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Musical artist From Wikipedia, the free encyclopedia
Andonis Michaelides (Greek: Αντώνης Μιχαηλίδης; 24 July 1958 – 4 January 2011), better known as Mick Karn, was an English-Cypriot musician and songwriter who rose to fame as the bassist for the art rock/new wave band Japan. His distinctive fretless bass guitar sound and melodic playing style were a trademark of the band's sound.
Mick Karn | |
|---|---|
Karn in November 1982 | |
| Background information | |
| Birth name | Andonis Michaelides |
| Born | 24 July 1958 Nicosia, British Cyprus |
| Died | 4 January 2011 (aged 52) London, England |
| Genres | |
| Instruments | |
| Years active | 1974–2010 |
| Labels |
|
| Formerly of | |
| Website | mickkarn |
.jpg) Mick Karn's signature (c. 1980) | |
Karn was born Andonis Michaelides in Nicosia on 24 July 1958. When he was three, his Greek Cypriot parents moved with him to London, where he was raised. In his youth, he began playing mouth organ at the age of seven and violin at the age of eleven, before he took up playing bassoon for the school orchestra. As a bassoon player he performed with the London Schools Symphony Orchestra in a concert in October 1972 which was broadcast by Radio 4. However, when his bassoon was stolen and his school refused to buy him a new one, he bought a bass guitar for £5 from a school friend. At school he became friends with David Sylvian and his younger brother Steve. As an escape from their south London environment, they began to play music together, and in June 1974 they made their first public performance.[1]
Initially with Karn as lead vocalist, their band christened themselves Japan in 1974. Joined by keyboardist Richard Barbieri and guitarist Rob Dean the following year, they signed a recording contract with German disco label Hansa in 1977, with whom they recorded three studio albums and became an alternative glam rock outfit in the mould of David Bowie, T.Rex, and The New York Dolls.[citation needed] They switched to Virgin Records to record their subsequent albums Gentlemen Take Polaroids and Tin Drum.[2]
As the band started to achieve commercial success with the release of Tin Drum and specifically the single "Ghosts", which reached the top five in 1982, tensions and personality conflicts between band members arose. Tin Drum was to be the band's final studio album. Long-simmering differences among the band members came to a head when Karn's girlfriend, photographer Yuka Fujii, moved in with Sylvian, and the individual members forged ahead with their own projects.[3][4] Karn said in an interview that as tensions with their record company had abated following Japan's commercial success, band members began focusing on personal differences rather than on the common enemy.[5]
Karn played bass guitar and saxophone on Gary Numan's 1981 No.6 hit "She's Got Claws" and other tracks on its parent No.3 hit album, Dance.[6] In November 1982, Karn released his first solo album, Titles, just as Japan had announced their split. In 1982, Karn wrote some material with Michael Finbarr Murphy, guitarist and writer for Heatwave, Alan Murphy of Level 42, and Diana Ross, among others.[citation needed] They did some lowkey gigs around London during the summer of 1982, and then went their separate ways. That same year, he appeared on The Old Grey Whistle Test along with Angie Bowie, former wife of David Bowie.[7] In 1982 he also contributed saxophone playing on three tracks on the Swedish band Lustans Lakejer's album En plats i solen, produced by Richard Barbieri.[8] Though Karn submitted an album's worth of demos to Virgin Records as a more pop-oriented follow-up to his debut solo album Titles, the record label declined to fund the record and it was abandoned.[9] In 1983, he collaborated with Midge Ure on the UK top 40 single "After a Fashion", and in 1984, he formed Dalis Car with Peter Murphy. The duo released one album, The Waking Hour, in late 1984.[10]
Karn also contributed to recordings by other artists, playing bass guitar on Bill Nelson's Chimera mini-LP as well as "Heads We’re Dancing" off Kate Bush’s The Sensual World and with Joan Armatrading.[11]
In the 1990s, he worked with artist David Torn, Andy Rinehart and a number of Japanese musicians, and formed the multinational new wave band, NiNa. Later, he worked as a solo artist. He played at least one concert with Pete Townshend that featured an all-star line-up that included Phil Collins and Midge Ure.[12]
Also in the 1990s, he started the Medium Productions label along with Steve Jansen and Richard Barbieri, two of his fellow former Japan members,[11] and Debi Zornes (label management and artist co-ordination). In 2006, the MK Music imprint was established by Karn, Zornes and Mike Trenery; and beginning with 2006's Three Part Species, all releases, including an autobiography, have the MK Music logo on them.[citation needed]
In 2001, Karn began to work with Gota Yashiki, Vivian Hsu, Masahide Sakuma, and Masami Tsuchiya in the band The d.e.p., or doggy eels project.[13] That same year he worked with Paul Wong on his Yellow Paul Wong release. Karn left London in 2004 to live in Cyprus with his wife and son, financially enabling himself to keep working as a musician/artist. In 2009, Karn also released his autobiography, titled Japan & Self Existence, available through his website and Lulu, which details his music career, his interests in sculpture and painting, his childhood, relationships, and family.[citation needed]
On 30 August 2010, Peter Murphy disclosed via video message (subsequently removed/hidden) on his personal Facebook profile that he would be reuniting with Karn for a week in London, perhaps in November, to begin writing and recording for a second Dalis Car album. Murphy also added that this would be the first time the two had seen each other since 1983.[14] The project was cut short, however, as Karn had recently been diagnosed with cancer.[15] After his death, five of the tracks they did record were released on 5 April 2012 as an EP entitled InGladAloneness.[16] The tracks were mixed by Steve Jansen, mastered by Pieter Snapper in Istanbul, and the artwork for the EP was created by Thomas Bak with a painting by Jarosław Kukowski.
