King Paluta

Ghanaian rapper, singer, and songwriter From Wikipedia, the free encyclopedia

King Paluta

Thomas Adjei Wireko, professionally known as King Paluta, is a Ghanaian rapper, singer, and Producer.

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King Paluta
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Background information
Birth nameThomas Adjei Wireko
Also known asKing Paluta
Born (1992-01-27) January 27, 1992 (age 33)
Atonsu, Kumasi, Ghana
Genres
Occupation(s)Rapper, singer, songwriter
Years active2016–present
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Early life and education

King Paluta was born and raised in Atonsu, a suburb of Kumasi, in the Ashanti Region of Ghana. Growing up in Kumasi, a cultural hub for hiplife and Asakaa music, deeply influenced his artistic journey. He began showcasing his talent through rap battles in the streets of Kumasi, which helped him gain attention in the local music scene.[1]

Music career

King Paluta debuted in the Ghanaian music scene with a style that blends humor, social commentary, and intricate wordplay. He became a household name with hits such as Creativity, Songs of the Legends and Yahitte Remix, featuring artists like Kuami Eugene ,Strongman and Amerado.[2]

His versatility, demonstrated by seamlessly switching between languages like Twi and English, and his collaborations have solidified his presence in the hiplife and hip-hop genres. He is also regarded as a prominent figure in the Kumasi-based "Kumerica" music movement.[3]

Style and influence

King Paluta's music is characterized by an innovative mix of Ghanaian traditional rhythms and modern hip-hop beats. His storytelling ability and lyrical prowess have drawn comparisons to iconic Ghanaian rappers, positioning him as a significant voice in the country's evolving music industry.[4]

Discography

Selected singles

  • "For The Popping"
  • "Aseda"
  • "Yahitte Remix"
  • "Makoma"[5]

Album

  • Give Time Some Time[6]

Personal life

Although King Paluta remains private about his personal life, he often shares anecdotes from his upbringing in his songs. Themes such as resilience, gratitude, and ambition are frequently highlighted in his work.[4]

References

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