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British composer From Wikipedia, the free encyclopedia
James Hannigan (born 23 July 1971) is a BAFTA Award winning composer and producer. His credits include entries in the Harry Potter, Command & Conquer, Dead Space, RuneScape, Evil Genius, EA Sports and Theme Park video game series, among numerous others. He has also scored full-cast adaptations of Neil Gaiman's The Sandman (DC Comics/Audible) and the Audie Award winning Alien dramas (2016–2019).
James Hannigan | |
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| Background information | |
| Born | 23 July 1971 |
| Genres | |
| Occupation | Composer |
| Labels |
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| Website | jameshannigan |
The composer is known for themes such as the parodic Red Alert 3 Theme - Soviet March. In 2022, James Hannigan composed a new orchestral theme for the Discworld universe.[1][2] Hannigan's music is regularly used in television shows and has been heard in productions including BBC America's Primeval,[3] BBC's Top Gear, Amazon's The Grand Tour, Disney's The World According to Jeff Goldblum and many other productions. He also created the opening music for the bestselling series of Harry Potter audiobooks read by Stephen Fry.[4]
Hannigan's music scores have been nominated five times by the British Academy of Film and Television Arts (BAFTA) and Hannigan won a BAFTA Award with Electronic Arts in 2000 for Sim Theme Park (UK title: Theme Park World). In 2010 his score for the Harry Potter and the Half-Blood Prince video game received a BAFTA nomination[5] and won an International Film Music Critics Association (IFMCA) award.[6] In 2014, Hannigan was nominated for a Develop Award for his work on RuneScape. His other BAFTA-nominated scores include those of Republic: The Revolution,[7] FA Premier League Manager and Evil Genius.[8] In 2022, The Sandman Act II received a Webby People's Choice Award for Music and Sound Design.
Hannigan has worked with the Philharmonia Orchestra, The Skywalker Symphony Orchestra, The Slovak Symphony Orchestra, The Budapest Film Orchestra, and The Chamber Orchestra of London, recording at Abbey Road Studios, AIR Studios and Skywalker Ranch. The composer is known to be an analogue synthesizer enthusiast.[9]
On July 15, 2020, Audible released an adaptation of the comic book series as a multi-part audio drama directed by Dirk Maggs with music by James Hannigan. The voice cast included Gaiman as the Narrator, James McAvoy as Dream, Kat Dennings as Death, Taron Egerton as John Constantine, Michael Sheen as Lucifer, Riz Ahmed as the Corinthian, Andy Serkis as Matthew the Raven, Samantha Morton as Urania Blackwell, Bebe Neuwirth as The Siamese Cat, Arthur Darvill as William Shakespeare, and Justin Vivian Bond as Desire. The production spent two months at #1 in The New York Times Best Seller list
The follow-up, The Sandman: Act II, was released on 22 September 2021, and featured most of the original cast. New additions to the cast included: Regé-Jean Page as Orpheus, Jeffrey Wright as Destiny, Brian Cox as Augustus, Emma Corrin as Thessaly, John Lithgow as Joshua Norton, David Tennant as Loki, Bill Nighy as Odin, Kristen Schaal as Delirium, Kevin Smith as Merv Pumpkinhead, and Niamh Walsh as Nuala. Neuwirth also returned, but portrayed Bast.
In The Sandman: Act III, actor Regé-Jean Page was heard singing Hannigan's The Song of Orpheus in English, in the episode of the same name. The composer posted footage of the orchestral session on YouTube. [10]
Hannigan has also scored the Audi-award winning Alien series of Audible Originals, including Alien: Out of the Shadows, Alien: River of Pain, Alien: Sea of Sorrows, and Alien 3, with series cast members including Michael Biehn, Lance Henriksen, and Rutger Hauer. The series was directed by Dirk Maggs.
Hannigan composed music introducing the Harry Potter series of audiobooks read by Stephen Fry, the intro music for Penguin Random House Audio's production of Terry Pratchett's Discworld, along with the full-cast audio drama Unseen Academicals. The Discworld main audiobook theme was released on Spotify in 2024. [11] His music has also been heard in BBC Radio 4 productions including Neverwhere and Good Omens. Neverwhere featured cast members such as Benedict Cumberbatch, James McAvoy, and the late Christopher Lee.