Karn was essentially a self-taught musician, stating, "I rely very much on my ears. If it sounds as if it's the right thing, then I'll keep it—even if it may not be."[17] His first musical instrument was bassoon, with which he attended and passed an LSSO audition. After his bassoon was stolen from him, he purchased a bass guitar for £5. It was then he joined up with David Batt (Sylvian), who played acoustic guitar.[18]
Karn was principally the bassist within Japan, but also played all the wind instruments, including the saxophone; on Tin Drum, he played the Chinese suona (credited as "dida") for the authentic oriental sound. Karn's use of the fretless bass guitar, a relatively unusual instrument in modern popular music, produces a distinctive sound and playing style, which makes his playing immediately recognisable.[11]
Karn played an aluminium-neck Travis Bean bass on all Japan albums up to Gentlemen Take Polaroids. In 1981, he moved on to Wal basses, purchasing two Mark I instruments, one with rare African tulipwood facings, the other a cherry solidbody. Karn recorded Japan's last studio album Tin Drum with the Wal and had continued to use these, along with a headless Klein K Bass.[citation needed]
Karn was a self-taught sculptor working mainly in clay, although he explored other mediums.[citation needed] He held several exhibitions. He also painted in oils and experimented with using ceramic on the canvas to create a 3D effect. He was photographed in the early 1980s by Steve Jansen.[citation needed] Several of his paintings were used as sleeve covers for his music including, "Buoy" and "The Concrete Twin". His sculpture "Mask of Confidence", combining his hands with the arms, upper torso and face of photographer Yuka Fujii, was used as the inner sleeve cover for Kajagoogoo's Islands album. Karn, influenced by Chinese edible folk sculpture dating back thousands of years, also experimented in designing and creating edible life size portraiture, some of which were showcased at his restaurant "The Penguin Cafe". Karn said, "There was a definite change in style when I stopped using self-hardening clay in the mid '80s and began sculpting with more conventional clay. Finding it much more malleable, the pieces could be worked on a larger scale and needn't be focused, as was the case previously, on small detail."[citation needed] He continued to sculpt throughout his life and eventually learned to fire his own pieces.[citation needed]
Karn had two diplomas in psychotherapy from a West London college, entitling him to call himself "Member of the Associated Stress Consultants, Psychotherapy, and Regression & Hypno-analysis".[19]
In June 2010, Karn announced on his website that he had been diagnosed with advanced-stage cancer, though the specific type of cancer was not mentioned. Although singer Peter Murphy said during an interview that Karn was suffering terminal brain cancer, this has not been confirmed.[20] According to David Torn, Karn's cancer had already spread, and he was undergoing chemotherapy.[21] The website announcement stated that Karn had been struggling financially for some time and appealed for donations to help pay for his medical care and provide financial assistance for his family. In addition, several people Karn had worked with, in particular Midge Ure,[21] Porcupine Tree,[20] and Masami Tsuchiya,[13] announced concerts in support of the appeal. According to a website update, dated 3 September 2010, the funds raised by the appeal enabled Karn and his family to move back to London, where Karn received treatment.[20] However, the cancer had spread beyond the possibility of treatment, and he died at his home in London on 4 January 2011.[10][22][23]
For albums with Japan (and Rain Tree Crow) see Japan discography.
| Album Title | Release Year | Record Label | UK |
|---|---|---|---|
| Titles | 1982 | Virgin | No.74[10] |
| Dreams of Reason Produce Monsters | 1987 | Virgin | No.89[10] |
| Bestial Cluster | 1993 | CMP | |
| The Tooth Mother | 1995 | CMP | |
| Each Eye a Path | 2001 | Medium | |
| Each Path a Remix | 2003 | Medium | |
| More Better Different | 2004 | Invisible Hands | |
| Love's Glove EP | 2005 | MK | |
| Three Part Species | 2006 | MK | |
| The Concrete Twin | 2009 | MK |
| Album Title | Artist | Release Year | Record Label | UK |
|---|---|---|---|---|
| Dance | with Gary Numan and others | 1981 | Beggars Banquet | |
| A Place in the Sun (original title En plats i solen) | with Lustans Lakejer, Richard Barbieri on three tracks | 1982 | Stranded Rekords | |
| Chimera | with Bill Nelson | 1983 | Mercury Records | |
| The Waking Hour | as Dalis Car with Peter Murphy | 1984 | Beggars Banquet | No.84[10] |
| The Sensual World | with Kate Bush on "Heads We’re Dancing" | 1989 | EMI | |
| Lonely Universe | with Michael White, Michel Lambert, David Torn, Mick Karn | 1990 | CMP | |
| Beginning to Melt | as Jansen-Barbieri-Karn | 1993 | Medium UK | |
| Polytown | as David Torn, Mick Karn, Terry Bozzio | 1994 | CMP | |
| Seed EP | Jansen-Barbieri-Karn | 1994 | Medium UK | |
| Truth? | with Sugizo | 1997 | Cross | |
| Liquid Glass | with Yoshihiro Hanno | 1998 | Medium | |
| -ism | Jansen-Barbieri-Karn | 2000 | Medium UK | |
| Timelines | by Stefano Panunzi with Gavin Harrison, on five tracks | 2005 | RES | |
| Endless | by Fjieri, with Barbieri-Harrison-Bowness, as guest on two tracks | 2009 | Forward Music | |
| A Rose | by Stefano Panunzi, as guest on two tracks | 2009 | Emerald | |
| InGladAloneness EP | by Dalis Car | 2011 | MK |
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