Loading AI tools
Michelle Mohabeer is a Canadian filmmaker and writer.[1] Her films have received many rewards including the Isabella Liddell Art Award[2] and the 5 Feminist Minutes Award.[3] Her first work, Exposure (1990) was produced through the National Film Board's Studio D.[1][4] During and after creating several films, she has also served as an adjunct lecturer at the following post-secondary institutions: University of Toronto, Trent University, University of Western Ontario, Ryerson University and Sheridan College.[5]
Michelle Mohabeer | |
|---|---|
| Born | 1961 Guyana, South America |
| Occupation(s) | filmmaker, writer |
Mohabeer's film work has been displayed at over 150 festivals, conferences and galleries located across 18 countries from multiple continents. Her films have been collected by over sixty university libraries across North America, the Caribbean and Australia.[4][5]
Mohabeer was born in Guyana, South America in 1961.[1] She moved to Toronto, Ontario, Canada in 1974 at the age of 13.[6] In 1986, she successfully received her BA in film studies from Carleton University. Mohabeer earned her second degree in 1998; it was a Master's of Fine Arts in film production from York University.[1][6] In 2005, she received a PhD in culture and communication from the University of Toronto with a focus on film studies.[4]
Mohabeer started her film-making career working for the National Film Board in Studio D.[4] She created her first short film Exposure (1990) for the series Five Feminist Minutes. This film was a huge success, not only for its content, but for the fact that this was "the first up-front lesbian film from the NFB" and the fact that the film was made by, in the words of Film Critic Thomas Waugh, a "lesbian artist of colour in the Canadian canon."[1] Following the release of her film she had a brief employment with CKLN radio.[4] Four years later, she released her second film Coconut/Cane & Cutlass (1994); due to the great success of her first film, the budget for her second feature was almost nine times larger allowing her to shoot in Canada and Guyana. In 1996, she created two more films Two/Doh and Child-play (1997); Two/Doh was noted for being produced at very low cost, while Child-play was Mohabeer's first attempt at a drama film.[6] During the nineteen-nineties she was active on several arts community boards in Toronto, frequently serving as administrator.[4]
In the new millennium, Michelle Mohabeer directed several more films. In 2001, she created the film Tracing Soul. In 2003, she wrote and directed the film Echoes. Finally, in 2008, she made the film Blu In You. [5][7]
Throughout her career as a filmmaker Professor Mohabeer has also taught the next generation of filmmakers. She has appeared as a guest lecturer or hosted workshops at several post-secondary institutions. She has also taught classes, namely Film Studies at Innis College, Cinema Studies at the University of Toronto, and York University and Film Production at Ryerson University.[4] Currently, Professor Mohabeer teaches in the Communication Studies and Humanities departments at York University.[5][8]
Many critics have noted that Mohabeer's films frequently explore the themes of "the diversity of cultural identity and the politics of gender, sexuality and colonialism."[6] Film Scholar Tara Atluri, has argued that Mohabeer's films also feature several links to the Indo-Caribbean film tradition.[9]
| Year | Title | Credit Listing | Description |
|---|---|---|---|
| 1990 | Exposure | Filmmaker,[7] researcher, scriptwriter, director[10] | Experimental documentary on the issues of race and racism, sexuality and homophobia, cultural and ethnic identity.[6][11] |
| 1994 | Coconut/Cane & Cutlass | Scriptwriter, director, producer[10] | Poetic thoughts on exile, displacement and nationhood from an Indo-Caribbean lesbian immigrant; "raising many questions about the confluence of culture and sexuality."[6][9] This film contains elements of an autobiography, a historical documentary and an experimental film; represented with the use of landscape, histories, archived images, voices, theatrical dances and movement scenes, all of which are poetically fragmented.[1][12] Film critic Thomas Waugh has described this film as a "lush and complex first-person essay on lesbian desire and genealogy in the context of postcolonial exile."[1] |
| 1996 | Two/Doh | Poetic pastiche about the intersection of cultural and erotic connections between women of different cultural origins.[1][13] | |
| 1997 | Child-play | Director, producer, scriptwriter, production designer,[7] researcher[10] | Allegorical dream tale about past youth superimposing on the present.[14] |
| 2001 | Tracing Soul | Artistic poetry about the female form using lines, shadows, music, text, fragments and gestures.[15] | |
| 2003 | Echoes | Director, scriptwriter[7] | Main character's reflection on her past.[16] |
| 2008 | Blu In You | Scriptwriter, producer, director, designer, cinematographer[10] | The film covers the old and modern representations of the black queer female body, sexuality and subjectivity.[17] To cover both, the film jumps between distant points of history in the story.[9] |
Several of Mohabeer's film have earned international awards and honorable mentions at film festivals across the globe; these films include Child-play, Coconut/Cane & Cutlass and Exposure. Exposure in particular has received much recognition, including the NFB's Five Feminist Minutes Award.[4][5][18][19]
| Year | Organization | Awards | Film |
|---|---|---|---|
| 1989 | National Film Board of Canada -Studio D | 5 Feminist Minutes Award[4][5][18][19] | Exposure |
| 1990 | Black Film/Video Network | Award of Recognition[19] | Exposure |
| 1991 | 41st Berlin International Film Festival | Official Selection Certificate[19] | Exposure |
| 1994 | 32nd Ann Arbor Film Festival | Isabella Liddell Art Award of Excellence[2][19] | Coconut/Cane & Cutlass |
| 1994 | Curve magazine, San Francisco | Top Ten Independent Short Film[19] | Coconut/Cane & Cutlass |
| 1995 | 10th Turin International Film Festival | Special Mention in Documentary Category[19] | Coconut/Cane & Cutlass |
| 1998 | 11th Annual Images Film & Video Festival | Honourable Mention Certificate for Best Direction[19][20] | Child-Play |
Wikiwand in your browser!
Seamless Wikipedia browsing. On steroids.
Every time you click a link to Wikipedia, Wiktionary or Wikiquote in your browser's search results, it will show the modern Wikiwand interface.
Wikiwand extension is a five stars, simple, with minimum permission required to keep your browsing private, safe and transparent.
