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Austrian ethnologist, teacher, librarian and art collector From Wikipedia, the free encyclopedia
Marianne Schmidl (3 August 1890 in Berchtesgaden – April 1942 in the Izbica Ghetto) was the first woman to graduate with a doctorate in ethnology from the University of Vienna.[1] An Austrian ethnologist, teacher, librarian and art collector, Schmidl was plundered and murdered in the Holocaust by the Nazis because of her Jewish origins.
Marianne Schmidl's mother, Maria Elisabeth Luise Friedmann (1858–1934), lived in Munich, and worked for the writer Paul Heyse. Schmidl's great-grandfather was the painter Friedrich von Olivier, a close friend of Julius Schnorr von Carolsfeld, and her great-granduncles were the brothers Heinrich Olivier and Ferdinand Olivier, who were also artistically active. Her father, Josef Bernhard Schmidl (1852–1916), of Jewish origin, was a court lawyer from Vienna and a social democrat.[2] Shortly before the marriage on 23 July 1889, which was vehemently rejected by the Friedmann family, he converted to Protestantism. The Jewish background of her father would prove fateful for Schmidl when the Nazis came to power.
Marianne was the oldest of two sisters in Berchtesgaden, where the family-owned a holiday home. However, she grew up in Vienna and received the best possible education for girls at the time. From 1905 to 1909 she attended the progressive “Black Forest School” of the pedagogue and salonière Eugenie Schwarzwald.
From 1910, Schmidl studied mathematics and theoretical physics at the University of Vienna.[3] In the winter semester of 1913–14, however, she switched to ethnology as a major, anthropology and prehistoric archeology as a minor.[4] Shortly before that she had joined the Association for Austrian Folklore and had worked out a folklore topic for the first time with “Flax growing and flax processing in Umhausen”. Michael Haberlandt and Rudolf Pöch were among her teachers. In 1916 she was the first woman to receive her doctorate.[5][6]
Marianne Schmidl first worked at the Berlin Museum of Ethnology. From autumn 1917 she worked under Theodor Koch-Grünberg at the Linden Museum in Stuttgart as an “assistant for African questions”. After a stint at the Grand Ducal Museum for Art and Applied Arts in Weimar, Marianne Schmidl was unable to find an adequate job for a long time. Michael Haberlandt later asked whether “the two characteristics female and Jewish were an obstacle to filling a position within ethnology”. From March 1921 she worked at the Austrian National Library, with a permanent civil servant position from 1924, as a lecturer for anthropology, science, mathematics and medicine. In addition, she continued her scientific research in the field of African cultural history, specializing in particular in basket weaving. From 1926 she worked on a research project on African handicrafts at the Museum für Völkerkunde in Vienna, which was financed by the Saxon Research Institute for Ethnology in Leipzig. In the course of this, she researched ethnographic museums in Switzerland, France, England, Belgium, Germany and Italy and published numerous scholarly works.[7][8]
After Austria's Anschluss or "annexation" to the Nazi German Reich in 1938, Marianne Schmidl was declared Jewish because her father was Jewish, even though she considered herself to be Christian.[9] She was forced out of her job, and thrown into poverty by the special taxes Nazis inflicted on Jews in order to take their property.[10] Schmidl was forced to sell her family's artworks but was unable to flee. In April 1942, she was deported to the Izbica ghetto in Poland and from there presumably to the Belzec or Sobibor concentration camps.[11]
Her last sign of life was in May 1942. The circumstances and exact date of her death are unknown, and she was not declared dead until May 1950.[12]
Marianne Schmidl is remembered today not only as Austria's first Ph.D. in ethnology,[13] but also because – in the course of the principles for the restitution of looted art formulated at the 1998 Washington Conference – she was the original owner of many drawings by the brothers Olivier and Julius Schnorr von Carolsfeld could be made out.
After her mother's death in 1934, she inherited the entire family collection of drawings by the Olivier brothers and Schnorr von Carolsfeld. After the "Anschluss" of Austria in 1938, Schmidl was forced to submit a property declaration on 30 September 1938 for her art collection on which the Nazi imposed special taxes. The special taxes for Jews, the repayment of the funding for their research, and the reduced salary collectively left Maria Schmidl with no choice but to sell the collection of drawings.[14]
Her non-Jewish brother-in-law, Karl Wolf, brought the lot to the Viennese dealer Christian Nebehay, who in turn passed them on to the Leipzig action house C. G. Boerner.
On 28 April 1939, 19 sheets belonging to Schmidl were auctioned anonymously as “Collection W” (today identified as “Collection Wolf”).
The Albertina in Vienna restituted 8 sheets by Friedrich Olivier to the family's heirs in 2013.
In 2014, two more drawings by Olivier from the Kupferstichkabinett in Berlin in 2015 two sheets from the Kupferstichkabinett in Dresden were restituted.[15]
In 2016 'A Branch with Shriveled Leaves' which had been sold under duress by Schmidl in Austria in 1939, was restituted by the National Gallery of Art.[16] The NGA had acquired the drawing as part of the Wolfgang Ratjen collection.[17]
In 2019 a drawing by Friedrich and another by Ferdinand Olivier were restituted from the Lenbachhaus in Munich.[18]
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