In the early years of his career in the 1990s, Hannigan worked as composer for Electronic Arts Europe before basing his studio at Pinewood Studios in England for ten years between 1997 and 2007, where he sometimes worked as a sound designer on films alongside composing. His sound design credits include New Line Cinema's Lost in Space, which was nominated for a Golden Reel Award.
At EA, Hannigan became involved in devising interactive music playback systems for video games during the early days of digital audio and streaming, and went on to form a strong working relationship with the company. His early work at EA included God games such as Beasts and Bumpkins, EA Sports titles in the F1 and FIFA series, Privateer 2: The Darkening, and various entries in the Theme Park series including Theme Park World (US title: Sim Theme Park) and Theme Park Inc.
In the course of his career, Hannigan has worked with several well-known figures from the chip music and 8-bit gaming era, including Richard Joseph, Mark Knight, and Commodore 64 maestro, Martin Galway. The former two were among the first to invite Hannigan into the games industry during the early 1990s to compose for titles such as Warhammer: Shadow of the Horned Rat [12] and Flight of the Amazon Queen, while Martin Galway, then Audio Director at Digital Anvil and working on several titles for Chris Roberts, invited Hannigan to compose for Conquest: Frontier Wars and Freelancer. Hannigan had earlier worked on Wing Commander related titles such as Privateer 2: The Darkening.
Privateer 2 featured Full-motion video and its movie component starred Christopher Walken, John Hurt, and Clive Owen. The composer would later work on other games integrating full-cast film productions, such as Command & Conquer: Red Alert 3 with a cast including Tim Curry, J. K. Simmons, and Jonathan Pryce, and later, Command & Conquer 4: Tiberian Twilight.
Freelancer's soundtrack was released on Nile Rodgers' Sumthing Else Music Works label in 2003, but was subsequently removed when the company went out of business in 2010.
Certain cues for Conquest: Frontier Wars and Freelancer were recorded by Hannigan with a full orchestra,[13][14] unusual during this era of game development.
One of Hannigan's best-known themes is Red Alert 3 Theme: Soviet March, which has been streamed hundreds of millions of times on platforms such as YouTube, and over 27 million times on Spotify at the time of writing. [15] The theme, along with other cues including Frank Klepacki's Hell March 3, was recorded with the Skywalker Symphony Orchestra at Skywalker Sound in Marin County, California. Soviet March, a parodic take on Soviet-era military music, has become a widespread internet meme, and has even been used, seemingly unironically, as background music in official videos from Russian space agency Roscosmos. [16]
Hannigan has posted videos on the subject of his early interactive music system design for titles such as Republic: The Revolution (designed by Google DeepMind founder Demis Hassabis) on YouTube. The composer would go on to score the fully orchestral Evil Genius, also developed by Hassabis's company, Elixir Studios, and each game would receive BAFTA nominations for Original Music at the BAFTA Games Awards in 2003 and 2004 respectively.
James Hannigan provided music for the videogame Infestation in 1999, created by Frontier Developments. In an article posted on the composer's website entitled "Press Start to Compose" Hannigan describes himself as a BBC Micro, Elite and David Braben fan, citing his work on Infestation for Braben's company as an "early career bucket-list moment". [17] He also talks about his collection of vintage arcade machines.
In 2018, James Hannigan and Jagex released an orchestral album of Runescape music featuring orchestral renditions on earlier Runescape tunes along with new music by Hannigan, entitled Runescape: The Orchestral Collection. The album was recorded at Abbey Road Studio 1 in London with the Philharmonia Orchestra and conducted by Allan Wilson.[18] Earlier, in 2013, Hannigan had recorded several new orchestral cues for RuneScape 3 with the Slovak Radio Symphony Orchestra.[19]
In 2015, Hannigan contributed music for Terraria: Otherworld, which was subsequently cancelled. A soundtrack was later released [20] and some of the music has been used in the main Terraria game. After a period away from games, Hannigan returned to the industry to score Steelrising and Evil Genius 2 in 2021.
