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British Romantic novelist 1782–1858 From Wikipedia, the free encyclopedia
Medora Gordon Byron (c. 1782–1858) has long been accepted as the pseudonym of "Miss Byron," a Romantic-era author of either five or eight novels, though recent scholarship has complicated that identification.
Medora Gordon Byron | |
|---|---|
| Born | c. 1782[1] |
| Died | 16 September 1858 (aged 76) |
| Pen name | Miss Byron; A Modern Antique |
| Occupation | novelist |
| Language | English |
| Period | Romantic |
| Literary movement | Gothic |
| Years active | 1808–1816 |
 Literature portal | |
Nothing is known of Medora Gordon Byron. She has been tentatively, but not conclusively, identified as Julia Maria Byron (1782–1858), a cousin of George Gordon Byron.[2] There are two sets of novels which have been traditionally attributed to Medora Gordon Byron, five published under the name "Miss Byron" and three under the pseudonym "A Modern Antique." Both groups of novels were brought out by the Minerva Press, a highly successful London publisher of Gothic, sensation, and other popular genres. Susan Brown and her associates write that "[b]oth strings of fiction are exclamatory in style, interested in domesticity, and latterly in the unmarried (both men and women), given sometimes to commentary on novel-writing."[2] Some twenty-first century experts maintain that it is unlikely that the same person authored both series,[2][3] but Caroline Franklin, the editor of the only modern edition of this author's work, considers Julia Byron to be "a distinct possibility" for the author of all eight novels.[4]
An author by the same name was credited with a musical melodrama in 1834,[5] as well as a poem, though critics maintain that this cannot be the same person.[2]
One of the eight novels—Celia in Search of a Husband—is available in a modern edition, one of the Chawton House Library series of Women's Novels.[6] Three others are freely accessible in digitized versions and others are available by paid license.[7] A critic who has written about The English-Woman, the earliest of Byron's publications, characterizes the writing in that novel as "mediocre,"[8] though the fact that it went into a second edition would indicate at least a modest level of success. The "Modern Antique" persona has been described as conservative and a moralist, yet also as the author of the "high-spirited and entertaining ... anti-Jacobin" Celia in Search of a Husband.[9] The literary quality is not what interests recent scholars, however, but rather Byron's role as a professional woman writer, such as her use of "multiple authorial identities," a strategy she shared with Ann Hatton and Elizabeth Meeke, both of whom also published with Minerva.[10]
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