, creating a language of their own... It is a consistent and playful dialogue between two incredible musicians who need no definitions, restrictions, or guidance to make their spare, soulful, diverse, and heartfelt original music happen."[1]
John Kelman of All About Jazz stated: "while both artists look for a nexus point, neither is prepared to completely give up his own disposition, making Music from the Hearts of the Masters a unique experience. Suso's kora is so richly textured that it's hard not to be drawn in, while DeJohnette's groove-laden kit work creates an equally inviting space."[6] AAJ's Franz A. Matzner commented: "A work of rare spiritual and musical clarity, Music from the Hearts of the Masters possesses a quiet strength which grounds Suso's often abstract, sometimes esoteric excursions to create a uniquely contemplative—almost meditative—experience."[7]
Writing for PopMatters, Will Layman noted that the album "is essentially meditative and calming in tone. Unlike both jazz and European music, it does not tell a story with a set-up, development and a climax. Like a constantly moving spiral it draws us down to its essence rather than out to its conclusion." He concluded: "DeJohnette has more than earned the right to play with whomever and however he likes. It's great that he's getting to call his own shots."[8]
A reviewer for Spellbinding Music remarked: "the chemistry unfolding between Foday Musa Suso and Jack DeJohnette is a joy to watch and listen to. Both players manage to generate a unique musical idiom that is neither Jazz nor traditional African, but both highly rhythmic and melodic at the same time."[9]
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