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Ivry Gitlis

Israeli violinist (1922–2020) From Wikipedia, the free encyclopedia

Ivry Gitlis
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Ivry Gitlis (Hebrew: עברי גיטליס;‎ 25 August 1922 – 24 December 2020) was an Israeli virtuoso violinist and UNESCO Goodwill Ambassador. He performed with the world's top orchestras, including the London Philharmonic, New York Philharmonic, Berlin Philharmonic, Vienna Philharmonic, and Philadelphia Orchestra.

Quick Facts עברי גיטליס, Background information ...
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Early life and education

Yitzhak-Meir (Isaac) Gitlis was born on 25 August 1922 in Haifa, Israel to Jewish parents Asher and Hedva Gitlis,[1] who emigrated in 1921 from Kamianets-Podilskyi, Ukraine.[2]

Gitlis acquired his first violin when he was five years old and started lessons under Mme Velikovsky together with his friend Zvi Zeitlin. He then studied privately with Mira Ben-Ami, a pupil of Joseph Szigeti.[3] When he was eight, she arranged for him to play for Bronisław Huberman, which prompted a fundraising campaign to allow him to study in France.[4]

In 1933, he arrived with his mother in Paris and started to take lessons with Marcel Chailley, husband of the pianist Céliny Chailley-Richez. Being very close to their family, he was introduced to George Enescu and Jacques Thibaud. In that period, he decided to change his birth name (Isaac)[5]) to Ivry. At 11, Gitlis (Jitlis) entered the Conservatoire de Paris in the class of Jules Boucherit, and graduated in 1935.[6]

From 1938 to 1940, his teachers included George Enescu[7] and Jacques Thibaud in Paris and Carl Flesch in Spa, Belgium and later in London.

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Career

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World War II

In 1940, during World War II, he went to London where he first worked for two years in a war factory and was then assigned to the artists branch of the British Army. He gave numerous concerts for the Allied soldiers and in war factories. After the war he made his successful debut with the London Philharmonic Orchestra and subsequently played with the BBC and all other principal orchestras of Great Britain.

1950s

In 1951, as suggested by his teacher Alice Pashkus,[8] he participated in the Long-Thibaud Competition in Paris, where he took fifth place. During the preliminary stages of the competition, a rumor circulated that he had stolen a Stradivarius violin during the war, which caused a scandal on the day of the final. Six years after the fall of Hitler, being a Jew in France was still causing debate.[9] In the same year, Gitlis made his debut in Paris, playing in a recital at the Salle Gaveau, sponsored by the music manager Marcel de Valmalète (9 July 1951).

In those years Ivry Gitlis already ranked with the foremost young masters of his instrument in the world. He started the study of the violin at the age of five. His debut was made shortly after that and he so impressed the noted virtuoso, Bronislaw Huberman, that he was sent to Paris to study. At the age of 11, the boy won first place among 150 competitors for admission to the Paris Conservatoire, and at 13, he got "Premier Prix" (graduated) at the Conservatoire. Gitlis continued his studies with such noted virtuosi as Georges Enesco, Jacques Thibaud and Theodore Pashkus, after which we embarked on a European concert tour. During the war, the youngster remained in London where he performed for the Armed Forces in hundreds of concerts. In the last few years he has been soloist with such orchestras as the London Philharmonic, London Symphony, Liverpool Philharmonic, etc. He has featured contemporary music on his program ranging from works of Bartok to Lennox Berkley, Ivor Walsworth and Hindemith, as well as continuing his programs of the music of the classics. Further tours of the European continent have strengthened critical belief that Ivry Gitlis was destined to become one of the world's greatest violinists. (text extracted from: Don Gabor archives, ©1950). In 1955 he moved to the United States where he met Jascha Heifetz. There he made several tours, managed by Sol Hurok, including those conducted by Eugene Ormandy (Tchaikovsky, in Philadelphia) and George Szell (Sibelius, on 15,16 and 18 December 1955 in New York).[10] In Europe, between 1954 and 1955, he recorded for the Vox label concertos by Berg (Violin Concerto "To the memory of an angel", coupled with "Chamber Concerto" -Vox PL 8660- which was awarded a "Grand Prix du Disque" in 1954), Tchaikovsky, Mendelssohn, Stravinsky (Violin Concerto, coupled with "Duo Concertant") and with the conductor Jascha Horenstein, Bartók, Bruch and Sibelius. His recording of Bartók's 2nd Violin Concerto and Solo Violin Sonata -Vox PL 9020- received the "Best Record of the Year" award from the New York Herald Tribune in 1955.

