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Moulin Rouge! (musical)
2018 musical based on the 2001 film From Wikipedia, the free encyclopedia
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Moulin Rouge! The Musical is a jukebox musical with a book by John Logan. The musical is based on the 2001 film Moulin Rouge! directed by Baz Luhrmann and written by Luhrmann and Craig Pearce.[1] Moulin Rouge! is set in Paris during the Belle Epoque; it follows Christian, a young composer, who falls in love with Satine, a courtesan and the star of the Moulin Rouge cabaret.
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The musical premiered on July 10, 2018, at the Emerson Colonial Theatre in Boston. Moulin Rouge! began performances on Broadway at the Al Hirschfeld Theatre, in June 2019, with an official opening on July 25. The production was nominated for 14 Tony Awards, winning 10 (the most that year), including Best Musical. Moulin Rouge! continues its run in New York and has been produced for long runs around the world, including in the West End, beginning in 2021.
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Background
In 2002–2003, there was speculation about the possibility of a stage musical based on Moulin Rouge!, possibly in Las Vegas, but there had been no public discussion in the years since.[2] Some sources claimed in 2006 that director Baz Luhrmann had approached the leads of the film, Nicole Kidman and Ewan McGregor, to star in the potential stage version.[3]
In 2016, it was announced that a stage musical was being developed by Global Creatures with direction by Alex Timbers.[4]
A workshop took place in 2017,[5] starring Aaron Tveit and Karen Olivo. The lab ran from October 30 until December 15.[6]
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Plot
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Act I
In the Montmartre Quarter of Paris, France, at the turn of the 20th century, the Moulin Rouge cabaret club, "where all your dreams come true", is in full swing under the direction of Harold Zidler. Christian arrives with fellow bohemians Henri de Toulouse-Lautrec and Santiago the Argentinean. The money-motivated Duke of Monroth is introduced ("Welcome to the Moulin Rouge"). Christian interrupts Zidler to start a story "about love", concerning a woman named Satine.
The story begins in 1899, as Christian arrives in the Montmartre district of Paris from Lima, Ohio, where he meets Toulouse-Lautrec and Santiago, who are attempting to create a play with songs in it. The two are impressed by Christian's musical and songwriting talents and ask for help to get their work produced at the Moulin Rouge. The trio celebrates bohemian ideals ("Truth, Beauty, Freedom, Love"). At the Moulin Rouge, Zidler introduces Satine, the star of the club and a courtesan ("The Sparkling Diamond"). After Satine performs, Zidler prepares for her to meet and impress the Duke of Monroth, who might invest in the Moulin Rouge and save it from financial ruin. However, Satine mistakes Christian for the Duke and invites him to her dressing room in "the Elephant" outside the club ("Shut Up and Raise Your Glass").
Dancers at the club share their worries with Satine backstage about the Moulin's financial future. Satine, who is concealing her worsening consumption from her colleagues, resolves to stay strong for them ("Firework"). Christian arrives in the Elephant hoping to impress Satine with his musical talent, whereas Satine is prepared to seduce him, under the impression that he is the Duke. Christian's true identity is revealed ("Your Song"). The Duke interrupts them; Christian and Satine claim they were practicing lines for a new show, Bohemian Rhapsody. With Zidler's help, Christian, Satine, Toulouse, and Santiago pitch the show to the Duke with an improvised plot about an evil gangster attempting to woo an ingenue who loves a poor sailor ("So Exciting! (The Pitch Song)"). The Duke decides to back the show, and Zidler reminds Satine that her duty is to keep the Duke happy for the sake of the Moulin Rouge. She rejects Christian, the Duke returns, and he and Satine spend the evening together ("Sympathy for the Duke").
In Montmartre, Toulouse shares with Christian that he fell in love with Satine many years ago, when she was living on the streets. Though impressed by her spirit, he was too shy to confess his love for her over the years. He urges Christian to fight for Satine, insisting to him, "The greatest thing you'll ever learn is just to love and be loved in return" ("Nature Boy"). Christian returns to Satine to persuade her that they should be together. Reluctantly, she eventually returns his affections ("Elephant Love Medley").
Act II
Two months later, rehearsals are underway for Bohemian Rhapsody. Christian and Satine continue seeing each other secretly, and Santiago falls in love with dancer Nini ("Backstage Romance"). Tensions rise between Toulouse and the controlling Duke. Nini tells Satine that she needs to be careful about her relationship with Christian and keep the Duke happy, as he once threw a vial of acid in the face of another woman who betrayed him. Satine tells Christian that their relationship endangers the show and the Moulin Rouge, but he counters by writing a secret love song to affirm their love ("Come What May").
