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ABS-CBN
Media and content company in the Philippines From Wikipedia, the free encyclopedia
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ABS-CBN[a] is a Philippine media and content company. It serves as the flagship media brand of ABS-CBN Corporation, a subsidiary of Lopez Holdings Corporation. Formerly the country's largest free-to-air television network, ABS-CBN has since evolved into a multi-platform content producer and distributor following the expiration and non-renewal of its broadcast franchise in 2020. The company currently syndicates its programming across various platforms, including partner networks, cable channels, streaming services, and digital platforms.
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ABS-CBN is the oldest television broadcaster in Southeast Asia, with origins dating back to the early 1950s. It was the first network in the region to broadcast in color and is historically among the oldest commercial television broadcasters in Asia. In 2015, ABS-CBN transitioned to high-definition (HD) broadcasting ahead of most Philippine networks, and by 2020, after it stopped broadcasting on free-to-air television following a cease and desist order from the National Telecommunications Commission, it had fully shifted to digital operations. ABS-CBN is colloquially referred to as the "Kapamilya Network," a branding introduced in 1999 and officially launched in 2003 during its 50th anniversary, and one that remains widely used up to this day.
ABS-CBN is headquartered at the ABS-CBN Broadcasting Center in Quezon City, with its main operations based in the ELJ Communications Center, which houses its corporate offices and production studios. The network is metonymically referred to as "Ignacia," a nod to its headquarters located along Mother Ignacia Street in Quezon City. The company also operates a state-of-the-art secondary production hub at the Horizon IT Park in San Jose del Monte, Bulacan. This facility is used for the production of television programs and films.[21][22][23][24] In February 2025, the company sold a portion of its Quezon City property, including the decommissioned Millennium Transmitter site (which was closed on July 9, 2025),[25] to Ayala Land for mixed-use redevelopment [26][27] and will take effect in December 2026.[28] ABS-CBN retained ownership of the ELJ Communications Center, which remains its main headquarters, and plans to fully consolidate all corporate, production, and studio operations within the complex by July 2026.[29]
Since 2020, ABS-CBN has remained active as a primary content provider managed by the company and its subsidiaries, which continue to hold its trademark and copyrights. The organization shifted its focus to content production and distribution for cable, digital, and international audiences. Its global presence is maintained through various direct-to-consumer services and international distribution. ABS-CBN also delivers content through broadcast partnerships with local networks, which now utilize its former frequencies and transmission facilities.[30] By 2024, ABS-CBN had adopted a diversified revenue model centered on digital platforms, international licensing, and media partnerships, resulting in improved financial performance.[31][32][33] In the first quarter of 2025, ABS-CBN generated ₱4.23 billion in consolidated revenue but posted a net loss of ₱425.65 million, nearly halving its losses from the previous year as its content production and distribution business showed continued growth.[34] The company has also set its sights on returning to profitability by 2026.[35]
In June 2025, ABS-CBN officially announced it would no longer pursue a congressional franchise to return to traditional broadcasting. Instead, ABS-CBN will focus on producing compelling content, forming strategic partnerships with local and international broadcasters, and expanding its global reach. CEO Carlo L. Katigbak emphasized the company's shift toward becoming a global storyteller, preparing for a future where television is no longer the center of Philippine entertainment, and content must compete in a borderless, digital-first environment.[36]
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History
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As a free-to-air television channel (1953–1972; 1986–2020)
Bolinao Electronics Corporation (BEC) was founded on July 11, 1946.[37] It was established by James Lindenberg, one of the founding fathers of Philippine television[38][39] and an American electronics engineer who went into radio equipment assembly and radio broadcasting. In 1949, James Lindenberg shifted Bolinao to radio broadcasting with DZBC[40] and planned the introduction of television to the Philippines in 1953.[41]
In 1951, Lindenberg partnered with Antonio Quirino, brother of then-Philippine president Elpidio Quirino, to try television broadcasting. In 1952, BEC was renamed Alto Broadcasting System or ABS (with Alto Sales Corporation as its corporate name). Alto was a contraction of Quirino and his wife's first names, Tony and Aleli. Despite little money and resources, ABS was able to put up its TV tower by July 1953 and imported around 300 television sets. The initial test broadcasts began in September of the same year. The first full-blown broadcast was on October 23, 1953, at a party in Quirino's home. The first program to air was a garden party at the Quirino residence in Sitio Alto, San Juan. After the premiere telecast, the station followed a daily four-hour schedule from 6:00 to 10:00 PM.[41]
ABS-CBN's first television broadcast was on October 23, 1953, as Alto Broadcasting System (ABS) on DZAQ-TV, three months after the first broadcast of Japan's NHK General TV and Nippon Television. It is the first television network in Southeast Asia to broadcast in color, the first television network in the Philippines to formally launch a digital terrestrial television service, and the first broadcast television network in the Philippines to formally launch in HD.[42]
The flagship television station of ABS-CBN was DWWX-TV (ABS-CBN TV-2 Manila). As such, the network was informally referred to as "Channel 2" or "dos" (Spanish for two) even if the network was seen in other channel numbers elsewhere in the country. The network operated across the Philippine archipelago through the ABS-CBN Regional division which controlled 80 television stations.[43][44] Its programs are also available outside the Philippines through the global subscription television channel The Filipino Channel (TFC). From 2011 to 2020, the network had on test broadcast for digital terrestrial television using the Japanese standard ISDB-T in select areas in the Philippines. On October 3, 2015, ABS-CBN started to broadcast in high-definition quality through its affiliate direct-to-home cable and satellite television providers.[42]
As of May 5, 2020, all terrestrial broadcast operations have halted completely as per a cease-and desist order from the National Telecommunications Commission. All frequencies formerly assigned to ABS-CBN have since been reassigned to other networks (including AMBS' All TV, which ironically, would begin simulcasting selected ABS-CBN programs nearly two years later).[15][16][17][45][19] [20]
As a content producer and distributor (2020–present)
ABS-CBN restructured its operations starting 2020, prioritizing and focusing content creation, digital distribution, and global partnerships across cable, satellite, and over-the-top (OTT) platforms. These operations are managed by ABS-CBN under its parent company, ABS-CBN Corporation.
