List of paintings by Hieronymus Bosch

For Bosch's drawings, see Hieronymus Bosch drawings.

Paintings by Hieronymus Bosch, as well as paintings attributed to him or his school, have been compiled by various organizations. An investigation undertaken by The Bosch Research and Conservation Project of a multitude of Bosch's paintings included dendrochronological research and made an approximate dating of the paintings possible.^[1] The findings of this investigation were published in a book in 2016.^[2] The book describes the other findings of the investigation as well, such as painting technique, layer structure and pigment analyses.^[3]

Bosch's signature from the triptych Adoration of the Magi. Only a few of the surviving paintings by him are signed.

Bosch's works are generally organized into three periods of his life dealing with the early works (c. 1470–1485), the middle period (c. 1485–1500), and the late period (c. 1500 until his death). According to Stefan Fischer, thirteen of Bosch's surviving paintings were completed in the late period, with seven surviving paintings attributed to his middle period.^[4] Bosch's early period is studied in terms of his workshop activity and possibly some of his drawings. There are no surviving paintings attributed before 1485.

Examples of Bosch's work can be found in Austria, Australia, Belgium, Canada, France, Germany, Italy, Netherlands, New Zealand, Portugal, Serbia, Spain, the UK, and the US.^{[citation needed]}

Triptychs

Image	Details
	Adoration of the Magi c. 1491–1498 Oil on wood 138 × 144 cm Museo del Prado, Madrid, Spain   The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille.
	Saint Gregory's Mass c. 1491–1498 Oil on wood 138 × 144 cm Museo del Prado, Madrid, Spain   The outer panels form a single image, Saint Gregory's Mass, rendered in grisaille.
	The Garden of Earthly Delights c. 1495–1505 Oil on wood 220 × 389 cm Museo del Prado, Madrid, Spain
	The Creation of the World c. 1495–1505 Oil on wood 220 × 389 cm Museo del Prado, Madrid, Spain   The outer panels of the Garden of Earthly Delights form a single image, The Creation of the World, rendered in grisaille
	Hermit Saints Triptych c. 1495–1505 Oil on wood 86 × 100 cm Gallerie dell'Accademia, Venice
	The Last Judgment c. 1495–1505 Oil on wood 99.5 × 117.5 cm Groeningemuseum, Bruges, Belgium   Attributed to Bosch and/or his workshop. The outer panels form a single image, Christ Crowned with Thorns.
	Outside panels of "The Last Judgment" c. 1495–1505 Oil on wood 99.5 × 117.5 cm Groeningemuseum, Bruges, Belgium   The outer panels form a single image, Christ Crowned with Thorns
	The Martyrdom of St. Julia c. 1495–1505 Oil on wood 104 × 119 cm Gallerie dell'Accademia, Venice, Italy
	The Martyrdom of St. Julia c. 1495–1505 Oil on wood 104 × 119 cm Gallerie dell'Accademia, Venice, Italy X-rays of The Martyrdom of St. Julia showing the painting originally depicted donors on the left and right
	The Temptation of St. Anthony (left, central and right panels) c. 1500–1510 Oil on wood 131.5 × 225 cm Museu Nacional de Arte Antiga, Lisbon, Portugal
	The Temptation of St. Anthony (Reverse side of the outer panels) c. 1500–1510 Oil on wood 131.5 × 225 cm Museu Nacional de Arte Antiga, Lisbon, Portugal   The outer panels show two images: The Arrest of Christ and Christ Bearing the Cross, both rendered in grisaille.
	The Last Judgment c. 1500–1505 Oil on wood 163.7 × 127 cm (central panel) 167.7 × 60 cm (left wing) 167 × 60 cm (right wing) Academie für Bildenden Künste, Vienna, Austria   The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille.
	Outside panels of The Last Judgment c. 1500–1505 Oil on wood 167.7 × 60 cm (left wing) 167 × 60 cm (right wing) Academie für Bildenden Künste, Vienna, Austria   The outer panels show two images: Saint James the Greater and Saint Bavo, both rendered in grisaille.
	The Haywain 1510–1516 Oil on wood 147 × 232 cm (Escorial version) 135 x 190 cm (Prado version) El Escorial, Spain (version 1) Museo del Prado, Madrid, Spain (version 2)   The outer panels form a single image, usually referred to as The Path of Life.
	Outside panels of The Haywain Triptych" 1510–1516 Oil on wood 135 x 190 cm (Prado version) Museo del Prado, Madrid, Spain (version 2)   The outer panels form a single image, usually referred to as The Path of Life aka The Pedlar.
	Passion Triptych c. 1530 Commissioned by Mencía de Mendoza (1508–1554) for her burial chapel (the Chapel of the Epiphany) in the convent of Santo Domingo, Valencia Oil on panel 163 × 382 cm Museu de Belles Arts de València, Valencia, Spain Probably not a work by Bosch, but by a Flemish follower.

