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Traditional musical ensemble of Cambodia From Wikipedia, the free encyclopedia
Mohaori (Khmer: មហោរី) is one of the traditional musical ensembles of Cambodia. This traditional ensemble is known in full name as Vung Phleng Mohaori (វង់ភ្លេងមហោរី), literally means Mohaori Musical Ensemble. It composed of many kinds of musical instruments, but today it is more specifically applied to a small ensemble of wind, stringed, and percussion musical instruments.[1]
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This musical art is thought to be predated Angkorian period and probably dated back to as early as the 9th century.[2] Mohaori became more popular and further developed in the Post-Angkorian era until the present days.[3] The songs and lyrics of Mohaori music normally depict the beauty and admiration of nature, and the confession of love. The Music played by this Khmer ensemble is gentle and fluid which is suitable for an entertainment in Cambodian social and traditional events. Nowadays, Mohaori is still a popular Khmer traditional music played in various occasions and festivities.[2]
The word Mohaori or Mahori is derived from the sanskrit word "Manohari" for female and "Manohara" for male and came into existence since before Angkorian period. Based on Khmer inscription, K 400 dated in 9th century, these words are the name of the male and female servant of Devatas (angels) which have the role of playing music. Moreover, the stone inscription K 806 of Pre Rup temple dated in 10th century, also associated with these words which used in the poetry "Kavei Manohar" means Manohara author.[3]
The word Mohaori is derived from these words: Manohara > Manohari and eventually became Mohaori until today. Based on this Khmer artistic evidence, this Mohaori art or ensemble is the name of an art which dated back more than a thousand year. Although, there were many obstacles (wars, foreign invasions,...) the life of Khmer people have been closely linked with this art and catch up with it until now.[3]
Moreover, based on a research Music and Dance in Ancient Cambodia compiled by Saveros Pou as confirmed as evidence in Old Khmer Epigraphy, the Manohara and Manohari were name of favourite (music) artist that does not exist in the present day. The form of Mahaori illustrated through the Mohaori assemble accompanied by soft-sounded musical instruments which make the liseners feel entertained, happy, and release stress.[3]
In Khmer language, Mohaori is also the name of a kind of bird[1] with beautiful and melodious voice which its name shared the same characteristic of Mohaori music.
Mohaori existed long ago in ancient Cambodia, since the time Khmer people settled in Cambodia. This type of music is not entirely derived from India.[4][better source needed] Mohaori was probably existed before or during Angkorian period and later adopted by the Thais of Ayutthaya Kingdom. In 1931, Prince Damrong, the author of the History of Thai Music, had asserted that the Thai mahori was of Khmer origin and created by the ancient Khmer and later adopted and elaborated in Thai society.[1][5][6][better source needed] This means that the Khmer Mohaori orchestra had already established during Angkor period, though believed having established much older.[citation needed]
After the fall of Angkor, Mohaori became popular in Thai Ayuthayan court[6] and more developed in the Khmer court of Longvek.[3] Later on Mohaori become the traditional ensemble for both states.
During Longvek era, the Mohaori was played by men musicians only but later during Udong, the players were mostly women and the female singer sang a beautiful song as melodious as the voice of Nori or Mohaori bird.[3]
In observation, Mohaori ensemble was likely created from Phleng Kar ensemble (Marriage ensemble) and Pinpeat ensemble in combination.[7] As most of the musical instruments used in this ensemble are taken from both Phleng Kar ensemble and Pinpeat ensemble.[7]
Some believed that Mohaori music once was the property of the royal palace for the Kings, ministers, officials, and high-ranking people only. But later on, it became ordinary music for the public and citizens across Cambodia.[8]
The characteristics of mohaori is that it is the musical ensemble which has a proper clear, fixed, and well-organized for both the lyrics, music rhythm, and wording of the sing which make the listeners feel comfortable, entertained, and fresh.[7]
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The ideal instruments of Mohaori includes:
In practice the instrumentation varied from ensemble to the other depending on patronage and ownership.[1]
The Mohaori ensemble of Cambodian Royal Palace in Phnom Penh consisted of sixteen instruments including:
Mohaori is classified based on its type of ensembles. These include:
In contrary to other Khmer musical ensemble such as Phleng Arakk, Phleng Kar, and Pinpeat, Mohaori functions are in secular context while the rest functions in religious context.[1]
Mohaori is played at banquets, accompanied a Mohaori drama, and performs for folk dances such as the clappers'dance (Robam krapp), The Pestle dance (Robam Angre), the Rice Harvest Dance (Robam Chrot srov), and others.[1]
Mohaori maybe played in the evening after dinner for entertainment or self-enjoyment purposes.[1]
The usual performance pattern in Mohaori music calls for the vocalist and ensemble to alternate performing each section. The vocalist, accompanied only by drums (thuan-rumanea) and cymbals (chhing), sings one or two verses followed by the ensemble playing the same section of music.[1]
Mohaori songs are very popular in Cambodia, besides accompanied in the Cambodian folk dances, they can be heard in various public places as well.
There are many Mohoari musics and songs (bot) such as:
Mohaori is traditionally a popular Cambodian music played in Khmer society since the late 9th century. Mohaori is still a popular Khmer traditional music played in various occasions and festivities.[2] It is regarded as a popular music for the Cambodian locals to accompanied their custom and traditional celebrations.
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