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American actress From Wikipedia, the free encyclopedia
Loretta Agatha Abbott (March 1, 1933 – May 6, 2016) was an American educator, dancer, choreographer, singer, director, dance captain, and actress.[1] She was an early member and foundation builder for the Alvin Ailey Dance Company. She was also a founding member of the Clark Center for the Performing Arts, and worked with the organization from 1959 to 1989.
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Loretta Abbott | |
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| Born | Loretta Agatha Abbott March 1, 1933 New York City, New York, U.S. |
| Died | May 6, 2016 (aged 83) |
| Nationality | American |
| Education | Hunter College |
| Occupation(s) | Dancer, Choreographer, Actress, Dance teacher |
Abbott grew up in Harlem, New York City, New York.[2][3][unreliable source?] Her training started at the age of five taking piano, voice, and dance classes. She studied with dance with Ruth Williams and her tap teacher was Henry LeTang.[4] She performed as a child in talent shows in Harlem with the Ella Gordon's Peter Pan Kiddies. She lived her entire life in Harlem in a brownstone that her father Alfred Bruce Abbott bought in 1932. Her father was from Panama, and her mother Agatha was from Jamaica. She graduated from Hunter College in New York City, and had a short career as a kindergarten teacher in Harlem at Public School 90.
Abbott was involved in dance for over 70 years. She mastered many techniques in dance, ballet, modern dance, and ethnic. She is well known for her work with Alvin Ailey. He was a pioneer in African American modern dance in the 1960s. She was Ailey's partner in his masterpiece dance piece Revelations prior to his retirement in 1964. Abbott and Al Perryman performed in the Tony Award-winning musical Purlie on Broadway. Her theater credits include The Amen Corner (written by James Baldwin), and the musical Amen Corner, choreographed by Perryman. She was a dancer, dance captain, and choreographic assistant with Amen Corner. In concert performances she partnered with Ailey and Perryman.[5]
In 1960, she appeared in the Lenox Hill Playhouse production of Howard Richardson and William Berney's Dark of the Moon, directed by Vinnette Justine Carroll. Abbott studied with and worked with many of the pioneers of modern dance, ballet, and dance institutions. She studied with Charles Weidman. She was a founding member of the New Dance Group and the Clark Center for the performing arts. At the Clark Center, she studied with Thelma Hill, Pepsi Bethel, and James Truitte. At the Clark Center for the Arts, Ms. Abbott was able to work with many aspiring choreographers, such as Walter Nicks, Talley Beatty, Geoffrey Holder, Eleo Pomare, Fred Benjamin, Donald McKayle, and Al Perryman. Abbott performed in numerous theatrical productions, including Two Gentlemen of Verona, Raisin, Porgy and Bess, Amen Corner, and Liza with a Z. She appeared in The Wiz. She had her own one woman show touring company.[1]
She worked with many choreographers and dancers, including Fred Benjamin, Jean-Léon Destiné, George Faison, Martin Gordon, Louis Johnson, John Parks, Al Perryman, Michael Peters, Carmen de Lavallade, Abdel Salaam, Otis Sallid, Paul Sanasardo, and Andy Torres.[6] She performed as a featured dancer for the Eleo Pomare Dance Company.[7]
Abbott was an founding member of the George Faison Universal Dance Experience in the 70s.[3] She worked with him throughout her life. She spent most of her life as a performer, supporter of the arts, and worked with many budding choreographers at the beginning of their careers in the dance world of arts. Abbott worked as a choreographer, a dancer, and guest lecturer with the Avodah Dance Ensemble in New York City. She assisted in the creation of "Let My People Go", a praise dance.[8]
Abbott was still dancing in her 80s with the Phoenix Project, a project with the Dances for a Variable Population in New York City, a group of dancers in their 70s, 80s, and 90s and a citywide project that celebrates the beauty of aging and dance.[9]
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