Diptychs and polyptychs

Image	Details
;	Diptych (Hell and the Flood [nl]) Mankind Beset by Devils (Panel at left Outside of The Fall of the Rebel Angels) The Fall of the Rebel Angels Noah's Ark on Mount Ararat Mankind Beset by Devils (Panel at right outside of Noah's Ark on Mount Ararat) Oil on wood 69.5 × 35 cm (each panel) 34.5 cm (diameter of paintings on the reverse sides) Museum Boijmans Van Beuningen, Rotterdam, Netherlands
	Polyptych (Visions of the Hereafter) Fall of the Damned Hell Terrestrial Paradise Ascent of the Blessed 1505–15 Oil on wood 86.5 × 39.5 (each) Gallerie dell'Accademia, Venice, Italy   Also known as Cardinal Grimani's Altarpiece. Probably part of a larger (four more paintings) altarpiece, now lost.

Single panels and fragments of lost altarpieces

The life of Christ

Image	Details
	Adoration of the Child Oil on wood 66 × 43 cm Wallraf-Richartz Museum, Cologne, Germany   Bosch's authorship is disputed; possibly a copy after a lost Bosch original. Another, wider version of the same painting is kept in Noordbrabants Museum, 's-Hertogenbosch (on loan from the Rijksmuseum, Amsterdam), and yet another is in the Royal Museums of Fine Arts of Belgium in Brussels.
	Adoration of the Child Noordbrabants Museum, 's-Hertogenbosch (on loan from the Rijksmuseum, Amsterdam),   Wider copy
	Adoration of the Magi c. 1470–1480 Oil on wood 71.1 × 56.5 cm Metropolitan Museum of Art, New York, USA   Described by Friedländer as ‘an especially early work by the master’; later deemed a 16th-century pastiche; more recently thought to be a work dating back to the 1470s from Bosch's immediate circle[5]
	Adoration of the Magi Oil on wood 94 × 74 cm Museum of Art, Philadelphia, USA
	Crucifixion With a Donor Oil on wood 74.7 × 61 cm Royal Museums of Fine Arts of Belgium, Brussels, Belgium
	Christ Carrying the Cross (Vienna)[top panel] Christ Child with a Walking Frame(Vienna)[bottom panel] c. 1490–1510 Oil on wood 57 × 32 cm Kunsthistorisches Museum, Vienna, Austria   The reverse side of the panel has another painting on it, Christ Child with a Walking Frame (diameter 28 cm).
	Christ Carrying the Cross (Ghent) c. 1530–1540 Oil on wood 74 × 81 cm Museum voor Schone Kunsten, Ghent, Belgium   Bosch's authorship is disputed.
	Christ Carrying the Cross (Escorial) c. 1495–1505 Oil on wood 150 × 94 cm El Escorial, Spain
	Christ Crowned with Thorns (London) c. 1490–1500 Oil on wood 73 × 59 cm National Gallery, London, UK
	Christ Crowned with Thorns (Escorial) c. 1530–1540 Oil on wood 165 × 195 cm El Escorial, Spain Painted neither by Bosch nor his workshop.
	Ecce Homo (Philadelphia) Oil on wood 52 × 54 cm Museum of Art, Philadelphia, USA   Previously attributed to Bosch; dendrochronological analysis proved[citation needed] it to be a late 16th-century work by a follower
	Ecce Homo (Frankfurt) c. 1475–1485 Oil on wood 71 × 61 cm Städel Museum, Frankfurt, Germany
	The Marriage Feast at Cana Oil on wood 93 × 72 cm Museum Boijmans Van Beuningen, Rotterdam, Netherlands   Several versions of this painting exist. However, none of these date from Bosch’s lifetime.
	Descent of Christ into Limbo Oil on panel 100 cm (39.3 in); Width: 74 cm (29.1 in) private Collection
	Christ descent into Hell National Museum of Warsaw

Saints

Image	Details
	St. Jerome at Prayer c. 1485–1495 Oil on wood 77 × 59 cm Museum voor Schone Kunsten, Ghent, Belgium
	St. Christopher Carrying the Christ Child c. 1490–1500 Oil on wood 113 × 71.5 cm Museum Boijmans Van Beuningen, Rotterdam, Netherlands
	St. John the Baptist in the Wilderness c. 1490–1495 Oil on wood 48.5 × 40 cm Museo Lázaro Galdiano, Madrid, Spain
	St. John the Evangelist on Patmos c. 1490–1495 Oil on wood 63 × 43.3 cm Gemäldegalerie, Berlin, Germany   The reverse side of the panel has a round double painting (diameter 39 cm) on it: Scenes from the Passion of Christ (outer circle) and The Pelican with Her Young (inner circle).
	Outside panel of St. John the Evangelist on Patmos c. 1490–1495 Oil on wood diameter 39 cm. Gemäldegalerie, Berlin, Germany   The reverse side of the panel has a round double painting (diameter 39 cm) on it: Scenes from the Passion of Christ (outer circle) and The Pelican with Her Young (inner circle).
	The Temptation of St. Anthony c. 1500–1510 Oil on wood 38.6 x 25.1 cm Nelson-Atkins Museum of Art, Kansas City, MO, USA   There was a dispute as to whether this work was a Bosch autograph or a piece by the workshop until the Bosch Research and Conservation Project concluded it to be autograph based on evidence present in the underdrawing.[6]
	The Temptation of St. Anthony c. 1530–1540 Oil on wood 70 × 51 cm Museo del Prado, Madrid, Spain   Bosch's authorship is disputed.

