Héloïse
12th-century French nun, philosopher and writer From Wikipedia, the free encyclopedia
12th-century French nun, philosopher and writer From Wikipedia, the free encyclopedia
Héloïse (/ˈɛloʊiːz/; French: [elɔ.iz]; c. 1100–01[1] – 16 May 1163–64), variously Héloïse d'Argenteuil[2] or Héloïse du Paraclet,[2] was a French nun, philosopher, writer, scholar, and abbess.
Héloïse | |
|---|---|
| |
| Born | c. 1100–1101 |
| Died | 16 May 1164 (aged 63–64) Near Troyes, France |
| Notable work | Problemata Heloissae |
| Era | Medieval philosophy |
| Region | Western philosophy |
| School | Scholasticism |
Main interests | Ethics, philosophy of friendship, love and sex, philosophy of language, theology, early feminism |
Héloïse was a renowned "woman of letters" and philosopher of love and friendship, as well as an eventual high-ranking abbess in the Catholic Church. She achieved approximately the level and political power of a bishop in 1147 when she was granted the rank of prelate nullius.[3][4]
She is famous in history and popular culture for her love affair and correspondence with the leading medieval logician and theologian Peter Abelard, who became her colleague, collaborator and husband. She is known for exerting critical intellectual influence upon his work and posing many challenging questions to him such as those in the Problemata Heloissae.[5]
Her surviving letters are considered a foundation of French and European literature and primary inspiration for the practice of courtly love. Her erudite and sometimes erotically charged correspondence is the Latin basis for the bildungsroman genre and serve alongside Abelard's Historia Calamitatum as a model of the classical epistolary genre. Her influence extends on later writers such as Chrétien de Troyes, Geoffrey Chaucer, Madame de Lafayette, Thomas Aquinas, Choderlos de Laclos, Voltaire, Rousseau, Simone Weil, and Dominique Aury.
Héloïse is variously spelled Heloise, Helöise, Héloyse, Hélose, Heloisa, Helouisa, Eloise, and Aloysia. Her first name is probably a feminization of Eloi, the French form of Saint Eligius, a Frankish goldsmith, bishop, and courtier under Dagobert I much venerated in medieval France. Some scholars alternatively derive it from Proto-Germanic reconstructed as *Hailawidis, from *hailagaz ("holy") or *hailaz ("healthy") and *widuz ("wood, forest"). The details of her family and original surname are unknown. She is sometimes called Heloise of Argenteuil (Héloïse d'Argenteuil) from her childhood convent or Heloise of the Paraclete (Héloïse du Paraclet) from her midlife appointment as abbess of the convent of the Paraclete near Troyes, France.
Early in life, Héloïse was recognized as a leading scholar of Latin, Greek and Hebrew hailing from the convent of Argenteuil just outside Paris, where she was educated by nuns until adolescence. She was already renowned for her knowledge of language and writing when she arrived in Paris as a young woman,[6] and had developed a reputation for intelligence and insight. Abélard writes that she was nominatissima, "most renowned" for her gift in reading and writing. She wrote poems, plays and hymns, some of which have been lost.
Her family background is largely unknown. She was the ward of her maternal uncle (avunculus) Canon Fulbert of Notre Dame and the daughter of a woman named Hersinde, who is sometimes speculated to have been Hersint of Champagne (Lady of Montsoreau and founder of the Fontevraud Abbey) or possibly a lesser known nun called Hersinde at the convent of St. Eloi (from which the name "Heloise" would have been taken).[7][8]
In her letters she implies she is of a lower social standing than Peter Abélard, who was originally from the lower nobility, though he had rejected knighthood to be a philosopher.[9] Speculation that her mother was Hersinde of Champagne/Fontrevaud and her father Gilbert Garlande contests with Heloise's depiction of herself as lower class than Abelard. Hersinde of Champagne was of lower nobility, and the Garlandes were from a higher social echelon than Abelard and served as his patrons. The Hersinde of Champagne theory is further complicated by the fact that Hersinde of Champagne died in 1114 between the ages of 54 and 80, implying that she would have had to have given birth to Heloise between the ages of 35 and 50.
