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Joseph Knight is a historical novel by Scottish author James Robertson published in 2003 by Fourth Estate. It was the Saltire Society Scottish Book of the Year in 2003[1] and won the Scottish Arts Council Book of the Year Award in 2004.[2] The novel is based on the true story of Joseph Knight, an enslaved African man brought from Jamaica to Scotland, and the novel revolves primarily around the cities of Dundee, near where Robertson was then living, and Edinburgh.
 First edition | |
| Author | James Robertson |
|---|---|
| Cover artist | Dundee from the Harbour, unknown artist, 1780s |
| Language | English |
| Publisher | Fourth Estate |
Publication date | 7 April 2003 |
| Publication place | Scotland |
| Media type | |
| Pages | 384 |
| Awards | Saltire Society Scottish Book of the Year |
| ISBN | 0-00-715024-5 |
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The narrative begins in 1802 with elderly John Wedderburn on his Ballindean estate, near Inchture in Perthshire, who has been unsuccessfully trying to find the whereabouts of Joseph Knight, a slave he brought back to Scotland with him from his Sugar plantations in Westmoreland, Jamaica. Joseph had successfully gained his freedom from Wedderburn in a famous court case settled in 1778 in which it was decided that the slave laws of Jamaica did not apply in Scotland. After gaining his freedom though, Joseph disappeared. Wedderburn has employed Jamieson, a Dundee-based investigator to find Joseph and the story moves between the search for elusive Knight, the Wedderburn family experiences in Jamaica, illuminated by a journal written by John's brother Sandy (found by his daughter Susan and handed to Jamieson to aid his investigations) and the events surrounding the court case.
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- Ali Smith writing in The Guardian concludes "A gift for witty re-imagining and a canny understanding of the novelistic and its conduits to the worlds we live in now mark Robertson as a marvellous novelist and Joseph Knight as a work of cunning and great assurance, one which directly tackles its historic Scottish guilt and also, by implication, a wider, more contemporary guilt: the loss of freedom that imperialism means for both its victims and its winners."[3]
- Will Cohu in The Telegraph writes "Joseph Knight is a book of such quality as to persuade you that historical novels are the true business of the writer, that it's through the past that we might understand ourselves best, that it's in the past that the imagination can be most free, but also most authentic...Joseph Knight is an enquiry into the defining quality of freedom. Joseph's case strikes a chord with many others in the book – colliers, wives, daughters – who long for liberty. Knight, who ends his days down a coalmine, comes to realise that to be free is not necessarily to be content, but to have the choice to possess wholly what life one has – "It might not be much, life, but he wanted it all the same, all he could get of it" – rather than to long for death as the only hope of emancipation."[4]
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