Lena Braun
German contemporary artist From Wikipedia, the free encyclopedia
German contemporary artist From Wikipedia, the free encyclopedia
Lena Braun (born 4 April 1961 in Wuppertal, Germany) is a Berlin-based artist, curator and author. She works as a cross-genre artist in the fields of performance and visual arts,[1] often addressing non-normative femininity and gender expression. The art spaces that she has curated since 1988 have earned her the reputation of being a "Grand Dame" of Berlin's art scene. [2]
Braun grew up in western Germany and came to Berlin in 1981 to study at FU Free University. In 1987, she wrote her master's thesis on the novel "The Tigress: A Strange Love Story" by Walter Serner.
In 1988, she opened the first of her – to this day - 9 art spaces in Berlin. The art magazine Kunstforum International called it a "meeting place for the young, experimental art scene"[3] and Braun soon made a name for herself as "a real diva of Berlin's cultural scene".[4] One of her art spaces, the Boudoir in Berlin-Mitte (1991 – 1995), was honored by the Museum of Modern Art (MoMA) in New York with the exhibition “Boudoir in Exile [5] and is now considered the “First Queer Art Salon” in Berlin. [6]
In 1993, she founded the Queen Barbie Lodge, defined as an “underground organization” for women artists. The lodge, which Braun chaired until 2009, was the female counterpart to an all-male association called Lord Jim Lodge, operated by artists like Martin Kippenberger and Albert Oehlen (among others). The Queen Barbie Lodge regularly organized exhibitions and performances ironizing sexism and championing female empowerment. The Berlin city magazine Tip wrote: “Lena Braun aka Queen Barbie is not only a curator, but also a visual artist and above all an intrepid performer. As a curator, she … mainly promotes and exhibits female artists, without being dogmatic about it.” [7]
Alongside her curatorial projects, Lena Braun also works as a freelance author and artist. In the 1990s and 2000s, she wrote plays, acted in films [8] and published a periodical for the Queen Barbie Lodge (36 issues, Xerox art). In 2013 she founded a literary label called Edition Fortyfour, where she publishes her novels. Braun's artistic oeuvre includes performances, collages and installations. She exhibits both in Germany and internationally.
Lena Braun has been initiating and curating art spaces in Berlin since 1988. She sees her spaces as installations, i.e. artificial environments that stage art (as opposed to showing it in a white cube). For an exhibition on "Today's Avant-Garde" at the Kindl Center for Contemporary Art in Berlin (2017) [9] Braun created an installation that reflects her point of view: "My art spaces are campy environments that shape alternative queer lifestyles and suspend classic markers of social exclusion such as age, origin, or saleability."[10]
The press often focuses on the ambience in which Braun presents art. The British Guardian, for example, listed her art space Barbie Deinhoff's as one of the ten best bars in Berlin.[16] The German national weekly Die Zeit described another of her art spaces, the BOUDOIR, as a mixture of "club, gallery and art happening". [17]
Similar comments were made by media such as Die Welt, Die tageszeitung and Tagesspiegel. [18] [19] [20]
In a recent interview with the Berlin-based radio station RBB, Braun described this very mix as intentional: Her art spaces, says Braun, are social spaces meant to transcend art world elitism.[21]
Braun appeared in several films, among them Gender X, which premiered at the Berlin International Film Festival in 2005 [22] and B-Movie: Lust & Sound in West-Berlin 1979-1989, which was released in 2015.[23]
Braun was a voice actress in Nekromantik 2,[24] and she co-wrote and co-directed a film for German television (“Der hellblaue Engel”, The Light-Blue Angel, 1996).[25]
In 2007, she wrote and directed the video “Hairspray II", based on the Film Hairspray by John Waters (director). Braun also played the role of "Mom". The video was shown in Amsterdam in 2010 and in Berlin in 2021[26][27]
Braun performed in Robyn Orlin's play “Ski-fi-Jenni”, with performances in Montpellier, Paris and Berlin (2002).[28]
Braun also wrote, produced and directed own plays, among them:
In 2013, Lena Braun published three novels in homage to Djuna Barnes: Ladies Almanach, Nachtschatten, Tyler.[31] The titles echo those chosen by Barnes: Ladies Almanack, Nightwood, Ryder. Braun's novels tell stories that reflect and rewrite the ones Barnes told: For example, Braun's Ladies Almanach transposes the lesbian circle in Paris that Barnes portrayed in 1928 to Berlin in the 1990s. Braun's homage also simulates the editorial gesture: Like Barnes, who published her Almanack as a private print, Braun self-published her novels, founding the literary label EDITION FortyFour for this purpose.
All texts & publications are in German:
Braun is a multi-genre artist in the fields of visual and performance art. In her performances, Braun often puts herself in the roles of famous women artists, reenacting scenes from their lives. The reenactments are captured in photos. Braun is present in the images as an art director and performer:
"As a performer I often slip into the skin of others, Djuna Barnes, for example, or Peggy Guggenheim, Anita Berber or Hedy Lamarr. I incorporate biographical scraps, and gradually this creates a kind of rage - a rage that suspects the truth but can't grasp it. I always do long research for these performances. They are an attempt to revive history, or rather, repressed and misrepresented history.”[32]
Braun processes the photos taken during performances into prints and collages. Her works have been exhibited both in Germany and abroad. In 2020, they were shown in the U.S., alongside works by Elsa von Freytag-Loringhoven and as part of the exhibition "The Art of Djuna Barnes."[33] The genres of collage and installation remain central to Braun's work today, with a wide range of materials including found objects of all kinds.
"I find materials everywhere, in the street, in the garden, and while travelling. I immortalize the carelessly discarded and give it a new meaning." [34]
In 2017, she created an installation of discarded ball gowns from the Vienna Opera Ball, that was shown in Berlin in 2017 [35] and at the art festival open art Lausitz in South Brandenburg in 2021.[36]
Since 2019, Lena Braun has been producing woven objects and concrete sculptures. For her, the 100th anniversary of the German art school Bauhaus was an invitation to suspend its gender code - concrete for men, weaving for women – by working in both media. The genre of collage also plays a central role here: Braun's woven objects often collage textile with non-textile materials. Her concrete casts immortalize found objects in sculptural works that turn into a kind of time capsule.