What is known for sure is that her Uncle Fulbert, a canon of Notre Dame collected her to Notre Dame from her childhood home in Argentuil.[10] By her mid teens to early twenties, she was renowned throughout France for her scholarship. While her birth year is disputed, she is traditionally held to be about 15 to 17 when meeting Abelard. By the time she became his student, she was already of high repute herself.[11][12] As a poetic and highly literate prodigy of female sex familiar with multiple languages, she attracted much attention, including the notice of Peter the Venerable of Cluny, who notes that he became aware of her acclaim when he and she were both young. She soon attracted the romantic interest of celebrity scholar Peter Abelard.
Heloise is said to have gained knowledge in medicine or folk medicine from either Abelard[13] or his kinswoman Denise and gained reputation as a physician in her role as abbess of Paraclete.
In his autobiographical piece and public letter Historia Calamitatum (c. 1132?), Abélard tells the story of his relationship with Héloïse, whom he met in 1115, when he taught in the Paris schools of Notre Dame. Abelard describes their relationship as beginning with a premeditated seduction, but Heloise contests this perspective adamantly in her replies. (It is sometimes speculated that Abelard may have presented the relationship as fully of his responsibility in order to justify his later punishment and withdrawal to religion and/or in order to spare Heloise's reputation as an abbess and woman of God.)[14] Heloise contrastingly in the early love letters depicts herself as the initiator, having sought Abelard herself among the thousands of men in Notre Dame and chosen him alone as her friend and lover.[15]
In his letters, Abelard praises Heloise as extremely intelligent and just passably pretty, drawing attention to her academic status rather than framing her as a sex object: "She is not bad in the face, but her copious writings are second to none."[16] He emphasizes that he sought her out specifically due to her literacy and learning, which was unheard of in most un-cloistered women of his era.
It is unclear how old Héloïse was at the time they became acquainted. During the twelfth century in France, the typical age at which a young person would begin attending university was between the ages of 12 and 15.[17] As a young female, Heloise would have been forbidden from fraternizing with the male students or officially attending university at Notre Dame. With university education offered only to males, and convent education at this age reserved only for nuns, this age would have been a natural time for her uncle Fulbert to arrange for special instruction. Heloise is described by Abelard as an adolescentula (young woman or female young adult). Based on this description, she is typically assumed to be between fifteen and seventeen years old upon meeting him and thus born in 1100–01.[1] There is a tradition that she died at the same age as did Abelard (63) in 1163 or 1164. The term adolescent, however, is vague, and no primary source of her year of birth has been located. Recently, as part of a contemporary investigation into Heloise's identity and prominence, Constant Mews has suggested that she may have been so old as her early twenties (and thus born around 1090) when she met Abelard.[18] The main support for his opinion, however, is a debatable interpretation of a letter of Peter the Venerable (born 1092) in which he writes to Héloïse that he remembers that she was famous when he was still a young man. Constant Mews assumes he must have been talking about an older woman given his respect for her, but this is speculation. It is just as likely that a female adolescent prodigy amongst male university students in Paris could have attracted great renown and (especially retrospective) praise. It is at least clear that she had gained this renown and some level of respect before Abelard came onto the scene.
In lieu of university studies, Canon Fulbert arranged for Heloise's private tutoring with Peter Abelard, who was then a leading philosopher in Western Europe and the most popular secular canon scholar (professor) of Notre Dame. Abelard was coincidentally looking for lodgings at this point. A deal was made—Abelard would teach and discipline Heloise in place of paying rent.