Some of Hannigan's other game credits include Dead Space 3, Steelrising, Transformers Universe, FA Premier League Manager, Art Academy, Cloudy With a Chance of Meatballs, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Catwoman, Harry Potter and the Deathly Hallows, Grand Prix 4, F1 2000, and Call of Antia.[21] The composer recorded his Harry Potter scores at Air studios and Abbey Road Studios with Philharmonia Orchestra. Soundtracks were released for Harry Potter and the Order of the Phoenix and Harry Potter and the Half-Blood Prince, but later withdrawn when Electronic Arts lost its license to create Harry Potter video games. Much of the music would later be re-released on the EA Music Composer Series label in the form of EA Music Composer Series Volumes 1 and 2, currently available on digital music outlets.
The operatic score of 1999's FA Premier League Manager featured performances by soprano Miranda Keys, who would record again with Hannigan many years later for 2022's Steelrising,[22] which also featured performances from the Budapest Film Orchestra.
In 2013, James Hannigan founded popular yearly conference Game Music Connect with friend and industry commentator, John Broomhall. Held each year at London’s Southbank Centre, the event partnered with PRS For Music, Playstation and British Academy of Film and Television Arts (BAFTA). Running for three years between 2013 and 2015, events featured numerous panels with leading composers, and keynote speeches from industry executives from Electronic Arts, Sony Interactive Entertainment and others.[23]
In 2018, it was announced that James Hannigan had founded a new London-based conference on film, television, game and virtual reality music, to be known as 'Screen Music Connect'.[24]
The composer has talked at numerous conferences and events, including NY Comic Con alongside Neil Gaiman, Kat Dennings and James McAvoy, Musicworks and The BAFTA Interactive Festival. In 2012 James Hannigan was made the subject of BAFTA's Conversations With Composers, held at the Albert Hall. [25]
James Hannigan has spoken at the Royal College of Music, has joined panels at NY Comic Con [26] and academic conferences including Ludomusicology. [27]
In 2004, Hannigan wrote "Changing Our Tune", a cover article for the UK's Develop magazine, outlining some of the differences between scoring for games and conventional linear media forms such as film and television.[28] It was the magazine's first audio related cover feature.
In 2010, Hannigan was interviewed for Tom Hoover’s book, “Soundtrack Nation: Interviews with Today's Top Professionals in Film, Videogame, and Television Scoring”.[29]
In 2015, he wrote a series of articles on video game music for Classic FM.[30]
In 2016, Hannigan wrote a foreword for Tim Summer's book, Understanding Video Game Music, published by Cambridge University Press.[31]
The composer started a blog in 2024 and has written on the subject of AI Music and its implications in an article entitled "AI's Hollow Harmony".[32] He has also written on his love of retro technology and the arcades of the 1980s, showcasing his studio arcade. [33]
In 2007, a collage of Hannigan's music entitled Welcome to Hogwarts[34] was added to Video Games Live debuting in London at the Royal Festival Hall on 22 October 2007, and featuring the Philharmonia orchestra.
James Hannigan's music from The Sandman has been used for several installations and launch events, including the Dream Portal at New York Comic Con, 2022.[35]
Hannigan's 'Soviet March' theme from Command and Conquer: Red Alert 3 was performed at 'A Night in Fantasia', by the Eminence Symphony Orchestra at the Sydney Entertainment Centre, Australia on 26 September 2009.[36] The popular track can be heard on YouTube.[37] Other public performances include Video Games Music Live and the Games & Symphonies concert series.
On 28 October 2010, a concert of Hannigan's music was held at St. Mary's Church, Nottingham, England. As part of the GameCity 2010 Festival, the concert featured The Pinewood Singers and soloists performing the theme of 'Harry Potter and the Deathly Hallows – Part 1', pieces from Command and Conquer: Red Alert 3, Evil Genius and other titles[38]
In May 2018, it was announced that there would be a performance of Hannigan's RuneScape music by the Royal Philharmonic Concert Orchestra at RuneFest 2018.[39]
James Hannigan's music for RuneScape was performed in 2024 by the Metropole Orkest in the Netherlands as part of the Games in Concert series.
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