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Swiss sculptor (1925–1991) From Wikipedia, the free encyclopedia
Jean Tinguely (22 May 1925 – 30 August 1991) was a Swiss sculptor best known for his kinetic art sculptural machines (known officially as Métamatics) that extended the Dada tradition into the later part of the 20th century.[1] Tinguely's art satirized automation and the technological overproduction of material goods.
Jean Tinguely | |
|---|---|
 Jean Tinguely, 1961 | |
| Born | 22 May 1925 Fribourg, Switzerland |
| Died | 30 August 1991 (aged 66) Bern, Switzerland |
| Known for | Painting, Sculpture |
| Spouses |
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| Partner | Milena Palakarkina (1986–1991) |
Born in Fribourg, Tinguely grew up in Basel, and in 1941-1945 studied at the Kunstgewerbeschule.[2] He moved to France in 1952 with his first wife, Swiss artist Eva Aeppli,[3] to pursue a career in art. He belonged to the Parisian avant-garde in the mid-twentieth century and was one of the artists who signed the New Realist's manifesto (Nouveau réalisme) in 1960.[1]
His best-known work, a self-destroying sculpture titled Homage to New York (1960), only partially self-destructed at the Museum of Modern Art, New York City,[4][5][6] although his later work, Study for an End of the World No. 2 (1962), detonated successfully in front of an audience gathered in the desert outside Las Vegas.[7]
Tinguely married fellow Swiss artist Eva Aeppli in 1951.
In 1971, he married his second wife Niki de Saint Phalle with whom he collaborated on several artistic projects, such as the Hon – en katedral[8] or Le Cyclop.[9] Tinguely and Saint Phalle collaborated artistically for over three decades.[10]
Tinguely died of heart failure in 1991 at the age of 66 in the Inselspital in Bern.
Hon – en katedral (Swedish: "She, a Cathedral") was an art installation made in collaboration with Niki de Saint-Phalle that was shown at the Moderna Museet in Stockholm in 1966. The exhibition consisted of a sculpture of a colorful pregnant woman lying on her back with her legs wide apart. The sculpture was 25–26 meters long, about 6 meters high and 11 metres wide. It was built of scaffolding and chicken wire covered with fabric and fiberglass, painted with brightly coloured poster paint. Through a door-sized entry in the location of the woman's vagina, visitors could go into the sculpture. Inside was a screen showing Greta Garbo films, a goldfish pond, and a soft drink vending machine. Johann Sebastian Bach's organ music played through speakers. The exhibition was created by Saint-Phalle, Tinguely, and Per Olov Ultvedt. It had 80,000 visitors during the exhibition period from 4 June to 9 September 1966.
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