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Katy Hudson (album)
2001 studio album by Katy Hudson From Wikipedia, the free encyclopedia
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Katy Hudson is the debut album by the American singer Katy Hudson, later known as Katy Perry.[2] It was released on March 6, 2001, by Red Hill Records. The album, unlike the subsequent albums that made her known worldwide,[3] primarily incorporates Christian rock and contemporary Christian music elements with lyrical themes of childhood, adolescence, and Hudson's faith in God. Before its release, Red Hill went bankrupt, preventing it from marketing and promoting the album, which subsequently sold about 200 copies and received mixed reviews.[2]
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Background
Growing up in a conservative household and raised by pastor parents, Hudson spent most of her childhood with gospel music, as secular music was not permitted. At the age of 15, she began pursuing a career in music and started recording demos and learning to write songs, capturing the attention of Red Hill Studios, who signed her a deal. Hudson then began working on her debut album Katy Hudson.[4]
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Music and lyrics
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Themes and influences
Katy Hudson saw Hudson exploring Christian rock and contemporary Christian music (CCM).[3] Amongst what was described as an alternative direction were prominent influences of pop rock. During an interview for her official website at the time, Hudson cited artists Jonatha Brooke, Jennifer Knapp, Diana Krall, and Fiona Apple as her musical influences. The album was described as eschewing bubblegum pop and evoking Christian pop songstresses Rachael Lampa and Jaci Velasquez.[5]
Songs
"Trust in Me", "Naturally", and "My Own Monster" were said to capture "loneliness, fear and doubt often ascribed to teens".[6]
The first features "haunting" strings with "electronica effects" and "solid rock roots".[7] An aggressive track, "Piercing" depicts the infatuation people have with expendable things. In "Piercing", Hudson sings: "Lord, help me see the reality / That all I'll ever need is You".[6] "Last Call" was written by Hudson while reading the book Last Call for Help: Changing North America One Teen at a Time, written by Dawson McAllister. Musically, it sees Hudson going into a more jazz-oriented sound.[3] Hudson described "Growing Pains" as an anthem for children and adolescents, explaining that society shares a misconstructed image of them, often viewing them as individuals that do not believe in or do not know much about God.[8]
"Faith Won't Fail" was inspired by faith always sufficing in Bible situations and chapters; and Hudson commented on "Search Me": "I was struggling with the fact that I would have the huge responsibility of how others would be affected through what I was doing or saying on stage. I don't want to put on some kind of front that everything is good when it's not. I wanted to keep it real, but still give people hope." The record closes with "When There's Nothing Left", which has been described as a "crisp and clean 'love note' to God".[9]
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Release and promotion
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The album was released on March 6, 2001.[3] The album was a commercial failure for bankrupted Red Hill Records, only selling between 100 and 200 copies.[2]
Tour
To promote the album, Hudson embarked on Phil Joel's The Strangely Normal Tour as an opening act,[10] with Earthsuit and V*Enna joining her.[11] She later embarked on 46 solo performances throughout the United States.[12]
Charts
The song "Trust in Me" spent two weeks on the Radio & Records Christian Rock chart, peaking at number 17.[13] "Search Me" also appeared on the Christian CHR chart, spending three weeks and peaking at number 23.[14]
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Critical reception
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The album received generally mixed reviews from critics. Stephen Thomas Erlewine from AllMusic and The Phantom Tollbooth's Andy awarded the record three stars out of five. Erlewine wrote that on the album, Hudson betrays "a heavy, heavy debt to Alanis Morissette". He concluded that "as an album, Katy Hudson is only instructive as the first act in a prefab pop star's career, to show that she has talent but that she was mismarketed -- and that she couldn't quite fit as a Christian singer, either, so everybody is better off with Katy tasting cherry chapstick instead of communion wine".[3] Argyrakis stated that Hudson having been reared in church had "paid off", and noted that "Although a mere pop lightweight, it's hard to ignore Hudson's sincerity and lyrical maturity."[5]
Christianity Today writer Russ Breimeier was positive about Katy Hudson, highlighting Hudson's songwriting style for being "insightful and well matched to the emotional power" of Hudson's music. He further deemed Hudson a "young talent" and expected to hear more from her in the next year.[7] Similarly, Tony Cummings from Cross Rhythms also considered Hudson to be a "vocal talent", recommending readers to listen to the album and rating it nine stars out of ten.[16] DEP from Billboard, also calling Hudson a talent, classified the record as "textured modern-rock collection that is equal parts grit and vulnerability" and "impressive".[15]
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Aftermath
Katy Hudson is the only Christian music-influenced album by Hudson, who subsequently adopted the stage name Katy Perry.[17] After her popularity increased, previously sold copies of Katy Hudson have become a sought-after item amongst her fans.[2] The album is not available on any streaming services.[4]
During a September 2024 interview with Zane Lowe, Perry acknowledged Katy Hudson as her first album but mentioned that "it is not something I would ever play live".[18] The album was included in the "Choose Your Own Adventure" portion of the Lifetimes Tour seven months later along with her other albums up until Smile, where fans could select various songs to be performed.[19]
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Track listing
Credits extracted from Katy Hudson liner notes.[20]
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Personnel
Adapted from Katy Hudson liner notes.[20]
- Katy Hudson – lead vocals (1–10), background vocals (2, 7, 8)
- Tommy Collier – production (2, 3), acoustic guitars (1), guitars (3), keyboards (2, 3), loops (2, 3)
- Otto Price – production (1, 7, 8), synthesizers (1, 7, 8), bass (1, 2, 4–10), loops (2), programming (1, 7, 8), B-3 (1, 8), additional guitars (7, 8)
- Scott Faircloff – piano (2), keyboards (2, 3), wurlitzer (3)
- David Browning – production (4–6, 9, 10), keyboards and programming (4–6, 9, 10), B-3 (7), piano (8), string arrangements (5, 9, 10)
- Chris Graffagnino – guitars (4-6, 9, 10)
- Barry Graul – electric guitars/12-str (1), guitars (7, 8)
- Tony Morra – drums (2–6, 9, 10)
- Scott Williamson – drums (7, 8)
- Greg Herrington – drums (1), additional drums (7)
- Matt Pierson – bass (3)
- Jeffrey Scot Wills – saxophone (4)
- Otto Price, III – wah guitar (8)
- David McMullan – brass (7)
- Kim Palsma – woodwinds (1, 8)
- David Davidson – violin (1, 7)
- Kristin Wilkinson – viola (1, 7)
- John Catchings – cello (1, 7)
- Mark Stuart (of Audio Adrenaline) – background vocals (1)
- Stacy Tiernan – background vocals (3)
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References
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