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Musical artist From Wikipedia, the free encyclopedia
Julian Wass (born November 10, 1981) is an American television writer, director, film composer, producer, and electronic musician from Los Angeles, California.[1] He is the son of actors Janet Margolin and Ted Wass.
Julian Wass | |
---|---|
Born | November 10, 1981 |
Origin | Los Angeles, California, U.S. |
Genres | Film score, experimental, indie rock, hip hop |
Occupation(s) | Musician, composer |
Instrument(s) | Guitar, piano, drums, synthesizer, flute, bass |
Years active | 2006–present |
Website | www |
Julian Wass first came to prominence with his score for Katie Aselton's The Freebie, which premiered at the 2010 Sundance Film Festival. Subsequent scores include the Rudy-influenced brass score for Mark and Jay Duplass' The Do-Deca-Pentathlon,[2] the marimba inflected Hit and Run, directed by Dax Shepard,[3] and the "gauzy" analog synthesizer score for his wife Jenée LaMarque's feature debut The Pretty One.[4]
While working as the composer on the HBO series Room 104, Wass began to write and direct episodes of the series, the first being a musical episode co-written with Mark Duplass and starring Brian Tyree Henry.[5]
Wass co-produced all three Fol Chen albums, and in 2011, collaborated with bandmate Adam Samuel Goldman to co-produce Los Angeles based singer-songwriter Simone White's fourth album, Silver Silver.[6] The same year, he produced three tracks for the Main Attrakionz mixtape Blackberry Ku$h; Wass would later co-produce, along with .L.W.H., their critically acclaimed album Chandelier in its entirety.[7]
In 2013, Wass collaborated with Lefse Records to release the compilation MITSUDA, a tribute to the Japanese video game music composer Yasunori Mitsuda, which featured beats from Ryan Hemsworth and Friendzone, based on samples from Mitsuda's soundtracks.[8]
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