Abelard tells of their subsequent illicit relationship, which they continued until Héloïse became pregnant. Abelard moved Héloïse away from Fulbert and sent her to his own sister, Dionysia,[19] in Brittany, where Héloïse gave birth to a boy, whom she called Astrolabe (which is also the name of a navigational device that is used to determine a position on Earth by charting the position of the stars).[20]
Abelard agreed to marry Héloïse to appease Fulbert, although on the condition that the marriage should be kept secret so as not to damage Abélard's career. Heloise insisted on a secret marriage due to her fears of marriage injuring Abelard's career. Likely, Abelard had recently joined Religious Orders (something on which scholarly opinion is divided), and given that the church was beginning to forbid marriage to priests and the higher orders of clergy (to the point of a papal order re-affirming this idea in 1123),[21] public marriage would have been a potential bar to Abelard's advancement in the church. Héloïse was initially reluctant to agree to any marriage, but was eventually persuaded by Abelard.[22] Héloïse returned from Brittany, and the couple was secretly married in Paris. As part of the bargain, she continued to live in her uncle's house.
Fulbert immediately went back on his word and began to spread the news of the marriage. Héloïse attempted to deny this, arousing his wrath and abuse. Abelard rescued her by sending her to the convent at Argenteuil, where she had been brought up. Héloïse dressed as a nun and shared the life of the nuns, though she was not veiled. Fulbert, infuriated that Heloise had been taken from his house and possibly believing that Abelard had disposed of her at Argenteuil in order to be rid of her, arranged for a band of men to break into Abelard's room one night and castrate him. In legal retribution for this vigilante attack, members of the band were punished, and Fulbert, scorned by the public, took temporary leave of his canon duties (he does not appear again in the Paris cartularies for several years).[23]
After castration,[24] filled with shame at his situation, Abélard became a monk in the Abbey of St Denis in Paris. At the convent in Argenteuil, Héloïse took the veil. She quoted from Cornelia's speech in Lucan's Pharsalia: "Why did I marry you and bring about your fall? Now...see me gladly pay."[25]
It is commonly portrayed that Abelard forced Heloise into the convent due to jealousy. Yet, as her husband was entering the monastery, she had few other options at the time,[26] beyond perhaps returning to the care of her betrayer Fulbert, leaving Paris again to stay with Abelard's family in rural Brittany outside Nantes, or divorcing and remarrying (most likely to a non-intellectual, as canon scholars were increasingly expected to be celibate). Entering religious orders was a common career shift or retirement option in twelfth-century France.[27] Her appointment as a nun, then prioress, and then abbess was her only opportunity for an academic career as a woman in twelfth-century France, her only hope to maintain cultural influence, and her only opportunity to stay in touch with or benefit Abelard. Examined in a societal context, her decision to follow Abelard into religion upon his direction, despite an initial lack of vocation, is less shocking.
Shortly after the birth of their child, Astrolabe, Heloise and Abelard were both cloistered. Their son was thus brought up by Abelard's sister, Dionysia, at Abelard's childhood home in Le Pallet. His name derives from the astrolabe, a Persian astronomical instrument said to elegantly model the universe[28] and which was popularized in France by Adelard. He is mentioned in Abelard's poem to his son, the Carmen Astralabium, and by Abelard's protector, Peter the Venerable of Cluny, who wrote to Héloise: "I will gladly do my best to obtain a prebend in one of the great churches for your Astrolabe, who is also ours for your sake".
