Ida Schuster (28 September 1918 – 9 April 2020) was a Scottish theatre, radio and television actress, theatre director, and a leading figure in Glasgow's 20th-century Jewish theatre community.[1]
Quick Facts Born, Died ...
Ida Schuster |
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Born | (1918-09-28)28 September 1918
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Died | 9 April 2020(2020-04-09) (aged 101)
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Occupation | Actress |
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Years active | 1937–2007 |
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Spouse | Dr. Allan Berkeley |
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Children | 2 |
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One of nine children, her parents were Jewish immigrants who moved from Vilnius to Glasgow at the end of the 19th century.
Ida attended Abbotsford Primary School in the Gorbals.[2]
Ida's older sister, Ray, married Avrom Greenbaum, who founded the Glasgow Jewish Institute Players,[3] and her brother, Leon Schuster, was production manager for GJIP, and, later, when it merged with other groups, Glasgow Unity Theatre.[4] [5]
Ida began acting at the age of 15, and was a prominent member of both theatre troupes.[6] [7] [8] Glasgow Unity Theatre, was, she said: “...a particular response to a particular time. These were heady days and after the war we really felt utopia had arrived.”[5] She turned professional in the 1950s.
In 1973, she described her feelings about the artist within the community:
Well...the bridge games, the social activities for charities which form so much of the pattern, must be partly rejected if one is to survive with any creative energy. And as one grows older, responsibilities increase and energy decreases. This happens to all of us and youth takes over. Make no mistake, our young folk will be holding the reins with great expertise, well equipped for the battles which lie ahead.[2]
Ida was married to Dr. Allan Berkeley until his death in 1990, after 45 years of marriage. At the time of his death, she was appearing in The Steamie and had to leave the cast.[9] The couple had two children, Howard and Peter.[10]
Schuster died on 9 April 2020, at the age of 101 from COVID-19.[11][12]
- The Dybbuk - first major role, as part of The Festival of Jewish Arts at Glasgow's McLellan Galleries, which responded to, and coincided with the Festival of Britain (4-25 February 1951)
- Blood Wedding (18-29 November 1952) - A GJIP production, with Schuster playing the role of The Mother[13]
- Morning Star (1959) - GJIP's revival of the Sylvia Regan play[14]
- Various productions as part of the Citizens' Theatre (season 1962-63):[15]
- Strictly for the Birds (1966) - she was cited for her "standout performance".[16]
- Dr. Angelus (1974) - played Angelus in the Pitlochry Festival Theatre production[2]
- Blithe Spirit (1974) - played Madame Arcati in the Pitlochry Festival Theatre production[2]
- Here for a father (1974) - played Medea in the Pitlochry Festival Theatre production[2]
- Personal Effects (1974) - played Miss Anders in the Pitlochry Festival Theatre production[2]
- The Slab Boys (premiered at the Traverse Theatre, 6 April 1978) - played Sadie, the tea lady[17][18]
- Country Life (1979) - Schuster noted for a strong performance of a "painted widow desperate for affection"[19]
- Mary Stuart (1985) - played the role of Hannah, at the Glasgow Citizen's Theatre[20]
- Lucy's Play (1986) - Noted for portraying a "delightfully wearisome mother"[21]
- The Steamie (1987-1990) - Schuster played the role of Mrs. Culfeathers, acting alongside Elaine C. Smith, Dorothy Paul and Katy Murphy[22]
- Daughters in Distress (1989) - Schuster was noted for a "tender, funny and uncommonly moving study"[23]
- Musical Chairs (1993) - Schuster's performance noted as "worth an award in itself"[24]
Amongst her work as a theatre director was the inaugural production (opening 12 May 1981) of Eine Kleine Nachmutze [Eine Kleine Nachtmusik][17] at the Tron Theatre.
In 2020, Ida was described as "the world’s oldest podcaster", in reference to her recording of Old School (for broadcaster Janice Forsyth’s Big Light company), in which she shared stories about her life and career.[17]
Cowan, Evelyn (4 July 1975). "A Blithe Spirit". South Side News. p. 8.
"Biography" (PDF). qub.ac.uk. Retrieved 26 October 2022. "Exhibiting Jewish Culture in Postwar Britain: Glasgow's 1951 Festival of Jewish Arts". Shofar. 37 (3): 101. 2019.
"John Bourne had happy week adjudicating: but he does not think he has seen Festival winner". Daily Record. 16 February 1937. p. 4.
"Unity Scores Again". Daily Record. 12 June 1946. p. 4.
"Legitimate: Shows Abroad". Variety. 327 (11): 88. 8 July 1987.
"Glasgow's Jewish Institute players and their narratives of Scottish-Jewish identity". Jewish Culture and History. 20 (1): 85. 2019.
"From the Gorbals to the Lower East Side: the Cosmopolitanism of the Glasgow Jewish Institute Players". New Theatre Quarterly. 34 (1): 67. February 2018.
Various (1964). A Conspectus to Mark the Citizens' 21st Anniversary as a Living Theatre in Gorbals Street Glasgow. Citizens' Theatre. p. 62.
"Legitimate: Shows Abroad". Variety. 244 (4): 74. 14 September 1966.
Billington, Michael (26 March 1979). "Finding the Goldoni touch: reviews the British premiere of Country Life in Glasgow". The Guardian.
"AT THE THEATRE: HIT ROOF, COLLAPSING CEILING". Country Life. 177 (4563): 249. 31 January 1985.
Hemming, Sarah (12 July 1986). "Arts (Theatre): Review of 'Lucy's Play' at the Traverse, Edinburgh". The Times (London, England).
McMillan, Joyce (15 May 1987). "Bulldozed by apartheid". The Guardian.
Smith, W. Gordon (9 April 1989). "Daughters in Distress: THEATRE". The Observer.
McMillan, Joyce (11 May 1993). "Mayfest Diary: Scottish writing". The Guardian.
"Reviews". Screen International. 588: 245. 21 February 1987.
"Glasgow's Jewish Institute players and their narratives of Scottish-Jewish identity". Jewish Culture and History. 20 (1): 94–95. 2019.
"TELEVISION". The Guardian. 9 April 1974.
Hebert, Hugh (16 August 1991). "The fears of a clown: Television". The Guardian.
"Production: Production". Screen International (883): 18. 13 November 1992.