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Abenaki basket artist and cultural preservation (born 1944) From Wikipedia, the free encyclopedia
Jeanne Brink (born 1944) is an Abenaki artist who specializes in traditional basket making, and the cultural and linguistic preservation of the Abenaki people.
Jeanne Brink | |
---|---|
Born | 1944 |
Alma mater | Norwich University |
Occupation(s) | Artist and cultural preservationist |
Jeanne Brink was born in Montpelier, Vermont in 1944. She is a member of the Obomsawin family of Thompson's Point, Vermont, and the Abenaki Nation of Missisquoi.[1] Her great-grandfather was originally from the Odanak Reservation in Quebec, and moved to Vermont in the early 20th century.[2]
Her grandmother Elvine Obomsawin[3] and great-aunts were basketmakers and spoke Western Abenaki, but Brink's mother and aunts moved away from the traditions in order to be more accultured into Anglo society.[2] Obomsawin was born in 1886 in Odanak. Brink's mother, Nettie Royce, was born in 1925 in Florida before the family returned to Vermont.[4]
Brink attended Vermont College of Norwich University and earned an MA in Native American Studies, a BA in liberal studies, and AS in executive administrative assistance.[1]
Brink started to learn basketmaking in 1986.[4] Her first experience with basket-making was a class with a non-native teacher. She was frustrated and did not finish the basket. She spoke with her mother, who explained that students did not start with baskets, but with bookmarks, in order to learn the techniques.[3]
She was the first recipient of the Arts Apprenticeship Program from Vermont Folklife Center. She studied under Sophie Nolett, an Abenaki basketmaker in Odanak, for 2 years. She did not anticipate making this her career but wanted to continue the family tradition.[2] All of Brink's students are of Abenaki heritage, in order to preserve the cultural tradition and heritage.[2] One of her apprentices is Sherry Gould.[3] She has had 26 apprentices, all Abenaki.[5]
Brink is a consultant and teacher who holds workshops and lectures about Abenaki culture, language, history, and basketmaking.[3] She is the cultural awareness director of the Dawnland Center in Montpelier. She coordinates pow-wows traditional arts and crafts, and the W'Abenaki Dancers.[1]
In order to preserve the culture and history, Brink has also interviewed and recorded Abenaki people to keep the oral tradition alive.[6]
Her work is in the collections: Memorial Hall Museum and Worcester Art Museum in Massachusetts; New Hampshire Historical Society; Chimney Point State Historic Site, and St Albans Historical Society in Vermont.[1]
Brink has been the artist-in-residence at Dartmouth College, Arts Center at Old Forge, New York, and Worcester Art Museum.[1] She received grants from Vermont Council on the Arts and Vermont Council on the Humanities, received an Award of Merit from Vermont Council on the Arts.[1]
Her cultural heritage work included being the project director and curator of the material culture and art exhibit "Spirit of the Abenaki" and co-director and curator of Abenaki art exhibit "Shamanism, Magic and the Busy Spider."[1]
She sits on the board of directors for Robert Hull Fleming Museum at the University of Vermont, and Vermont Historical Society in Montpelier.[1]
Starting in 1989, Brink worked with Gordon Day to compile an Abenaki dictionary.[4] They wrote the Alnobaodwa Western Abenaki Language Guide, and Brink digitized Day's Western Abenaki Dictionary.[1]
In 2006, she published a children's book called Malian's Song, which tells the story of the 1759 attack by British Major Robert Rogers on the St. Francis Abenaki community.[7] The story follows the eyewitness account of Brink's grandmother Elvine Obomsawin who lived through the raid. Brink's ancestor Malian Obomsawin wrote "Lonesome Song" after the event.[8]
Brink is known for her miniature fancy baskets. She uses sweetgrass and is known for a green candy-stripe pattern using sweetgrass.[3]
Brink is the mother of 3 and grandmother of 6. She lives with her husband in Barre, Vermont.[1][5]
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