Making Montgomery Clift is a 2018 American documentary film by directors Robert Anderson Clift and Hillary Demmon chronicling the life of actor Montgomery Clift until his death in 1966. It shows a different side of Clift, portraying him as a man who enjoyed life and love, and as comfortable with being a gay man.[1]
| Making Montgomery Clift | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Robert Anderson Clift Hillary Demmon |
| Cinematography | Robert Clift |
| Edited by | Hillary Demmon |
Production company | Limbic Productions |
Release date |
|
Running time | 88 minutes |
| Country | United States |
| Language | English |
The documentary was released at the Los Angeles Film Festival and was praised by the critics.[2]
Between the 1940s and 1960s Montgomery Clift saw highs and lows in both his career and personal life. In virtue of these, many myths were created mostly involving his repressed homosexuality and his depression due to a car accident that left severe facial lacerations requiring plastic surgery.[3]
Directed by his nephew Robert Clift and Hillary Demmon, the film examines the inconsistent narratives from countless biographies which reduced his legacy and created labels like “tragically self-destructive” and “tormented”. The documentary shows Clift family and friends—including Jack Larson, who played Jimmy Olsen on the TV show Adventures of Superman—who attest to his joy and humor, and also Tucker Tooley, Michael Easton, Patricia Bosworth, and Vincent Newman.[4][5]
The documentary was praised by most critics.
Ben Sachs from Chicago Reader wrote that the intense focus in demystifying some of Clift's biographies rather than facts about Clift's involvement in classics such as Red River, I Confess and Wild River are "frustrating", but conclude that "his nephew does an admirable job assembling the truth".[6]
In his review for The New Yorker, Michael Schulman wrote that the documentary "is a fascinating study of the ethics of biography".[7]
In his column in TheWrap website Dan Callahan wrote that although there has not yet been a narrative biopic on the actor's life the documentary "should be consulted as a more realistic picture of this committed, very loving and sophisticated artist who was forced to make very few compromises.", he also called the title "provocative" because "it has a double meaning" and according to him "to “make” someone, in old-fashioned slang, is to sleep with them, but this is also a movie about the making of Clift's posthumous image, and Robert Clift very carefully separates fact from fiction or misrepresentation here, clearing away most of the sub-Freudian interpretation of his uncle's life that seemed reasonable or fashionable 40 years ago."[8]
The movie was released in digital, on demand, and DVD.[9][10][11]
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