Lilies of the Field (1963 film)
American comedy drama by Ralph Nelson From Wikipedia, the free encyclopedia
Lilies of the Field is a 1963 American comedy-drama film directed and produced by Ralph Nelson, adapted by James Poe from William Edmund Barrett’s 1962 novel of the same name. Starring Sidney Poitier, Lilia Skala, Stanley Adams, and Dan Frazer, the film takes its title from the Bible’s Sermon on the Mount (Matthew 6:27–33 and Luke 12:27–31). The story follows Homer Smith, an itinerant handyman, who encounters a group of East German nuns in the Arizona desert. Led by the determined Mother Maria Marthe, the nuns believe Homer has been sent by God to build them a chapel.
| Lilies of the Field | |
|---|---|
.jpg) Theatrical release poster | |
| Directed by | Ralph Nelson |
| Screenplay by | James Poe |
| Based on | The Lilies of the Field by William Edmund Barrett |
| Produced by | Ralph Nelson |
| Starring | Sidney Poitier Lilia Skala Stanley Adams |
| Cinematography | Ernest Haller |
| Edited by | John McCafferty |
| Music by | Jerry Goldsmith |
Production company | Rainbow Productions |
| Distributed by | United Artists |
Release dates |
|
Running time | 94 minutes |
| Country | United States |
| Language | English German |
| Budget | $240,000[2]–247,000[3] |
| Box office | $3 million (rentals)[2] or $7 million[3] |
Praised by critics, the film earned five Academy Award nominations, including Best Picture and Best Supporting Actress for Skala. Poitier won the Academy Award for Best Actor, becoming the first Black actor to win in a leading role and the second Black actor overall to receive an Oscar after Hattie McDaniel. The film also features an early score by Jerry Goldsmith.[4] In 2020, it was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".
The film was turned into a Broadway musical in 1970, Look to the Lilies, with Shirley Booth starring as Mother Maria Marthe.
Plot
Summarize
Perspective
Homer Smith, a drifting handyman, stops at a remote Arizona farm seeking water for his car. He encounters a group of Eastern European nuns—led by the stern Mother Maria Marthe—struggling to maintain their modest desert homestead. Though initially resistant, Homer agrees to repair their roof in exchange for payment. The nuns, who speak little English, humorously dub him “Schmidt” (the German equivalent of Smith) and invite him to stay for meals, slowly endearing themselves to him.
When Homer demands payment, Mother Maria deflects by quoting the Bible’s Sermon on the Mount (“Consider the lilies of the field…”), urging faith over materialism. Homer counters with Luke 10:7 (“The laborer is worthy of his hire”), but her resolve remains unshaken. Through interactions with locals, including Juan, a café owner, and a traveling priest, Homer learns of the nuns’ harrowing escape from behind the Iron Curtain and their impoverished existence. Despite their inability to pay, he begrudgingly prolongs his stay, lured by the challenge of building a chapel for the nearby Mexican American community, whose nearest church is miles away.
Homer’s initial reluctance gives way to ambition when he confesses his unrealized dream of becoming an architect. Using donated materials and his dwindling savings, he begins constructing the chapel single-handedly, insisting on perfection. Tensions flare with Mother Maria, who prioritizes pragmatism over his ideals, leading Homer to abandon the project temporarily. He returns hungover but remorseful, finding renewed purpose as the community gradually rallies to assist. Locals donate supplies and labor, transforming Homer’s solitary endeavor into a collective effort, though he initially resists their involvement.
As construction progresses, Homer’s leadership earns respect, even from Ashton, a dismissive contractor who later offers him a job. The chapel’s completion culminates in a bittersweet victory: Homer secretly signs his work, symbolizing pride and humility. On the eve of the dedication, Mother Maria subtly implores him to stay, but Homer, aware their partnership has reached its natural end, departs quietly at nightfall. The nuns’ echoing rendition of “Amen”—a hymn they learned from him—underscores their unspoken gratitude as he drives away.
The film closes with “Amen” in lieu of “The End.”
Cast
- Sidney Poitier as Homer Smith
- Lilia Skala as Mother Maria
- Lisa Mann as Sister Gertrude
- Isa Crino as Sister Agnes
- Francesca Jarvis as Sister Albertine
- Pamela Branch as Sister Elizabeth
- Stanley Adams as Juan Acalito
- Dan Frazer as Father Murphy
- Jester Hairston as Homer Smith Singing (uncredited); composer of the song "Amen"
- Ralph Nelson as Mr. Ashton (uncredited)
Production
The movie was filmed primarily on a ranch owned by the family of Linda Ronstadt, located on the northern edge of Tucson, near Sabino Canyon and Cloud Road.[5] The church doors featured in the film were borrowed from the Chapel in Sasabe, Arizona, and were carved by local Tucson artist Charles Bolsius.
Jester Hairston, who wrote the gospel arrangement of "Amen" used in the film and arranged the vocal parts, also dubbed the vocals for Sidney Poitier, who was tone-deaf.
Release
The film was screened in competition at the 1963 Berlin Film Festival in June 1963. It opened October 3, 1963 at the Murray Hill Theater in New York City.[1]
Reception
Summarize
Perspective
On the review aggregator website Rotten Tomatoes, 92% of 24 critics' reviews are positive, with an average rating of 8/10.[6] Metacritic, which uses a weighted average, assigned the film a score of 68 out of 100, based on nine critics, indicating "generally favorable" reviews. Variety said it was a film "loaded with charm and which is full of good, clean, honest fun."[7]
Accolades
Sidney Poitier became the first African-American actor to win the Academy Award for Best Actor and the second African-American Oscar winner overall (after Hattie McDaniel won the Academy Award for Best Supporting Actress for Gone with the Wind in 1939).[16][a]
Also, the film is recognized by American Film Institute in these lists:
- 2003: AFI's 100 Years...100 Heroes & Villains:
- Homer Smith – Nominated Hero[17]
- 2006: AFI's 100 Years...100 Cheers – #46[18]
Sequel
The sequel Christmas Lilies of the Field was made in 1979 for television in which Homer Smith (now played by Billy Dee Williams), returns and is "persuaded” to build a kindergarten for a group of orphans and runaways whom the sisters have taken in.
See also
References
External links
Wikiwand - on
Seamless Wikipedia browsing. On steroids.