Other works

Image	Details
	Terrestrial Paradise [left panel] Death of the Reprobate [Right panel] c. 1500 (1490–1510) Oil on wood Left panel:Height: 34.5 cm (13.5 in); Width: 21 cm (8.2 in). Right panel: 34.6 × 21.2 cm Private collection, New York, USA   "Paradise" and "Reprobate" are the left and right wings of a missing Last Judgement triptych
	Ship of Fools c. 1500–1510 Oil on wood 58 × 33 cm Louvre, Paris, France   Fragment of a lost triptych which also included Allegory of Gluttony and Lust (which is the lower part of the Ship of Fools wing) and Death and the Miser (the other outer wing).
	Allegory of Gluttony and Lust c. 1500–1510 Oil on wood 35.8 × 32 cm Yale University Art Gallery, New Haven, USA   Fragment of a lost triptych which also included Ship of Fools (the Allegory would be the lower part of that outer wing) and Death and the Miser (the other outer wing).
	Death and the Miser c. 1500–1510 Oil on wood 92.6 × 30.8 cm National Gallery of Art, Washington, D.C., USA   Outer wing of a lost triptych. The other outer wing comprised Ship of Fools (top) and Allegory of Gluttony and Lust (bottom).
	The Ship of Fools/Death and the Miser triptych A reconstruction of the left and right wings of the triptych: at upper left The Ship of Fools; at lower left: Allegory of Gluttony and Lust. Panel at right is Death and the Miser. At Bottom the outer panel The Wayfarer.
	The Wayfarer c. 1500–1510 Oil on wood 71.5 cm (diameter) Museum Boijmans Van Beuningen, Rotterdam, Netherlands   This is the outer panel of a lost triptych. {possibly from the Ship of Fools triptych [?]
	Cutting the Stone c. 1500–1520 Oil on wood 48 × 35 cm Museo del Prado, Madrid, Spain   Also known as The Cure of Folly.
	The Seven Deadly Sins and the Four Last Things c. 1510–1520 Oil on wood 120 × 150 cm Museo del Prado, Madrid, Spain Bosch's authorship is disputed.
	The Last Judgment (fragment) c. 1530–1540 Oil on wood 60 × 114 cm Alte Pinakothek, Munich, Germany   Fragment of a lost triptych. Bosch's authorship is disputed.
	The Conjurer c. 1530–1540 Oil on wood 53 × 65 cm Musée Municipal, Saint-Germain-en-Laye, France Bosch's authorship is disputed.
	Head of a Halberdier Oil on wood 28 × 20 cm Museo del Prado, Madrid, Spain   Fragment of a Christ Crowned with Thorns by a follower of Bosch.
	Head of a Woman Oil on wood 13 × 5 cm Museum Boijmans Van Beuningen, Rotterdam, Netherlands   Fragment. Attribution uncertain.

See also

• Hieronymus Bosch drawings

References

1. "BOSCH". boschproject.org.
2. Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman – Technical Studies, Yale University Press, New Haven, 2016.
3. "Pigments in paintings". ColourLex.
4. Stefan Fischer. Bosch: The Complete Works.
5. See: Gallery Label Metropolitan Museum of Art Collection Database
6. "Authentication of Hieronymus Bosch Panel at Nelson-Atkins Called Significant". February 2016.

Further reading

• Matthijs Ilsink, Jos Koldeweij, Ron Spronk, Luuk Hoogstede, Robert G. Erdmann, Rik Klein Gotink, Hanneke Nap, and Daan Veldhuizen. Hieronymus Bosch: Painter and Draughtsman – Catalogue raisonné, Yale University Press, New Haven and London, 2016.
• Luuk Hoogstede, Ron Spronk, Robert G. Erdmann, Rik Klein Gotink, Matthijs Ilsink, Jos Koldeweij, Hanneke Nap, and Daan Veldhuizen, Hieronymus Bosch, Painter and Draughtsman – Technical Studies, Yale University Press, New Haven, 2016.

External links

• Hieronymus Bosch gallery at Web Gallery of Art
• The Bosch Research and Conservation Project
• Hieronymus Bosch, collection of resources and pigment analyses, ColourLex