American sculptor From Wikipedia, the free encyclopedia
This article is about a United States sculptor. For the mathematician of the same name, see Joel Shapiro (mathematician).
Joel Elias Shapiro (born September 27, 1941[1]New York City, New York) is an American sculptor renowned for his dynamic work composed of simple rectangular shapes. The artist is classified as a Minimalist as demonstrated in his works, which were mostly defined through the materials used, without allusions to subjects outside of the works.[2] He lives and works in New York City. He is married to the artist Ellen Phelan.
Joel Shapiro grew up in Sunnyside, Queens, New York.[3] He graduated from Bayside High School (Bayside, NY) in 1959, at which time the school’s yearbook awarded him the title of ManAbout Town. When he was twenty two he lived in India for two years while in the Peace Corps.[3] He received a B.A. in 1964 and an M.A. in 1969 from New York University.
While serving his Peace Corp time in India, Shapiro saw many Indian art works, and has said that "India gave me the sense of … the possibility of being an artist." In India "Art was pervasive and integral to the society", and he has said that "the struggle in my work to find a structure that reflects real psychological states may well use Indian sculpture as a model."[3] His early work, which also drew inspiration from Greek art,[4] is characterized by some by its small size, but Shapiro has discounted this perception, describing his early works as, "all about scale and the small size was an aspect of their scale". He described scale as "A very active thing that's changing and altering as time unfolds, consciously or unconsciously," and, "a relationship of size and an experience. You can have something small that has big scale." In these works he said that he was trying "to describe an emotional state, my own longing or desire". He also said that during this early period in his career he was interested in the strategies of artists Robert Morris, Richard Serra, Carl Andre, and Donald Judd.[3]
By the 1980s, Shapiro began to explore larger and life-size forms in pieces that were still reminiscent of Indian and Greek sculpture but also inspired by the early modernist works by Edgar Degas and Constantin Brâncusi.[4] The bulk of these pieces have been commissioned or acquired by museums and galleries. Later, Shapiro further expanded his repertoire by creating pieces that depicted the dynamism of human form. For instance, his subjects were portrayed in the act of dancing, crouching, and falling, among others that explored the themes of balance, cantilever, projection, and compression.[4] His later works can have the appearance of flying, being impossibly suspended in space, and/or defying gravity. He has said about this shift in his work that he "wanted to make work that stood on its own, and wasn't limited by architecture and by the ground and the wall and right angles."[3] These can be demonstrated in the case of the large-size outdoor art he made for the Hood Museum of Art. The bronze piece was an attenuated form that leans over a walkway and its near-falling form is viewed as an energizing element in the museum's courtyard. This sculpture, like all of Shapiro's mature works, are untitled.[5]
Shapiro is Jewish and Jewish traditions have influenced his art works, including his frequent use of the color blue.[6]
United States
California
Untitled, 1978, San Diego Museum of Contemporary Art, La Jolla
Untitled, 1974, Gersh, Philip & Beatrice, Los Angeles
Untitled, 1988, Gersh, Philip & Beatrice, Los Angeles
Untitled, 1981, Museum of Contemporary Art, Los Angeles
Untitled, 1979, Museum of Contemporary Art, Los Angeles
Untitled, 1982, Museum of Contemporary Art, Los Angeles
Untitled, 1975, Museum of Contemporary Art, Los Angeles
Untitled, 1988, Fine Arts Museums of San Francisco, San Francisco
Untitled, 1982-1985, J. Paul Getty Museum, Los Angeles
District of Columbia
Untitled, 1989, National Gallery of Art, Washington
Untitled, 1974, National Gallery of Art, Washington
Untitled, 1975, National Gallery of Art, Washington
Untitled, 1975, National Gallery of Art, Washington
Untitled, 1983, National Gallery of Art, Washington
Untitled, 1986, Hirshhorn Museum and Sculpture Garden, Washington
Hood Museum of Art (2009). Modern and Contemporary Art at Dartmouth: Highlights from the Hood Museum of Art. Lebanon, NH: University Press of New england. p.117. ISBN9781584657866.