On June 13, 2020, ABS-CBN launched the Kapamilya Channel, a 24-hour pay television network designed to continue the company's programming through alternative platforms. Serving as the flagship channel of the company, the channel was introduced with a high-definition (HD) feed, replacing the former ABS-CBN HD channel, which originally launched on October 3, 2015. It is available nationwide via major cable and satellite providers, including Streamtech's Planet Cable, Converge ICT's Vision and its sister company Sky Cable.[46]
Following the introduction of its cable channel, the company launched Kapamilya Online Live on August 1, 2020, as its flagship free livestreaming service on YouTube and Facebook. The platform features current programming, same-day broadcasts, and archived content, mirroring the shows aired on its cable counterpart with slight variations due to copyright restrictions. It marked the country's first full-day digital entertainment service by a major television network, offering continuous programming through social media livestreams.[47]
ABS-CBN merged its streaming services iWant and TFC Online in 2021 to launch the upgraded iWantTFC platform, integrating domestic and international content libraries into a single streaming service. The platform offers live channels, video-on-demand, and exclusive digital content. iWant relaunch on July 10, 2025, with enhanced features including support for 4K streaming, aiming to provide a sleeker and improved viewing experience.[48]
ABS-CBN expanded its domestic television presence through a series of blocktime agreements with multiple broadcast networks. Programming became available on A2Z Channel 11 through a partnership with ZOE Broadcasting Network,[49] followed by a similar arrangement with TV5, which began airing select ABS-CBN shows and later included its primetime lineup.[50] A separate content deal with Advanced Media Broadcasting System allowed ABS-CBN to air current and archived programs on All TV starting in May 2024.[51] The company also launched collaborative projects with GMA Network, featuring shared production and on-air crossovers, marking a notable shift in the historically competitive landscape of Philippine television.[52] On May 29, 2025, at 8:00 PM, Media Serbisyo Production Corporation a joint venture with Prime Media Holdings officially relaunched the DZMM Radyo Patrol 630 and DZMM TeleRadyo brands, resuming 24-hour news and public service broadcasts on AM radio and television.[53] Concurrently, ABS-CBN strengthened its digital distribution by partnering with international streaming platforms such as Netflix,[54] Amazon Prime Video,[55] Viu,[56] and iQIYI.[57]
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Branding
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The ABS-CBN logo features three main elements: the vertical line rooted in a horizontal origin, the three extending circles, and the text ABS-CBN.[58]
ABS-CBN's logo also has a horizontal version, usually used to save space as the main vertical logo usually takes up more space. The design of the horizontal version of the logo contains the ABS-CBN text, split into two parts, "ABS" and "CBN", without the dash connecting them, and ABS-CBN's symbol squeezed in between them.
The first logo to have a horizontal version going by this design was the logo launched in 1986. From September 14, 1986, up until the final sign-off of the main ABS-CBN terrestrial network on May 5, 2020, the elements of the horizontal logo, text, and symbol were evenly sized. Since 2004, starting with the logo of ABS-CBN Store from 2004 to 2014, the horizontal logo has been slightly larger than the Alto Broadcasting System (ABS) and Chronicle Broadcasting Network (CBN) names.
Slogans
- The Philippines' Largest Network (1967–1972; 1986–1988) – Emphasized national coverage and prominence during its early broadcast years. The network's trademark jingle was created based on this slogan, which is still being used to present day.
- The Star Network (1987–1992) – Highlighted the network's popular entertainment stars and notable programming after resuming operations in 1986.
- In the Service of the Filipino (1989–present) – Reflected the network's dedication to public service, news journalism, and national development.
- In the Service of the Filipino Worldwide (1992–present) – Expanded its identity to resonate with overseas Filipino communities and underline its global presence.
Seasonal IDs
ABS-CBN is widely recognized for its annual Christmas Station ID (CSID) and Summer Station ID (SSID) campaigns. These musical productions have become a significant part of Filipino pop culture and serve as a yearly tradition to promote unity, gratitude, and national pride.
Christmas IDs
ABS-CBN's Christmas Station IDs are released annually, usually between late October to early December, across ABS-CBN platforms.
Each campaign features a new original theme song, celebrity appearances, and stories highlighting Filipino values such as family, resilience, and bayanihan.
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Summer ID
ABS-CBN's Summer IDs, usually released in April, reflect themes of joy, fun, and Filipino spirit.
These are often paired with upbeat songs, scenic visuals, and Kapamilya stars celebrating summer with the audience.
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Content productions and operations
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ABS-CBN Studios now serves as the core of the ABS-CBN brand, acting as the umbrella for all of the company's content production and distribution operations, including television, film, music, events, talent management, and production facilities.[59] The studio comprises several divisions and works alongside various ABS-CBN subsidiaries, each specializing in areas such as cable channels, international distribution, and digital services.[60] ABS-CBN Studios supplies programming to affiliated platforms owned by ABS-CBN Corporation and collaborates with a range of broadcasting partners to reach wider audiences across cable, streaming, and digital media.[61] With a mix of long-running hits and successful new titles, ABS-CBN Studios aims to remain a leading content provider in the Philippines and worldwide.[62]
The origins of ABS-CBN Studios date back to 1962, when it produced its first television program, laying the foundation for what would become one of the Philippines’ most prolific and influential content producers.[63] Through decades of innovation and expansion, the company transformed from a single production unit into a unified umbrella brand, overseeing a wide array of creative and technical operations across multiple media platforms.[64]
In 2020, the division was rebranded as ABS-CBN Entertainment to emphasize its shift toward digital-first content and multi-platform distribution.[65] It later adopted the name ABS-CBN Studios, highlighting its expanded role in integrated content creation, collaboration, and global distribution across broadcast, cable, and digital platforms.[66]
Television
ABS-CBN Studios produces a wide range of television content including TV series, variety shows, and game shows for ABS-CBN affiliated platforms.[67][64] The division, also called the ABS-CBN Entertainment unit, has from its inception focused on the creation and production of television shows, serving as the company's primary creative force for decades until it expanded and transformed into an integrated, multi-platform content producer.[65]
ABS-CBN Studios comprises several major production groups with distinct creative visions:
- Dreamscape Entertainment, a drama production unit founded on August 17, 1992 by Roldeo T. Endrinal. It produces large-scale, socially relevant teleseryes such as Ang Probinsyano and Batang Quiapo.
- Star Creatives Television, the television drama arm of the Star Creatives Group, linked to film arm Star Cinema. Since 1997, it has led in producing romantic teleseryes and TV films that consistently achieve high ratings.
- JRB Creative Production, headed by Julie Ann Benitez, this unit specializes in character-driven and action-oriented teleseryes such as Sins of the Father.[68]
- RCD Narratives, established in March 2019 to replace the GMO Entertainment Unit. Led by Roda C. Dela Cerna, it focuses on youth-oriented dramas and romantic comedies.
- ABS‑CBN Creative Communications Management, the in‑house graphics and design agency responsible for promos, station identities, animations, and visual content across ABS‑CBN platforms.
