Lorna Thayer

American actress (1919–2005) From Wikipedia, the free encyclopedia

Lorna Thayer

Lorna Thayer (born Lorna Patricia Casey;[1] August 16, 1919 – June 4, 2005) was an American character actress, best known as Jack Nicholson's foil in the famous "chicken salad sandwich scene" in Five Easy Pieces.

Quick Facts Born, Died ...
Lorna Thayer
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Thayer in an episode of Medic (1954)
Born
Lorna Patricia Casey

(1919-08-16)August 16, 1919
DiedJune 4, 2005(2005-06-04) (aged 85)
Resting placeValhalla Memorial Park Cemetery
OccupationActress
Years active19521991
Spouses
Children2
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Early years

Born on August 16, 1919,[1][2][3] in Boston, Massachusetts, Thayer was the daughter of silent screen actress Louise Gibney and George Casey.[4][5] Her father built sets for Universal Studios. She began taking dance classes by age 5, and she attended Immaculate Heart College in Los Angeles.[4]

Career

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Perspective

Thayer's acting career began in 1946 with a production of Street Scene by the Players Ring.[4][a] After that she performed in Berkeley Square at the Geary Theatre in San Francisco.[4]

In 1955, she played in The Beast with a Million Eyes with Paul Birch. She played minor roles in The Lusty Men, Texas City and Frankie and Johnny.

On Broadway, Thayer portrayed Mrs. McCarthy in Comes a Day (1958) and Bel Air Bonnie in Never Live Over a Pretzel Factory (1964).[8]

She is most likely to be remembered for her role in the iconic 1970 film Five Easy Pieces as the waitress who refuses to allow Jack Nicholson's character to order a side of wheat toast.[1] The scene has come to be known as the "chicken salad sandwich scene".[4]

Thayer was cast in a historical role as Jessie Benton Frémont, loyal wife of John C. Frémont (Roy Engel), in the 1960 episode "The Gentle Sword" of the anthology series Death Valley Days. In the story, the Frémonts are in California during the gold rush. The couple becomes involved in a mining claim dispute; Mrs. Frémont stares down organized claim jumpers.

On January 2, 1960, in season 3, episode 16 "The Prophet" of Have Gun - Will Travel, Thayer was cast as Serafina, wife of Colonel Benjamin Nunez (Shepperd Studrick). She also appeared as Doris in the November 21, 1959, episode titled "The Golden Toad", written by Gene Roddenberry.[9] Also, Season 5, Episode 36 "Pandora's Box", as Hanna.

Personal life

Thayer was married to actor George N. Neise, and they had two daughters.[10]

Death

After battling Alzheimer's disease for five years, Thayer died at the Motion Picture and Television Fund Retirement Home in Woodland Hills, California, aged 85.[11]

Filmography

More information Year, Title ...
Year Title Role Notes
1952Texas CityAunt Harriet Uptonuncredited
1952Just Across the StreetGirluncredited
1952The Lusty MenGrace Burgess
1953JenniferMolly, Grocery Clerk
1955Women's PrisonDeputy Sheriff Greenuncredited
1955The Beast with a Million EyesCarol Kelley
1956I've Lived BeforeMrs. Fred Bolanuncredited
1956The Women of Pitcairn IslandMoa'tua, weeping woman
1958I Want to Live!Corona Guarduncredited
1960FrecklesAlice Cooper
1963Police Nurse
1966Dead Heat on a Merry-Go-RoundPassenger on Mexico Flightuncredited
1968The Shakiest Gun in the WestSaloon Girluncredited
1970Five Easy PiecesWaitress
1970The Traveling ExecutionerMadamuncredited
1971The Andromeda StrainWomanuncredited
1972Glass Houses
1972Cisco PikeSwimming Lady
1972SkyjackedWeber's Mother
1974RhinocerosRestaurant Owner
1974The Gravy TrainTV Intervieweruncredited
1974Alice GoodbodyYvonne
1975Smoke in the WindMa Mondier
1976Revenge of the CheerleadersLilly Downs
1981Buddy BuddyLady
1986Nothing in CommonAuditioning Grandma
1991Frankie and JohnnyFlower Vendor
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Notes

  1. At least two retrospective sources—first, an exceedingly concise 1950 Los Angeles Times piece and a 1966 article from Boston College's Alumni News (regarding Thayer's father, BC alumnus George J. Casey)—both clearly state that long before her serious pursuit of acting in college (and, by extension, her generally acknowledged 1952 screen debut), Thayer had appeared in films as a child.[6][7] It appears that, at present, any such body of work remains undocumented by existing online and in-print reference sources. In any event, verification of these claims is made difficult by the fact that neither article names any of the films in question, nor states whether any of these appearances were actually credited, nor, if so, under what name.

References

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