Ilya Kabakov
Ukrainian-American conceptual artist (1933–2023) From Wikipedia, the free encyclopedia
Ilya Iosifovich Kabakov (Ukrainian: Ілля Іосифович Кабаков; Russian: Илья́ Ио́сифович Кабако́в; September 30, 1933 – May 27, 2023) was an American and Soviet conceptual artist, born in Dnipropetrovsk in what was then the Ukrainian SSR of the Soviet Union, now Ukraine. He worked for thirty years in Moscow, from the 1950s until the late 1980s. After emigrating to the United States he lived and worked on Long Island.[2][3]
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Ilya Kabakov | |
|---|---|
| Илья Кабаков | |
Kabakov in 2017 | |
| Born | Ilya Iosifovich Kabakov September 30, 1933 |
| Died | May 27, 2023 (aged 89) New York, U.S. |
| Nationality | Soviet-born American |
| Known for | Installation art |
| Spouse | Emilia Kabakov |
| Website | www |
![Thumb](#/media/File:"The_Man_Who_Flew_in_to_Space_From_His_Apartment"("L'home_que_va_volar_a_l'espai_des_del_seu_apartament").jpg)
Early life
Ilya Iosifovich Kabakov was born on September 30, 1933, in Dnipropetrovsk.[4] His mother, accountant Bertha Judelevna Solodukhina, and his father, locksmith Iosif Bentcionovitch Kabakov, were Jewish. Ilya was evacuated during World War II to Samarkand with his parents. There he started attending the school of the Leningrad Academy of Art which was evacuated to Samarkand. His classmates included the painter Mikhail Turovsky. After the war the Kabakov family moved to Moscow.
Education
From 1945 to 1951, he studied at the Moscow Art School; in 1957 he graduated from V.I. Surikov State Art Institute, Moscow, where he specialized in graphic design and book illustration.
Career
Summarize
Perspective
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Unlike many underground Soviet artists, Kabakov joined the Union of Soviet Artists in 1959 and became a full member in 1962. This was a prestigious position in the USSR and it brought with it substantial material benefits. In general, Kabakov illustrated children's books for 3 to 6 months a year and then spent the remainder of his time on his own projects.
In the vibrant art scene of 1970s Moscow, Ilya Kabakov's unconventional talent found an unexpected champion in Dina Vierny, a distinguished gallerist with a keen eye for groundbreaking art. Vierny, after a visit in Moscow in the early 1970’s, committed to supporting artists resisting the constraints of socialist realism, discovered Kabakov. The fateful meeting occurred on the evening of January 16, 1970, when Vierny recognized Kabakov as an artist of exceptional originality, despite being unknown and prohibited from exhibiting in Moscow. Vierny's genuine interest in Kabakov's work transcended time, enduring for over 27 years. Despite Kabakov's infrequent exhibitions in Moscow, his drawings managed to captivate international audiences. Vierny not only encouraged Kabakov to leave the Soviet Union for broader recognition but also actively supported him by acquiring a substantial number of his works. This support was not limited to Kabakov alone; Vierny, upon her return, brought back works by other non-conformist artists such as Erik Boulatov and Vladimir Yankilevsky, known as the Group of Boulevard Sretensky. Together, these artists, despite differing styles, shared a common struggle against state-imposed artistic limitations, particularly the constraints of socialist realism. Vierny's commitment culminated in the groundbreaking exhibition "Russian Avant-Garde - Moscow 1973" at her Saint-Germain-des-Prés gallery, showcasing the diverse yet united front of non-conformist artists challenging the artistic norms of their time.
The 1980s
Between 1983 and 2000, Kabakov created 155 installations.[citation needed] Of these, one of the best known installations is The Man Who Flew Into Space From His Apartment. First created in 1985 in a secret attic studio in Moscow, Kabakov later recreated the piece in the United States at Ronald Feldman Gallery in 1988. The installation portrays a small, run-down bedroom with a large hole in the ceiling and propaganda photos covering the walls.[2] The exhibition was widely reviewed, securing Kabakov's reputation in the New York art world.[5]
Personal life and death
In 1989, Kabakov began working with his niece,[6][7] curator and dealer Emilia Kanevsky, who would later become his wife[6] and who emigrated from the USSR in 1973.[8] Kabakov had met her when she lived in Dnipropetrovsk.[6][7] For three decades, the couple collaborated on numerous exhibitions, including Documenta in 1992, the Venice Biennale in 1993, the Whitney Biennial in 1997, the State Hermitage Museum in St. Petersburg in 2004, and the Tate Modern and the Hirshhorn in 2017.[2]
Exhibitions and collectors
Following Mikhail Chemiakin's 1995 show, Ilya Kabakov had one of the first major solo exhibitions of a living Russian artist at the new State Hermitage Museum in St. Petersburg in 2004.
His works are included in the collections of the Zimmerli Art Museum, the Centre Pompidou (Beaubourg), Museum of Modern Art, Guggenheim, The Hermitage, Tretjakov Gallery (Moscow), Norway Museum Of Contemporary Art, the Kolodzei Art Foundation and museums in Columbus, Ohio, Frankfurt, and Köln, etc.
In 2017 the Tate Modern in London exhibited Ilya and Emilia Kabakov: Not Everyone Will Be Taken Into the Future and the Hirshhorn Museum in Washington, D.C. set up an exhibition Ilya and Emilia Kabakov: The Utopian Projects.[11]
National Museum of Norway (Norway) has "Søppelmannen" ['the garbage man'] on permanent display.[12]
See also
References
Further reading
External links
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