Among its most prominent programs are the noontime variety show It's Showtime;[69] the Sunday musical variety program ASAP, the country's longest-running musical variety show since 1995;[70] the reality competition series Pinoy Big Brother;[71] and the primetime action-drama FPJ's Batang Quiapo.[72] Other landmark productions include FPJ's Ang Probinsyano, one of the longest-running action dramas in Philippine television history;[73] and the anthology series Maalaala Mo Kaya, regarded as the longest-running drama anthology in Asia.[74][75]
The studio is behind some of the highest-rated and most iconic Filipino teleseryes, such as Pangako Sa 'Yo, widely considered the highest-rated teleserye of all time;[76] May Bukas Pa, which dominated the ratings in 2009;[77] Tayong Dalawa, a romantic military drama;[78] the original Mara Clara (1992), which aired for over five years;[79] and Esperanza, a top-rated 1990s drama starring Judy Ann Santos.[80] It also pioneered the fantasy-drama genre in Philippine television with Marina in 2004, the country's first fantaserye.[81][82]
Notable platforms include:
- Kapamilya Channel, the flagship premium channel, began airing in June 2020 and features ABS-CBN Studios’ primetime dramas, teleseryes, variety shows, news, and special events. The channel is available nationwide and offers content in high definition.[83]
- Kapamilya Online Live, the flagship livestreaming channel of ABS-CBN Studios’ television, delivers real-time broadcasts of its programming via YouTube and Facebook. It was introduced in August 2020 and features interactive elements such as live chat and community engagement.[84]
- The Filipino Channel (TFC), ABS-CBN Studios' international television service, has been available since September 1994 via cable, satellite, IPTV, and digital apps in over 50 countries. TFC simulcasts major ABS-CBN Studios programs and serves as a vital link to the global Filipino community.[85]
- Jeepney TV, which delivers classic and re-broadcast ABS-CBN Studios content through cable and digital partners, was launched in October 2012. Its lineup features nostalgic dramas, sitcoms, and variety shows for both local and overseas audiences.[86]
- Metro Channel focuses on lifestyle, food, travel, and fashion content, targeting urban and international viewers. Introduced in April 2018, the channel is also known for airing high-profile ABS-CBN events such as the annual ABS-CBN Ball and Star Magic Ball, as well as replay episodes of ASAP, bringing exclusive access to celebrity gatherings and music specials to a wider audience.[87][88][89]
- Knowledge Channel, which offers educational programming in partnership with the Knowledge Channel Foundation and ABS-CBN Studios, first aired in June 1999. Its lineup includes some of the most recognized Philippine educational shows, such as Sineskwela, Math-Tinik, and Epol/Apple, which have become staples in Filipino classroom learning.[90][91]
ABS-CBN Studios’ content is also syndicated to a wide range of partner channels through blocktime agreements including A2Z, ALLTV, GMA Network, TV5, and international broadcasters expanding its audience reach via both traditional and digital means.[92]
In addition to its core platforms, ABS-CBN distributes content through global streaming services such as Netflix, iWant, Amazon Prime Video, Viu, WeTV iflix, iQIYI, and YouTube, reflecting its commitment to digital transformation and international distribution.[93]
News
ABS-CBN News and Current Affairs, known on-air as ABS-CBN News, is the news and current affairs division. It is the country's largest international news gathering and broadcast organization, maintaining several foreign news bureaus and offices through ABS-CBN's Global division.[94] It produces two of the longest-running national newscasts in the Philippines: TV Patrol, launched in 1987, is the country's longest-running Tagalog-language primetime newscast;[95] and The World Tonight, which first aired in 1966, is the longest-running English-language television newscast in the country.[96]
The origins of ABS-CBN News can be traced back to the late 1940s and early 1950s, when the news division began as the news section of two Manila-based radio stations: DZBC, which opened in 1949, and DZAQ, which started in 1950, both operated by the Bolinao Electronics Corporation. In 1951, DZRI in Pangasinan was added, further expanding the network's news reach.[97] These early stations, later absorbed into the Alto Broadcasting System, broadcast news programs and commentary as part of their regular schedules, laying the foundation for the company's future leadership in Philippine news broadcasting.[98]
ABS-CBN News and Current Affairs is organized into several current divisions:
- ABS-CBN Integrated News Operations Group: Responsible for coordinating broadcast and digital news delivery across all ABS-CBN platforms.
- ABS-CBN News Digital: Operates abs-cbn.com/news, as well as official social media, mobile, and online news distribution.
- NXT: A digital-first explainer video unit within ABS-CBN News Digital, targeting younger audiences with concise, research-based coverage of complex topics, delivered mainly on YouTube and social media.[99]
- ABS-CBN Weather Center: Delivers weather reports, forecasts, and meteorological data for broadcast and digital.
- ABS-CBN News Documentaries: The in-house documentary unit, producing features and special investigative programs.
- ABS-CBN News Gathering Group: Handles field reporting, correspondents, and logistics for daily news coverage.
- ABS-CBN News Production Group: Manages the scripting, editing, and technical production of newscasts.
- ABS-CBN Investigative and Research Group: Focuses on investigative journalism, in-depth reports, and research.
- ABS-CBN Regional News Bureaus: Provides local news coverage from Luzon, Visayas, and Mindanao.
- ABS-CBN Global News Bureaus: Maintains international correspondents and bureaus for global Filipino news.
Notable platforms include:
- ABS-CBN News Channel (ANC) is the flagship news channel and a 24-hour cable news channel launched in 1996, delivering live news, business updates, and public affairs programming for Filipino and global audiences. It is available in HD and through online streaming, offering real-time coverage and in-depth analysis.[100]
- DZMM TeleRadyo is the radio-television news and talk channel that simulcasts content from the legacy DZMM 630 AM radio and produces original news, public service, and commentary shows. It continues to operate as a blocktimer on partner channels and through digital streaming, providing timely information and community service.[101]
Film
ABS-CBN Film, best known through its flagship brand Star Cinema, is the film production and distribution arm of ABS-CBN. Established in 1993, it is regarded as the leading film studio in the Philippines, responsible for some of the country's most successful and influential movies.[102] Its catalog includes blockbuster titles such as Hello, Love, Goodbye, The Hows of Us, Four Sisters and a Wedding, and And the Breadwinner Is....
ABS-CBN Film operates several specialty labels:
- Black Sheep, focused on modern, genre-bending, and youth-oriented projects;[103]
- Sine Screen, supporting independent and co-produced films;[104]
- Cinema One Originals, known for its annual festival highlighting independent filmmakers;[105]
Since the 2020s, ABS-CBN Film has adapted to evolving distribution trends by premiering titles in cinemas, on cable, and via digital platforms such as Netflix, IWant, Amazon Prime Video, and its official YouTube channel.[106] The division's productions span a variety of genres from romance and drama to comedy, horror, and family filmsand have earned critical and commercial acclaim.
