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2011 live action adaptation of the Kaiji manga From Wikipedia, the free encyclopedia
Kaiji 2 (カイジ2 人生奪回ゲーム, Kaiji 2 Jinsei Dakkai Gēmu, lit. Kaiji 2: Life Recovery Game) is a 2011 Japanese live-action film based on Tobaku Hakairoku Kaiji, the second part of the manga series Kaiji, written and illustrated by Nobuyuki Fukumoto. It is the second film of a trilogy directed by Tōya Satō and premiered in Japan on November 5, 2011. It was followed by Kaiji: Final Game released in 2020.
This article needs a plot summary. (August 2021) |
Kaiji 2 | |
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Directed by | Tōya Satō |
Written by |
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Based on | Tobaku Hakairoku Kaiji by Nobuyuki Fukumoto |
Produced by |
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Starring | |
Cinematography | Osamu Fujiishi |
Edited by | Mototaka Kusakabe |
Music by | Yugo Kanno |
Production company | AX-ON |
Distributed by | Toho |
Release date |
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Running time | 133 minutes |
Country | Japan |
Language | Japanese |
Box office | $21 million |
Yugo Kanno composed the music for the film. The original score was released on November 2, 2011.[1]
Kaiji 2 was announced in November 2009.[2] Kaiji 2 was theatrically released on November 5, 2011, in Japan.[3] It was released on Blu-ray and DVD on April 25, 2012.[4][5]
The film was screened at the anime convention AM² in Anaheim, California in June 2012.[6]
Kaiji 2 was Japan's nineteenth highest-grossing film of 2011, earning ¥1.61 billion ($21 million) at the box office that year.[7] The film also grossed $68,175 overseas in Singapore.[8]
In a review of Kaiji 2, Maggie Lee of The Hollywood Reporter felt little suspense and satisfaction with the characters and the actors' performance. She wrote that the cast "cranks up their acting" but due their "cardboard" roles they "have no hopes of being more than that". Lee expressed no excitement in the "character reversals", pointing out that they have become quite common in the survival game genre, with works like Liar Game or The Incite Mill, stating "no matter how many times the key persons in Kaiji switch their allegiances, it no longer surprises." Nevertheless, Lee praised the camera movements, music and sound levels, ultimately calling the film a "geeky but still entertaining sequel to the crowd-pleasing "gambling" genre."[9]
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