1960s

In 1963, he was the first Israeli violinist to play in the Soviet Union. He gave a series of concerts under the cultural exchange program of the Soviet Union and Israel, starting in Vilnius (23 October 1963). His other concerts were given in Moscow, Leningrad, Kyiv and Odesa.[11]

In 1968, he participated in The Rolling Stones Rock and Roll Circus film project, performing "Whole Lotta Yoko" with Yoko Ono and The Dirty Mac.

Many composers were fascinated by his sound and way of playing, among whom René Leibowitz who dedicated his Violin Concerto, Op. 50 (1958) to him; Roman Haubenstock-Ramati with "Sequences" for Violin and Orchestra (1958); Bruno Maderna writing "Pièce pour Ivry" (1971), which Gitlis never recorded commercially, but recorded live in Paris on 25 May 1983; Yannis Xenakis with "Mikka", which Gitlis premièred in 1972;[12] Charles Harold Bernstein with two works for solo violin, inspired by Gitlis, "Rhapsodie Israélienne" and "Romantic Suite" (1984).

1970s

In 1972, Gitlis founded the Festival de Vence, famous for its innovative programming. He was also the inspirer and organiser of the Saint André de Cubzac, Alfortville and Bonifacio Music Festivals.[13]

In 1975, he undertook a dramatic role, as Hypnotist in François Truffaut's film, The Story of Adele H.

He often visited Japan, where he was very popular.[14]

1990s

In 1990, Gitlis was designated UNESCO Goodwill Ambassador.[15] His stated aim was the "support of education and culture of peace and tolerance". He performed at the opening event of the International Bioethics Committee's 3rd session in 1995.[16]

2000s

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Gitlis with pianist Martha Argerich, after a joint performance at the Israel Philharmonic, Tel Aviv, 2018

Ivry Gitlis was a commentator (along with Itzhak Perlman) on the DVD The Art of Violin (2000), which showcases violin performances and gives biographical details of many of the great violinists of the twentieth century.

In 2008, he became patron of the Paris-based association "Inspiration(s)", whose aim is to make classical music accessible to all. He was a Fellow of the Royal Northern College of Music.[17]

He was a distinguished guest of the International Master Course for violinists and string players at Keshet Eilon Music Center.

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Violins

At various stages in his career, Gitlis played on a 1699 Giovanni Battista Rogeri, which he sold to famed violin author Sidney Bowden,[18] the 1737 "Chant du Cygne" Antonio Stradivari,[19] and the 1740 "Ysaye" Guarneri del Gesù.[20] Ivry Gitlis owned the 1713 "Sancy" Antonio Stradivari and a violin by Émile Marcel Français, Paris 1944 (won as a prize for the 1951 "Thibaud Competition").

Quotes

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Dear young colleagues of the up-and-coming generation, please have the courage to be yourselves, to take risks and not be copies of your recordings or of others'. Practice your instrument in order to free yourself from any psycho-technical constraint, to be able to create when you play. Listen to your inner ear, which is connected directly to your heart and spirit, the one that tells you what you feel is you! And the one you don't feel isn't you. Remember that a beautiful "wrong" note by a Kreisler, a Thibaud, a Casals or a Callas is worth more than a thousand so-called "right" notes and that playing that is hygienically and clinically correct is not necessarily a sign of good health! Take heart! Good health to you!
(Ivry Gitlis – January 2007)[21][22]

  • "... don't be so polite with the music, it's like being in love!" (IG, during a masterclass, 31 October 2011)
  • "Sheet music is a bunch of black marks; they have no significance ... I play violin, but in order to play well you have to be much more than a violin player. There is an entire world that lives together with it, like the currents in the ocean; and in any event, often I don't use sheet music at all, but improvise." (IG, October 2012)[23]
  • "... rubato is the art of playing in tempo..." (IG)
  • (on answering the question: "what is your motto?") "... to be alive, to be aware, to hear, to know, to feel, to see, to love, to be loved a little bit sometimes." (IG, July 2011)[24]
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Family

Ivry Gitlis was married from 1959 to 1960 to American director and writer Sandra Hochman;[25] also to French Actress France Lambiotte [de; fr], with whom he had one child, Raphaëlle;[26] and until his death was married to German actress Sabine Glaser [de], mother of three of his four children, Nessie, David and Johnathan.[27][28][29]

Death

Since the end of the 1960s, Gitlis resided in Paris, France. He died there on 24 December 2020 at the age of 98.[30]

Ivry Gitlis Edition - Rhine Classics

According to the Ivry Gitlis Edition page at the 'Rhine Classics' label website.

Audio/video recordings

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Sortable lists, in chronological order.

Commercial – official, studio and live releases

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Filmography

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References

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