Notable Platforms include:
- Cinema One, the leading cable movie channel in the Philippines, showcasing a mix of mainstream and independent Filipino films, classic titles, and select foreign movies. It also features Cinema One Originals and various film-related programs.[107]
- Cine Mo, a 24/7 pay-television movie channel since March 2021, offering action, comedy, local and foreign films; it also reruns and airs marathon blocks of ABS-CBN Studios shows, as well as movies acquired by ABS-CBN's international acquisition team. The channel is also available internationally via TFC's premium feeds.[108]
Music
ABS-CBN Music, also known as Star Music, is the music division under ABS-CBN Studios, managing music production and distribution for the company. Founded in 1995, Star Music is recognized as one of the Philippines’ leading record labels, producing albums, singles, and original soundtracks for ABS-CBN's television shows, films, and digital projects.[109]
The division oversees a portfolio of sub-labels to reach diverse audiences and musical genres:
- Tarsier Records, specializing in global and contemporary Filipino music;
- TNT Records, focused on Tawag ng Tanghalan alumni;
- StarPop, highlighting P-pop and emerging teen acts;
- DNA Music, producing modern and alternative OPM;
- Lodi Records, for hip-hop and urban music;
- Star Magic Records, dedicated to the label's managed actors and artists;
- Old School Records, specializing in retro and classic pop sounds;
- Inspire Music, focusing on inspirational and faith-based music.[110]
Star Music is home to a roster of popular Filipino artists such as Darren Espanto, Moira Dela Torre, Erik Santos, Morissette, and Jona. The division is also known for producing the network's annual ABS-CBN Christmas Station IDs, which have become significant pop culture events in the Philippines.[111]
Notable platforms include:
- MYX, a music and youth entertainment channel that showcases music videos, pop culture shows, and the annual MYX Awards.[112]
- MOR (My Only Radio), which transitioned from FM radio to a digital music and entertainment platform in 2020, streaming content to Filipino listeners worldwide.[113]
Talent Development
Star Magic is the principal talent management and development arm of ABS-CBN, established in 1992. It is known for discovering, training, and managing many of the country's top actors, singers, and media personalities featured in ABS-CBN's programs, films, and events.[114] Star Magic provides comprehensive workshops in acting, dance, and personality development, and annually introduces new talent through its Star Magic Circle and other artist launches.
Star Magic has expanded into specialized divisions to serve different artistic fields and audiences:
- Star Magic Artists, the main roster of actors, singers, and hosts;
- Star Magic Workshops, offering training to in-house and aspiring performers;
- Star Magic Newbies, developing up-and-coming talent;
- Star Magic Records, the music label for Star Magic artists;
- Star Magic International, handling overseas projects and global tours;
- Star Magic Sports, representing athletes and sports personalities.[115]
ABS-CBN also operates other talent agencies, including:
- Rise Artists Studio, developing promising young actors and digital personalities;[116]
- Star Hunt, a talent scouting and audition platform for reality shows and social media creators;[117]
- Polaris, under Star Music, managing singers and musical acts.[118]
Through these divisions, ABS-CBN Studios ensures a steady stream of new and established talent for its entertainment and news programs, as well as for projects in music, film, and digital content.
Events
ABS-CBN Events produces and manages a wide range of live and virtual experiences, including concerts, fan gatherings, network milestone celebrations, and award ceremonies held both in the Philippines and abroad. The division collaborates with ABS-CBN artists, sponsors, and partners to engage audiences and extend the company's brand presence beyond traditional media. In line with digital trends, ABS-CBN Events provides online access to its productions through dedicated digital ticketing platforms, allowing viewers worldwide to participate in exclusive concerts, movie premieres, and pay-per-view specials.[119]
- KTX is ABS-CBN's leading digital events and ticketing platform, offering e‑tickets for both in-person and online events such as concerts, fan meets, movie premieres, and theater productions.[120] The platform became prominent during the pandemic by enabling communal virtual experiences with features like live chat, multi-camera viewing, and interactive Q&As, hosting events with thousands of paid viewers and providing global access to exclusive content.[121]
- iWant Tickets is an online ticketing and streaming service integrated with iWant, allowing users to purchase tickets for livestreamed and on-demand ABS-CBN events—including musical shows, film premieres, concerts, and pay-per-view specials.[122] The platform supports secure e-ticketing and seamless global streaming access, expanding ABS-CBN's digital event offerings to international audiences.
Production Facilities
ABS-CBN Broadcasting Center
The ABS-CBN Broadcasting Center is the company's historic headquarters and media complex, located in Diliman, Quezon City. First inaugurated in 1968, it was considered the most advanced television broadcast facility in Asia at the time, serving as the main hub for ABS-CBN's television and radio operations.[123] The complex houses state-of-the-art studios, technical facilities, production offices, and administrative departments, supporting the creation of news, entertainment, and digital content for multiple platforms.
The Broadcasting Center has played a central role in the development of Philippine media, hosting the production of many of the country's most iconic television programs and serving as the headquarters for ABS-CBN News, Star Magic, and other key divisions. It remains a prominent media landmark and a symbol of innovation and excellence in the Philippine broadcast industry.
ABS-CBN Soundstage
The ABS-CBN Soundstage in San Jose del Monte, Bulacan, serves as the company's main production hub. Opened in 2018 and built to international standards, the complex features multiple state-of-the-art soundstages, backlot areas, post-production suites, and support facilities.[124]
The soundstage complex enables ABS-CBN Studios to produce high-quality television series, films, variety shows, and live events, while supporting co-productions and collaborations with international partners. The facility is equipped with advanced lighting, audio, and camera systems, as well as adaptable set constructions and dedicated dressing and rehearsal rooms, allowing for efficient, large-scale, and technically sophisticated shoots.[125]
The ABS-CBN Soundstage has played a significant role in raising production standards in the Philippines and positioning ABS-CBN as a regional leader in content creation for both local and global markets.[126]
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Digital online media platforms
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ABS-CBN has transformed into a leading digital media company through its dedicated digital division, ABS-CBN Digital Media, which manages platforms such as ABS-CBN.com, iWant, YouTube, and Netflix for global content distribution and audience engagement. With a focus on digital content creation and delivery, iWant serves as its flagship streaming service, while ABS-CBN.com is the main news and entertainment portal for Filipinos worldwide. By pioneering live streaming and on-demand viewing, ABS-CBN has established itself as a dominant force in Philippine digital media and among overseas Filipino communities.
Website
ABS-CBN.com is the official website of ABS-CBN and is managed by ABS-CBN Digital Media, the company's digital division. Since its launch in 1997, ABS-CBN.com has grown from a simple corporate site into one of the Philippines’ most-visited digital destinations, offering news, entertainment, program schedules, multimedia content, and interactive features. The website provides live streaming, video-on-demand, interactive show pages, and direct access to streaming platforms like iWant, as well as the ABS-CBN News site and official social media channels.
Over the years, ABS-CBN.com has undergone major redesigns to improve the user experience. In March 2021, the site introduced a refreshed interface, and in December 2024, it relaunched as an “all-in-one” digital platform, unifying ABS-CBN's news, entertainment, sports, lifestyle, and metro content in a single cross-device hub.[127]
As ABS-CBN expanded its focus on digital content, ABS-CBN.com introduced more editorial, multimedia, and interactive offerings, and partnered with advertisers and branded content creators to enhance user engagement. By 2025, the site remains a key online hub for Filipinos worldwide, drawing millions of monthly visitors. According to SimilarWeb, ABS-CBN.com ranked third among streaming and online TV websites in the Philippines in May 2025 after YouTube and Netflix with approximately 25.7 million visits that month.[128]
iWant
iWant is ABS-CBN's dedicated over-the-top (OTT) streaming service, offering on-demand access to a vast library of ABS-CBN content. The platform features a diverse selection of television dramas, variety shows, news, documentaries, movies, and exclusive digital series, catering to both Filipino and international audiences. iWant allows users to watch both classic and current ABS-CBN programs, including simulcasts of live TV broadcasts and early releases of new episodes. iWant became a critical platform for content delivery, attracting millions of new users worldwide and expanding its availability to more than 200 countries and territories. The platform has since undergone major upgrades, merging the original incarnation of domestic iWant and global TFC Online services into a single integrated platform, further enhancing accessibility and user experience.
