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1975 film by P. Madhavan From Wikipedia, the free encyclopedia
Mannavan Vanthaanadi (transl. The King Has Arrived) is a 1975 Indian Tamil-language film, directed by P. Madhavan and written by Balamurugan. The film stars Sivaji Ganesan and Manjula. It was released on 2 August 1975.[1] The film became a hit at the box-office, running for over 100 days in theatres.[2]
Mannavan Vanthaanadi | |
---|---|
Directed by | P. Madhavan |
Written by | Balamurugan |
Produced by | P. K. V. Sankaran Aarumugam |
Starring | Sivaji Ganesan Manjula |
Cinematography | P. N. Sundaram |
Edited by | R. Devarajan |
Music by | M. S. Viswanathan |
Production company | Jayaar Movies |
Distributed by | Sivaji Productions |
Release date |
|
Country | India |
Language | Tamil |
This article needs a plot summary. (June 2021) |
The film's title is derived from a song from Thiruvarutchelvar (1967), continuing director Madhavan's penchant for naming his films after songs.[3] During the filming of a scene where Nambiar's character calls for his henchmen to tie up Nagesh's character, the actor improvised and called for "Madhava" and "Balamuruga", adapting the names of Madhavan and the writer Balamurugan. When Nambiar offered to reshoot the scene speaking the originally scripted names, Madhavan refused and decided the new names also be recorded during dubbing.[2][4]
The music was composed by M. S. Viswanathan.[5]
Song | Singers | Lyrics | Length |
---|---|---|---|
"Sorgathil Kattappatta Thottil" | T. M. Soundararajan | Kannadasan | 03:41 |
"Kadhal Rajiyam Enathu" | T. M. Soundararajan, P. Susheela | 04:32 | |
"Ivargal Namathu Pangaligal" | T. M. Soundararajan, Saibaba | Vaali | 04:06 |
"Naan Natta Thiruthap Poren" | T. M. Soundararajan | 04:30 | |
"Rajasthanil Yaro Oruvan" | T. M. Soundararajan, L. R. Eswari | Kannadasan | 04:30 |
Mannavan Vanthaanadi was released on 2 August 1975,[6] by Sivaji Productions.[7] The magazine Thiraivanam positively reviewed the film, giving it the label "Tharamaana padam" (classy film).[8] Kanthan of Kalki called the story ordinary, but appreciated the dialogues.[9] The film was also reviewed by Kumudam,[10] and Navamani.[11]
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