Julian Jarrold
English film and television director From Wikipedia, the free encyclopedia
English film and television director From Wikipedia, the free encyclopedia
Julian Edward Peter Jarrold (born in Norfolk) is a BAFTA-nominated British film and television director.[1]
Julian Jarrold | |
---|---|
Born | |
Nationality | British |
Alma mater | Trinity & All Saints College, Leeds |
Occupation(s) | Film director, producer |
Years active | 1983–present |
Parent | Peter Jarrold DL (1933–2019) |
A scion of the Huguenot family originally from near Lyon in France, which founded Jarrolds of Norwich in 1823, he is the only son of Peter Jarrold DL[2] and Juliet née Pollard.
He attended Gresham's School, Holt,[3] before studying at Trinity & All Saints College, Leeds.[4]
Jarrold directed Great Expectations, starring Ioan Gruffudd, in 1999. The Boston Globe felt that Jarrold helped distinguish it from the many other adaptations by "keeping the reins in on his characters, emotionally and morally. They are unromanticized and low-key performances that only rarely spill over into the maudlin and righteous."[5] In 2006, Jarrold directed Kinky Boots which has proven hugely popular with audiences in its numerous showing on TV. The Chicago Tribune called the film "quite enjoyable, effortlessly well-done on every level, even moving at times, but relatively lightweight."[6] In 2007, Becoming Jane was released. The Washington Times stated that Jarrold's direction "has made a witty, beautiful film. His technical achievement is no small matter, with nice, long tracking shots and clever focus tricks."[7]
The following year, Jarrold directed the first film adaptation of Evelyn Waugh's iconic story Brideshead Revisited, "one of the great English novels which has never been filmed," according to producer Kevin Loader.[8] It starred Hayley Atwell, Matthew Goode, Emma Thompson, and Michael Gambon. About the novel's status as an unchangeable classic, Jarrold stated that "there are people who are obsessive and obviously that's going to be daunting when they come and judge us. I've had a few people who have said, 'Why are you doing it?' But I think there is a generation who know nothing about Brideshead Revisited, who haven't read the book or who are only dimly aware of the TV series because it's been repeated on ITV4 or something."[9] The Daily Telegraph felt that Jarrold's "scenes are filled with grand period detail – huge Rolls-Royces, ice sculptures, vast fireplaces of sculptured marble – but he stops it from becoming an overblown, glossy spectacle by making the world around the characters feel like a dream."[8]
Jarrold directed the HBO film The Girl in 2013. The director received his first Emmy nomination for his work in the film.[10] Mandalay Vision has hired Jarrold to direct the serial killer film Exit 147, with a script written by Travis Milloy.[11] Producer Cathy Schulman and Matthew Rhodes are producing the film for Mandalay.[12] In February 2013, Taylor Kitsch joined the film to play lead as a sadistic sheriff.[13] Most recently Jarrold directed A Royal Night Out for Ecosse Films. The movie was released in May 2015.[14]
His Emmy nominated 'Red Riding 1974' was highly acclaimed with Andrew Garfield, Sean Bean, and Rebecca Hall giving great performances. Film Noir at its best according to the critics: the trilogy affords a fairly familiar immersion in contemporary British cinematic miserablism, where men and terror run wild, and beauty exists only in the cinematography and some of the performances. All else is horror. Certainly, that’s true in the trilogy, which, starting with “Red Riding: 1974,” leaps into the void when a young Yorkshire journalist, Eddie Dunford (Andrew Garfield, not up to the leading-man task), realizes that the murder of a girl might be connected to a few earlier deaths, an insight that finds him first chasing after clues and then being chased in turn. The director Julian Jarrold shot the film in Super 16 millimeter, which gives the images atmospheric grit and swirling grain that, with the almost comically ubiquitous cigarette smoke, nicely thickens the air. (The New York Times).
In 2023 Jarrold's 'The Good Mothers' won the best series at The Berlin International Festival.
In 2016, Jarrold served as a judge at the Norwich Film Festival, being appointed a festival patron in 2017.[15]
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