In June 2025, ABS-CBN began unveiling a refreshed interface and streaming experience, with a new look launching on Smart TVs starting June 12. The platform fully relaunched as and reverted its name into "iWant" in July 2025, featuring enhanced navigation, updated branding, and support for 4K streaming and cross-device compatibility.[129]
YouTube
ABS-CBN has established itself as the leading Filipino media company on YouTube, reaching millions of viewers worldwide and adapting to the changing media habits of Filipino audiences. Since launching its official YouTube channel in 2009 with the ABS-CBN Summer ID 2009 as its first upload the network has expanded its digital footprint through free livestreaming and replays of television programs via initiatives like Kapamilya Online Live. By offering real-time and on-demand access to a vast library of shows, movies, and music, ABS-CBN has made YouTube a primary platform for entertainment, news, and audience engagement. Its official channels consistently rank among the most-subscribed and most viewed in Southeast Asia, connecting with both local and global Filipino audiences and setting new records for online viewership and community interaction.
The ABS-CBN Entertainment YouTube channel reached 10 million subscribers in 2020, making it the first Southeast Asian broadcaster to receive the Diamond Play Button. By 2024, it became the first Philippine media channel to surpass 50 million subscribers, earning the Ruby Play Button. As of July 2025, it has over 53 million subscribers and 57 billion views, making it the largest YouTube channel in Southeast Asia and one of the biggest in the region overall.[130]
The ABS-CBN News YouTube channel has also become one of the most influential digital news platforms in the Philippines. The channel surpassed 1 million subscribers in 2018, earning the Gold Play Button, and later reached 10 million subscribers in 2022, qualifying for the Diamond Play Button. As of July 2025, the channel has over 18 million subscribers and 13 billion total views, making it the most-subscribed YouTube news channel in the Philippines.[131] It features livestreams, breaking news coverage, and long-form reports, establishing itself as one of the country's most trusted online news sources.
As of July 2025, other ABS-CBN affiliated YouTube channels have also built substantial followings. Star Cinema’s official channel, which showcases movie trailers, behind-the-scenes content, and selected full-length Filipino films, has over 11 million subscribers.[132] Star Music, the network's record label, follows closely with around 9.9 million subscribers.[133] The official Pinoy Big Brother channel has amassed more than 7 million subscribers,[134] while the It's Showtime variety show channel has over 2.6 million.[135] Collectively, these channels reinforce ABS-CBN's status as the dominant Philippine media group on YouTube.
Several episodes of FPJ's Batang Quiapo and Senior High have trended at #1 on YouTube Philippines. The two-hour finale of FPJ's Ang Probinsyano recorded 536,543 live concurrent views on Kapamilya Online Live, setting an all-time high at the time.[136] That record was later broken by FPJ's Batang Quiapo, which reached over 1 million concurrent viewers in February 2025, setting a new record for Philippine and Southeast Asian YouTube livestreams.[137] On the same day, Incognito achieved an all-time high for an ABS-CBN drama pilot with over 508,000 concurrent viewers on its livestream debut.[138] The big night of Pinoy Big Brother: Celebrity Collab Edition also posted strong online engagement, with its finale episode amassing more than 850,000 views on YouTube. Other shows like Can't Buy Me Love, and Senior High have also surpassed hundreds of thousands of concurrent viewers during their peak livestreams.
The success of ABS-CBN's homegrown P-pop group BINI has also contributed to its digital growth. The group's official music videos and performance content, uploaded through Star Music, regularly reach multi‑million viewership. As of mid‑2025, several of BINI's music videos, such as “Pantropiko” and “Salamin, Salamin,” have achieved significant milestones, with over 110 million views and 87 million views respectively.[139][140]
In addition, ABS-CBN's annual Christmas Station IDs have collectively accumulated tens of millions of views on YouTube. Iconic releases such as Star ng Pasko (2009), Just Love Ngayong Christmas (2017), Ikaw ang Liwanag at Ligaya (2020), and Tayo ang Ligaya ng Isa’t Isa (2022) each continue to attract significant viewership year after year, with some titles exceeding 70 million total views.[141]
Netflix
ABS-CBN has emerged as a major content partner on Netflix, significantly boosting the reach of its content among both local and international audiences. After it became a content provider on Netflix, the first ABS-CBN television series to be featured was Ang Sa Iyo Ay Akin, which premiered as The Law of Revenge in August 2021,[142] while the first ABS-CBN feature film to appear on the platform was Exes Baggage, released as part of a batch of Star Cinema titles in October 2020.[143] Since then, multiple ABS-CBN dramas and movies have consistently secured the #1 position on Netflix Philippines charts during their debut weeks, reflecting strong local and diaspora engagement. The partnership has expanded to include a variety of notable dramas, variety shows, and Star Cinema films, many of which have achieved top rankings among Filipino viewers on the service.
Notable ABS-CBN releases that have reached #1 on Netflix Philippines include Incognito, the action-thriller that premiered on January 17, 2025 and immediately claimed the top spot in Netflix PH's TV chart;[144] Sosyal Climbers, ABS-CBN Studios’ first Netflix film collaboration, which debuted on February 27, 2025 and ranked #1 among movies in the Philippines;[145] Hello, Love, Again, the Kathryn Bernardo and Alden Richards rom-com that premiered on Netflix on February 13, 2025 and topped the Netflix PH movie chart;[146] A Family Affair, the popular drama that immediately became the #1 TV show on Netflix Philippines upon its streaming release in 2022;[147] 2 Good 2 Be True, the KathNiel series that became the most-watched TV series on Netflix PH during its pilot week in May 2022;[148] and Ang sa Iyo ay Akin, the 2020 melodrama that soared to #1 on Netflix Philippines upon its 2021 release.[149]
In addition to new titles, ABS-CBN's collaboration with Netflix also includes classic and restored Filipino films from the ABS-CBN Film Restoration project, ensuring Filipino stories remain accessible and relevant to global viewers.[150]
Spotify
ABS-CBN's partnership with Spotify has propelled its artists to the forefront of digital music streaming in the Philippines and beyond. The network's focus on original Pinoy music and contemporary pop has made Spotify a crucial platform for expanding its audience, both locally and globally. ABS-CBN's record label, Star Music, began distributing its catalog on Spotify in 2014 as part of the company's digital expansion strategy.[151] On September 22, 2022, ABS-CBN officially launched its presence on Spotify with the ABS-CBN Hub, the country's first local network podcast hub on the platform. This portal centralized all Kapamilya podcasts including Dear MOR: The Podcast,ANC Podcast, and Kapamilya Chat making them accessible to Spotify's global audience.[152]
BINI, the nation's premier P-pop girl group under Star Music, achieved several record-breaking milestones on the platform. In March 2025, the group reached 1 billion all-time Spotify streams,[153] and surpassed 6 million monthly listeners by mid-year,[154] cementing their position as the most-streamed female OPM act and P-pop group on Spotify. Their viral single Pantropiko became the first song by a Filipino girl group to surpass 100 million Spotify streams by July 2024,[155] further expanding their audience and online influence. Earlier in March 2024, BINI also made history as the first Filipino pop group to top Spotify Philippines’ Daily Top Artists chart.[156]
MAKI, another rising Star Music artist, has gained significant traction on Spotify as well. By mid-2025, his hits including Saan? and Dilaw regularly appeared in the platform's Daily Top Songs chart for the Philippines, and his total streams exceeded 100 million.[157] The strong Spotify presence of BINI and MAKI underscores ABS-CBN's evolving approach to music promotion and the growing influence of Filipino artists in the global streaming era.