In the Champs-Élysées neighborhood, the Duke tells Satine that he wants every part of her, including her heart. When Satine's protests that she does not "fit in" with his upper-class Parisian society, he remodels her image against her wishes ("Only Girl in a Material World"). The Duke continues to involve himself in Bohemian Rhapsody's creative aspects, to Toulouse's frustration. It becomes clear that the show is a metaphor for Christian, Satine, and the Duke who, enraged on realizing this, threatens to reconsider his investment entirely. Zidler reminds Satine that she alone can appease the Duke. Satine's illness worsens, but she urges her colleagues not to share that she is ill; she wants to fight to keep the Moulin Rouge and the play alive.
Toulouse and Santiago urge Christian to forget Satine and move on. Christian gets drunk on absinthe, imagining Satine as The Green Fairy ("Chandelier"). He expresses jealousy and disgust that Satine is with the Duke instead of him, ignoring Zidler's warning that loving a prostitute "always ends badly" ("El Tango de Roxanne"). At his castle, the Duke tells Satine that he will have Christian killed if she chooses him. Christian tries to persuade Satine to leave with him, singing their secret song. Knowing that Christian would be killed if she says otherwise, Satine tells Christian that she does not love him. Christian leaves.
Christian, in despair, loads a prop gun with real bullets, planning to commit suicide on stage during the play's opening night. Meanwhile, Satine's illness dramatically worsens. Together, she and Toulouse stand up to the Duke, who leaves the Moulin Rouge before the performance begins ("Crazy Rolling"). As Satine performs, Christian enters and asks her to face him as he turns the gun towards himself. Satine sings their secret song, which saves his life by revealing to him that she loved him the entire time. After a final song together in which the two affirm their love one last time, Satine tells Christian to "tell our story" and dies in his arms ("Your Song" (reprise)). Christian declares that his and Satine's story will forever be told ("Finale (Come What May)").
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Productions
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Boston (2018)
Moulin Rouge! was scheduled to begin preview performances on June 27, 2018, at the Emerson Colonial Theatre in Boston[7] Construction delays in renovating the Emerson Colonial Theatre resulted in the premiere date being pushed back to July 10.[8] The production featured direction by Timbers, choreography by Sonya Tayeh, sets by Derek McLane, costumes by Catherine Zuber, lighting by Justin Townsend, and sound by Peter Hylenski.[9] The cast again starred Tveit and Olivo as Christian and Satine, with Danny Burstein as Harold, Tam Mutu as the Duke, Sahr Ngaujah as Toulouse-Lautrec, and Robyn Hurder as Nini.[10] The production closed on August 19, 2018.[11]
Broadway (2019–present)
The musical next opened on Broadway at the Al Hirschfeld Theatre, with the same cast as in Boston. Previews began on June 28, 2019, with an official opening on July 25.[12] On March 12, 2020, the production was suspended due to the COVID-19 pandemic,[13] and at least four cast members soon contracted the virus.[14][15] Broadway's closure continued until mid-2021.[16][17]
To protest the industry's silence on the allegations against producer Scott Rudin (never a producer of the show), Olivo decided not to return.[18] Natalie Mendoza, who appeared in the original Luhrmann film as a can-can dancer, took over the role of Satine[19] when the production resumed on September 24, 2021.[20] Replacements as Harold have included Eric Anderson[21] Tituss Burgess[22] and Robert Petkoff.[23] Replacements as Satine have included JoJo and Solea Pfeiffer.[24][25] Derek Klena and Jordan Fisher have been replacements as Christian;[26] Declan Bennett and Andy Karl have been replacements as the Duke.[27] Beginning in July 2025, Wayne Brady and Taye Diggs are scheduled to play Harold and the Duke, respectively.[28]
Australia (2021–2024)
The first Australian production[29] opened in Melbourne's Regent Theatre in 2021.[30] The show moved to Sydney in May 2022 and returned to Melbourne in August 2023. It starred Des Flanagan and Alinta Chidzey and featured Simon Burke as Harold and Timomatic as Toulouse.[31] It closed on February 4, 2024.[32].