Other social media
ABS-CBN's digital presence, managed by ABS-CBN Digital Media, is among the most influential in the Philippines and the region. ABS‑CBN's main Facebook page currently has around 44 million followers, making it the most followed Philippine media company on the platform. It streams regular programs and special events, often alongside YouTube broadcasts, and engages audiences through emoji reactions, live comments, and real-time polls. Exclusive content such as trailers, reels, and behind-the-scenes videos also draw millions of interactions.[158]
The official ABS‑CBN account on X has approximately 1.9 million followers, also the highest among Philippine media companies, offering updates, show highlights, and network announcements.[159]
On TikTok, ABS‑CBN has amassed around 11.6 million followers with nearly 982 million likes, making it the country's most followed media organization on the platform, and sharing bite-sized entertainment content and show highlights.[160]
ABS‑CBN's primary Instagram account has grown to about 3 million followers, once again leading among Philippine media companies, and features show promos, exclusive clips, and cross-platform event coverage.[161]
ABS‑CBN News maintains a strong social presence: its Facebook page counts about 27 million followers, the highest for a news organization in the country. Its TikTok channel has 1.8 million followers and 65.5 million likes, while its Instagram account also has approximately 2 million followers, delivering news briefs, human-interest stories, and live updates.[162]
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Program acquisition and international distribution
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Perspective
International content syndication
ABS-CBN distributes selected drama series, documentaries, and films to regional and international broadcasters, with many titles dubbed or subtitled for audiences across Asia, Europe, Africa, and Latin America. Several Kapamilya teleseryes have gained international traction; for example, Got to Believe, The Legal Wife, and Bridges of Love became popular in Thailand,[163] while Pangako Sa 'Yo was the first Filipino drama to air in Kenya and Tanzania, earning strong ratings.[164] The company has sold over 50,000 hours of content to more than 50 countries.[165][166] Titles like Mula sa Puso, Sana'y Wala Nang Wakas, Marina, Lobo, Super Inggo, Tayong Dalawa, and Bridges of Love have aired in regions such as Indonesia, Malaysia, Singapore, Thailand, and Peru.[167]
In Latin America, dramas such as Dahil May Isang Ikaw, The Legal Wife, Pangako Sa 'Yo, and Forevermore were dubbed in Spanish and shown in Peru, Ecuador, Colombia, and the Dominican Republic. Bridges of Love aired as Puentes de Amor on Argentina's Telefe, marking the first time a Filipino series was broadcast by a major Latin American network. More recent titles like Dahil May Isang Ikaw (Destined Hearts), Kadenang Ginto, and A Love to Last continued this momentum.[168]
In Africa, a distribution deal with StarTimes enabled the broadcast of Filipino series in over 30 Sub-Saharan countries. Dramas including Ang Probinsyano (Brothers), Kadenang Ginto (The Heiress), and A Soldier's Heart were dubbed in Swahili, Hausa, and French. Bagong Umaga aired in 41 countries, and titles like Asintado reached French-speaking territories such as Côte d'Ivoire and La Réunion. Content was also offered via regional streaming platforms in Egypt and Nigeria.
In Asia, ABS-CBN expanded through syndication and format licensing. In Indonesia, the 2015 remake of Pangako Sa 'Yo aired as Janjiku on MNCTV, followed by the Bahasa-dubbed broadcast of The Iron Heart on ANTV in 2023.[169] In Malaysia, ABS-CBN made its free-to-air debut in 2022 via TVS 122, airing primetime dramas with Bahasa Malaysia subtitles.[170]
In Turkey, ABS-CBN dramas such as The Legal Wife (aired as Kocamı Affet), Bridges of Love, and Forevermore were dubbed in Turkish and broadcast on local networks specializing in international dramas.[171] An English-dubbed version of Darna was also released via StarTimes in Africa following its Indonesian run.
ABS-CBN is a founding member of the Smart Alliance, a regional consortium formed in 2009 alongside Mediacorp, Media Prima, BBTV, and MNC that promotes collaboration in content sharing, co-productions, and digital media innovation.[172]
International adaptations and licensed formats
In addition to syndicating finished content, ABS-CBN has licensed several of its drama series and program formats for remake in foreign markets. The most notable example is the 2000s hit Pangako Sa 'Yo, which was adapted in Indonesia in 2014 as Janji Hati by RCTI, starring Aliando Syarief and Michelle Ziudith. Other series such as Sana Maulit Muli and Mara Clara inspired Indonesian remakes, including Cinta Satu Malam and Putri Yang Ditukar, respectively.[173]
In 2022, the drama Hanggang Saan became the first ABS-CBN scripted series to be officially adapted in Turkey, premiering on Kanal D as A Mother's Guilt.[174]
More recently, Love Thy Woman entered development for an Indonesian remake, reflecting the network's continued expansion into international format licensing.[175]
ABS-CBN has also exported unscripted and variety formats. Notably, the noontime variety show It's Showtime was franchised in Indonesia as It's Showtime Indonesia, which premiered on MNCTV in 2019 and ran until May 2020. The localized version featured both Indonesian hosts and Filipino guest performers, adapting core segments for Indonesian audiences while preserving the essence of the original format.[176]
International content acquisitions
ABS-CBN's International Acquisitions team is responsible for sourcing, licensing, and acquiring foreign content to enhance the network's programming lineup for both Philippine and international audiences. This division operates under the International Sales & Distribution unit and negotiates with global studios, distributors, and content owners across Asia, the Americas, Europe, and beyond.[177]
A landmark acquisition was the Taiwanese drama Meteor Garden, which aired in 2003 and became the Philippines’ first "Asianovela." Its phenomenal popularity marked a turning point in local programming, sparking a nationwide craze and paving the way for the Asian drama phenomenon on Philippine television. Following Meteor Garden, ABS-CBN continued to import top Korean dramas such as Boys Over Flowers, Princess Hours, Dream High, Lovers in Paris, and Goblin; as well as Latin American telenovelas including María Mercedes, Rosalinda, and Rubí; along with Western series such as Alias, Mr. Bean and Liar. In the 2020s, responding to the increasing popularity of Thai content among Filipino viewers, ABS-CBN expanded its acquisitions to include not only 2gether: The Series but also a growing slate of acclaimed Thai BL dramas and youth-oriented series, further diversifying its international programming and reflecting shifting viewing preferences in the Philippines.
ABS-CBN has also been renowned for acquiring and popularizing iconic anime and children's programs. Anime classics such as Judy Abbott, Princess Sarah, Cedie, Heidi, and Marcelino Pan y Vino became household favorites, capturing the hearts of Filipino children and families across generations. The network also introduced beloved anime and animated titles including Hana Yori Dango, Cardcaptor Sakura, Fruits Basket, Naruto, Akazukin Chacha, Wedding Peach, Yu-Gi-Oh!, Tom and Jerry, Looney Tunes/Merrie Melodies and Scooby-Doo. The network further diversified its lineup for younger audiences by airing international preschool shows such as Bear in the Big Blue House, Peppa Pig and Bob the Builder.
ABS-CBN also played a key role in popularizing tokusatsu, or Japanese live-action special effects series, in the Philippines. Notable titles broadcast by the network include Ultraman Ace, Chōdenshi Bioman, and Kamen Rider Agito all of which introduced Filipino audiences to the world of transforming superheroes and team-based action. [178][179]
Local adaptations of acquired international formats
ABS-CBN has a long-standing tradition of producing local adaptations of popular international television formats, further cementing its reputation as a leader in Philippine entertainment. By acquiring rights to globally recognized shows and drama series, ABS-CBN has brought international concepts closer to Filipino audiences through culturally relevant remakes, localized narratives, and the use of homegrown talent.
One of the earliest and most notable examples is the adaptation of Asian dramas, following the immense success of Asianovelas in the early 2000s. ABS-CBN produced Filipino remakes of beloved series such as My Girl, Only You, Lovers in Paris, and It's Okay to Not Be Okay, blending original storylines with uniquely Filipino elements and settings.
Another significant adaptation is the Japanese drama Saving Grace, which was localized for Filipino audiences, reflecting the network's continued interest in bringing diverse Asian narratives to the Philippine market.
The network has also successfully adapted drama formats from Western television. Notably, The Broken Marriage Vow is the Philippine adaptation of the acclaimed British series Doctor Foster. Another high-profile project was I Love Betty La Fea, the Filipino version of the hit Colombian telenovela Yo soy Betty, la fea, which was localized with a Filipino cast and became a major primetime success.
In addition, ABS-CBN has adapted numerous reality, game, and talent show formats, bringing international television experiences into Filipino homes. Notable examples include Pinoy Big Brother, Pilipinas Got Talent, The Voice of the Philippines, Kapamilya Deal or No Deal, The X Factor Philippines, Idol Philippines, Pinoy Fear Factor, Junior MasterChef Pinoy Edition, The Price Is Right, Minute to Win It, and Wheel of Fortune.
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Competition
In 1992, AGB Nielsen Philippines was founded. In 2007, TNS Philippines started to offer media research through Kantar Media Philippines (formerly Kantar/TNS). In 2008, AGB Nielsen Philippines released the list of all-time highest rating shows in the Philippines, with 7 of the top 10 highest rating shows all from ABS-CBN with the shows like The Battle: Pacquiao vs. Morales, Rosalinda, Esperanza, Meteor Garden, Pangako Sa 'Yo, Miss Universe 1994, and María Mercedes.[180]
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Technology
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Perspective
ABS-CBN has long been recognized as a trailblazer in Philippine media, consistently leading the industry in technological innovation. The company has pioneered numerous firsts in broadcast, production, and digital distribution, from early adoption of color television and satellite broadcasting to the current integration of advanced cloud and digital platforms. These ongoing investments have enabled ABS-CBN to set new standards for content quality, audience reach, and operational efficiency in the region.
Cloud-Based and IP Delivery
In early February 2021, ABS-CBN migrated to the Amagi cloud platform, enabling unified, cloud-based live playout across all its digital and broadcast services. This modern infrastructure allows for real-time, scalable, and cost-efficient transmission of both linear channels and video-on-demand (VOD) content across multiple regions, including Asia-Pacific, North America, the Middle East, and Europe. The transition to IP-based delivery, facilitated through partnerships with cloud video infrastructure providers such as Amagi, highlights ABS-CBN's continued evolution into a digital first content company.[181]
The same cloud infrastructure supports the cable broadcast of Kapamilya Channel, live streaming of Kapamilya Online Live, and powers the upgraded iWant platform, as well as all international feeds of TFC and its global companion channels, as well as local cable channels under Creative Programs, Inc.. For security and user access management, ABS-CBN utilizes Synacor's Cloud ID system across its international streaming services to ensure secure and unified authentication across regions.[182]
Editing and content preparation are handled through non-linear editing systems such as Etere, which has been integrated into ABS-CBN's digital production workflow since the late 2000s. Additionally, the Dalet Galaxy platform is used within ABS-CBN News and Current Affairs to streamline newsroom asset management, editing, and playout. These systems collectively support both traditional broadcast and digital-first production pipelines.[183]
Satellite distribution
Although IP-based transmission is now the network's primary standard, ABS-CBN continues to maintain satellite distribution to ensure redundancy, support underserved regions, and accommodate legacy platforms still reliant on traditional infrastructure. The company uses Intelsat 19 at 166.0° East to provide coverage across the Asia-Pacific region, including Japan, Australia, Guam, and the Pacific Islands.[184] These satellite feeds are also utilized by regional affiliates and cable operators in areas with limited internet connectivity.
Although ABS-CBN no longer holds a Philippine broadcast franchise, its satellite operations remain unaffected, as they do not involve direct terrestrial transmission to the public. Instead, ABS-CBN delivers content to authorized third-party platforms, such as cable providers, direct-to-home (DTH) satellite services, and international carriers, which handle the end-user distribution under their own licenses and permits.[185]
Under the leadership of CEO Carlo Katigbak, ABS-CBN has accelerated its digital transformation, embracing IP-based workflows, virtual production, and AI-powered content management systems. These technologies have allowed the network to seamlessly transition into a multi-platform distributor, engaging millions of viewers across streaming services, mobile apps, and social media. This continuous drive for innovation is supported by active research and global partnerships, cementing ABS-CBN's reputation as a leader in Southeast Asia's evolving media landscape.
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Controversies and scandals
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Perspective
Throughout the years, ABS-CBN has been involved in several controversies and scandals involving its talents, employees, and programs.