West End (2022–present)
The musical officially debuted in the West End, with the same creative team, on January 20, 2022, previews began on November 13, 2021.[33][34] The production was housed at the Piccadilly Theatre in London.[35] It had been delayed from March 2021 due to the COVID-19 pandemic in the United Kingdom.[36] The production was nominated for 5 Laurence Olivier Awards in 2022, including Best New Musical.[37] The cast starred Jamie Bogyo and Liisi LaFontaine and featured Clive Carter as Harold, Jason Pennycooke as Tolouse and Zoe Birkett as Arabia.[38] Jamie Muscato has been a replacement as Christian.[39]
North American tour (2022–present)
After covid delays, the first North American tour began at Chicago's Nederlander Theater on March 19, 2022. The cast starred Conor Ryan and Courtney Reed and featured David Harris as the Duke.[40]
World tour (2025–)
The show began a World Tour in the UK on 22 April 2025 at the Edinburgh Playhouse. The cast features Verity Thompson and Nate Landskroner as Satine and Christian, Cameron Blakely as Harold, Kurt Kansley as Toulouse-Lautrec, German Santiago as Santiago, James Bryers as The Duke, Kahlia Davis as Nini, Summer Priest as Arabia, Ellie Jane Grant as La Chocolat, Scott Sutcliffe as Baby Doll and Patrice Tipoki as the alternate Satine. The production will have the same creative team as the original production.[41]
Others
On November 6, 2022, the first non-English production opened at the Musical Dome in Cologne, Germany, with the dialogue and majority of the songs translated into German by Ruth and Johannes Deny.[42][43] As of 2025, more than 1.1 million people have attended the production.[44] A South Korean production opened in Seoul in December 2022[45] and ran through March 2023.[46][47] Hong Kwang-Ho and Lee Choong-joo alternated in the role of Christian, and Ivy and Kim Ji-Woo split the role of Satine.[47][48] A Japanese production ran at the Imperial Theatre in Tokyo from June 24 to August 31, 2023. The double cast starred Yoshio Inoue and Shouma Kai as Christian, Nozomi Futo and Ayaka Hirahara as Satine and featured Satoshi Hashimoto and Yuki Matsumura as Harold, Kanata Irei as the Duke, Masataka Nakagauchi as Santiago and Kaede Kaga as Nini.[citation needed]
A Norwegian production opened on Chateau Neuf in Oslo on August 30, 2023. It starred Sondre Lerche and Heidi Ruud Ellingsen and featured Anders Baasmo Christiansen as Harold.[49] A Danish production opened at Falkonersalen, Frederiksberg September 7, 2023 before going on tour to Vejle and Holstebro. It starred Silas Holst and Sara Viktoria Bjerregaard, and featured Rasmus Bjerg as Harold and Andy Roda as Baby Doll.[50] The production is set to re-open at the Copenhagen Opera House July 2025.[51] A Swedish production played at Chinateatern in Stockholm, premiering on September 14, 2023. It starred Andreas Wijk and Marsha Songcome, and featured Anton Ewald as Santiago.[citation needed] A Finnish production opened at Helsinki City Theatre in Helsinki on August 29, 2024.[52] A Dutch production opened at Beatrix Theater in Utrecht on September 19, 2024.[53]
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Cast and characters
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Musical numbers
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As in the film, the musical's score weaves together original songs with popular music; it adds songs that have been written in the 17 years since the film's premiere.[7][9]
- Act I
- Act II
† Featured in the 2001 film
‡ Not included on cast recording
Cast recording
Moulin Rouge! The Musical (Original Broadway Cast Recording) was released digitally on August 30, 2019.[54] A CD version was released on October 25, 2019,[55] and a vinyl version was released on December 13, 2019.[56]
Charts
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Reception
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Critical response
The Broadway production received mixed to positive reviews.
In a rave review, theater critic John Simon wrote, "If you like splash, Moulin Rouge! is the show for you. Even more than the Baz Luhrmann movie, on which the musical is loosely based, it can hold your wonderment without abate from start to finish. ... This is a show to make the young feel mature, and the old blissfully young again."[58] It was named a Critic's Pick by The New York Times with Ben Brantley calling it "a cloud-surfing, natural high of a production."[59]
Diane Snyder of The Telegraph praised the scenic design, choreography, and costume and wrote that "Moulin Rouge! may not have the depth of some of Broadway's great musicals... [but] it's fun, tuneful and entertaining, and that's exactly what we need right now."[60] Mashable's Erin Strecker said that "This is the best of what a jukebox musical can be; a thrilling burst of color and chorus and nostalgia and bold reimagining."[61] Adam Feldman leaned positive as he called the show "an extravagant Broadway megamix," commenting that it "looks and feels expensive."[62] Some critics praised the changes made from the film. Patrick Ryan of USA Today commented that "the use of recent pop songs actually improves upon the source material, helping flesh out characters' motivations and deepen the central romance."[63] David Cote of The New York Observer wrote, "Logan's tweaks to the original screenplay are neat and necessary."[64]
In a mixed review, Rolling Stone's Brittany Spanos criticized the musical's disjointedness but praised the high-energy parts of the show.[65] In another mixed review, Charles Isherwood of Broadway News summed up that "The resulting show is all flash, splash and megawatt musical numbers, nimbly if not entirely masking a fairly hollow and certainly hoary emotional core."[66] Alexis Soloski of The Guardian also commented on the leads' lack of chemistry, but mentioned that the show delivers when it comes to "dazzle and excitement," praising its choreography, set, energy, and costume.[67]
Box office
According to Playbill, Moulin Rouge! grossed around $2.2 million for the week ending of October 13, 2019.[68] On May 3, 2022, it was reported that Moulin Rouge! The Musical became the fifth highest grossing Broadway shows with $1.4 million box office in the week.[69] As of September 11, 2022, the musical grossed around $135.5 million with 371,285 attendance and 260 performances.[70][71]
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Awards and nominations
2018 Boston production
Original Broadway production
Original West End production
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Notes
References
External links
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