2004 copyright infringement with GMA
On July 22, 2004, during the arrival of Angelo de la Cruz (a truck driver who was held hostage and threatened with beheading in Iraq abducted by armed rebels west of Baghdad while trucking fuel from Saudi Arabia) at Ninoy Aquino International Airport, live breaking news coverage was aired on GMA Network and other television stations in the Philippines. GMA Network used audio-video coverage from Reuters, which the network was subscribed to.[186] During the broadcast, a live feed from Reuters was simultaneously aired with its own live broadcast. During the first five seconds of the live feed, GMA Network noticed that the live feed from Reuters was also airing from its main competitor ABS-CBN. The live video was restricted only to ABS-CBN and Reuters did not inform GMA Network that the video coverage was only intended for ABS-CBN. The local Court of Appeals declined the case filed by ABS-CBN Corporation against GMA Network Inc. for allegations of illegal duplication of its live video footage. In a ruling, the local fourth division of the appellate court set aside the resolution of the local Justice Department, which approved the filing of the violation of Republic Act 8293 (or the Intellectual Property Code) against GMA Network. It ruled out that the act of GMA Network airing the live video coverage was focused on good faith since there was no intent to instigate damage to ABS-CBN.[187] The local court also said GMA Network acted in good faith when it immediately stopped using the live video feed from Reuters upon learning ABS-CBN was also covering the event and its following exertion to authenticate the ABS-CBN Corporation restriction arrangement with the news service, Reuters. The court also stressed that apart from the lack of intent of GMA Network to affect the video from ABS-CBN, the action did not contravene Sections 212.4 and 185.1 of Republic Act 8293 since it was a short excerpt.[188]
Wowowee scandals and incidents
Two major incidents involving ABS-CBN have involved the network's variety show Wowowee. The first incident was a demand for tickets to a one-year anniversary episode of the show at the PhilSports Arena in 2006 caused a deadly crowd crush killing 76 people.[189] Over a year later in August 2007, the show became entrenched in another scandal involving the possibility of a new game on the show being rigged as evident by a "mechanical glitch" which occurred during an episode,[190] which grew greater after Eat Bulaga! host Joey de Leon and Wowowee host Willie Revillame started exchanging attacks on-air against each other during their respective and competing shows.[191] The incident later led to a probe by the Department of Trade and Industry led by senator Mar Roxas (which was jokingly suggested by Joey during a speech he made on Eat Bulaga! in reference to the Hello Garci scandal, dubbing it "Hello Pappy").[192]
AGB Nielsen TV ratings scandal
In late 2007, ABS-CBN and GMA Network accused AGB Nielsen Philippines of tampering with the ratings during their 2007 ratings surveys.[193][194]
ABS-CBN vs. Willing Willie copyright case
ABS-CBN demanded ₱127 million from their former reality show star, Willie Revillame, citing copyright infringement due to stark similarities in Revillame's show, Willing Willie on TV5, and ABS-CBN's Wowowee.[195] ABS-CBN listed five acts of plagiarism allegedly committed by Willing Willie in their complaint as follows:[195]
- Willing Willie's opening song and dance number was similar to that of Wowowee.[195]
- "BIGA-Ten" and "Big Time Ka", both segments from the shows involved, bear similar names.[195]
- "Willie of Fortune" and "Willtime Bigtime" are segments from both shows which resemble each other.[195] ABS-CBN claimed that "Willtime Bigtime" resembled its show as it also showcases contestants relaying their personal stories before proceeding to play a singing/trivia game.[195]
- April "Congratulations" Gustilo was one of several backup dancers from Wowowee who also appear in 'Willing Willie'.[195]
- Other striking similarities ABS-CBN claimed are found in Willing Willie's set design, stage, studio viewers' seats lay-out, lighting angles and camera angles.[195]
A 25-page ruling dated May 22, 2015, dismissed the case against Revillame.[195] After the Quezon City RTC demanded a ₱400 million bond from Revillame to answer any further damage the network might sustain, the fee was waived.[195]
2020 franchise renewal controversy
Since April 2017, ABS-CBN was attacked by former president Rodrigo Duterte, as the network refused to air his 2016 presidential campaign ads in favor of a smear ad paid for by-then vice presidential candidate Antonio Trillanes.[196][197] However, according to the country's Commission on Elections spokesperson James Jimenez, the controversial ad was within election law, under "Partisan Political Activity".[198][199] Duterte publicly stated that he would oppose the 25-year franchise renewal of ABS-CBN, and former Laguna governor E.R. Ejercito supported his plan.[200][201] Opposition lawmakers as well as labor groups objected to Duterte's stance on ABS-CBN, as the franchise's non-renewal would compromise the employees of the network; stating that the blocking of the franchise renewal had no merit. Opposition groups also claimed that the non-renewal of the franchise violates press freedom.[202]
Under Philippine law, broadcasting networks require a congressional franchise (Republic Act) to operate television and radio stations for 25 years; the absence of one will lead to the suspension of its operations. ABS-CBN's legislative franchise, which was approved by the virtue of Republic Act No. 7966 (granted last March 30, 1995), was scheduled to expire on May 4, 2020, because the franchise would become effective fifteen days after its publication on the Official Gazette on April 19, 1995.[203] At least 12 lawmakers have filed their own versions for a new franchise of the network. House Speaker Alan Peter Cayetano assured that Congress will tackle the franchise with fairness.[204]
On February 24, 2020, the CEO of the network apologized to Duterte for not airing his political advertisements during his 2016 polls, which Duterte accepted,[196] and Congress made its decision to investigate their franchise renewal.[205]
During a Senate hearing on the same day, public services panel chair Grace Poe stated they were to investigate ABS-CBN's compliance with the terms and conditions of its franchise. The Senate concluded that there was no breach of laws or franchise terms.[206]
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On May 5, 2020, the National Telecommunications Commission issued a cease and desist order to stop the network's broadcast, including its radio stations DZMM and MOR, following the expiration of its broadcast franchise the day before.[207][208] The cease and desist order covers 42 television stations operated by ABS-CBN across the country, including Channel 2, 10 digital broadcast channels, 18 FM stations, and 5 AM stations.[209]
The network subsequently signed off following TV Patrol. Along with the order, NTC wanted to recall ABS-CBN's assigned frequencies.[210] ABS-CBN explained that it would not be in public interest to have the frequencies recalled, as this would hinder their ability to immediately restart broadcasts in the event a new franchise was granted.[211] Additionally, there were fresh measures in the Congress to grant provisional franchise,[211] which later rolled into a series of hearings to grant a fresh 25-year franchise.[212][213] NTC was told to refrain from carrying out the recall by the Congress.[213] On July 10, 2020, members of the House of Representatives, voted 70–11 to deny ABS-CBN's renewal franchise application, citing several issues on the network's prior 25-year franchise.[214][215] According to a survey released by the Social Weather Stations following the rejection of the network's franchise renewal, 75% of Filipinos want the network back.[216]
In January 2025, Albay Representative Joey Salceda filed House Bill 11252, the fifth bill that seeks to grant ABS-CBN's television and radio broadcasting franchise for another 25 years.[217]
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Reception
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Perspective
Channels and programs of ABS-CBN have been recognized by the Academy of Television Arts & Sciences giving several accolades in different categories, primarily the International Emmy Awards, although none of them won a single award.
Program
Best Arts Programming
Best Drama Series
Best Telenovela
Best Kids: Live-Action
News
Performance
Best Actor
Best Actress
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Notes
- Co-produced with Japan's NHK
References
External links
Wikiwand - on
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