'Petrus Astralabius' is recorded at the Cathedral of Nantes in 1150, and the same name appears again later at the Cistercian abbey at Hauterive in what is now Switzerland. Given the extreme eccentricity of the name, it is almost certain these references refer to the same person. Astrolabe is recorded as dying in the Paraclete necrology on 29 or 30 October, year unknown, appearing as "Petrus Astralabius magistri nostri Petri filius" (Peter Astrolabe, son of our magister [master] Peter).[29]
Heloise rose in the church, first achieving the level of prioress of Argenteuil. At the disbandment of Argenteuil and seizure by the monks of St Denis under Abbot Suger, Heloise was transferred to the Paraclete, where Abelard had stationed himself during a period of hermitage. (He had dedicated his chapel to the Paraclete, the holy spirit, because he "had come there as a fugitive and, in the depths of my despair, was granted some comfort by the grace of God".[30]) They now rededicated it as a convent, and Abelard moved on to St. Gildas in Brittany where he became abbot. Heloise became prioress and then abbess of the Paraclete, finally achieving the level of prelate nullius (roughly equivalent to bishop). Her properties and daughter-houses (including the convents of Sainte-Madeleine-de-Traîne (c. 1142), La Pommeray (c. 1147-51?), Laval (ca. 1153), Noëfort (before 1157), Sainte-Flavit (before 1157), Boran / Sainte-Martin-aux-Nonnettes (by 1163)[31]) extended across France, and she was known as a formidable businesswoman.
The primary correspondence existing today consists of seven letters (numbered Epistolae 2–8 in Latin volumes, since the Historia Calamitatum precedes them as Epistola 1). Four of the letters (Epistolae 2–5) are known as the 'Personal Letters', and contain personal correspondence. The remaining three (Epistolae 6–8) are known as the 'Letters of Direction'. An earlier set of 113 letters discovered much more recently (in the early 1970s)[32] is vouched to also belong to Abelard and Heloise by historian and Abelard scholar Constant Mews.[33]
Correspondence began between the two former lovers after the events described in the last section. Héloïse responded, both on the behalf of the Paraclete and herself. In letters which followed, Héloïse expressed dismay at problems that Abelard faced, but scolded him for years of silence following the attack, since Abelard was still wed to Héloïse.
Thus began a correspondence both passionate and erudite. Héloïse encouraged Abelard in his philosophical work, and he dedicated his profession of faith to her. Abelard insisted that his love for her had consisted of lust, and that their relationship was a sin against God. He then recommended her to turn her attention toward Jesus Christ who is the source of true love, and to consecrate herself fully from then on to her religious vocation.
At this point the tenor of the letters changes. In the 'Letters of Direction', Héloïse writes the fifth letter, declaring that she will no longer write of the hurt that Abelard has caused her. The sixth is a long letter by Abelard in response to Héloïse's first question in the fifth letter about the origin of nuns. In the long final, seventh letter, Abelard provides a rule for the nuns at the Oratory of the Paraclete, again as requested by Héloïse at the outset of the fifth letter.
The Problemata Heloissae (Héloïse's Problems) is a letter from Héloïse to Abélard containing 42 questions about difficult passages in scripture, interspersed with Abelard's answers to the questions, probably written at the time when she was abbess at the Paraclete.
Héloïse heavily influenced Abelard's ethics, theology and philosophy of love.[34][35] A scholar of Cicero following in his tradition,[36] Heloise writes of pure friendship and pure unselfish love. Her letters critically develop an ethical philosophy in which intent is centrally placed as critical for determining the moral correctness or "sin" of an action. She claims: "For it is not the deed itself but the intention of the doer that makes the sin. Equity weighs not what is done, but the spirit in which it is done."[37] This perspective influenced Abelard's intention-centered ethics described in his later work Etica (Scito Te Ipsum) (c. 1140), and thus serve as a foundation to the development of the deontological structure of intentionalist ethics in medieval philosophy prior to Aquinas.[38]
She describes her love as "innocent" yet paradoxically "guilty" of having caused a punishment (Abelard's castration). She refuses to repent of her so-called sins, insisting that God had punished her only after she was married and had already moved away from so-called "sin". Her writings emphasise intent as the key to identifying whether an action is sinful/wrong, while insisting that she has always had good intent.[39]
Héloïse wrote critically of marriage, comparing it to contractual prostitution, and describing it as different from "pure love" and devotional friendship such as that she shared with Peter Abelard.[40] In her first letter, she writes that she "preferred love to wedlock, freedom to a bond."[41] She also states, "Assuredly, whomsoever this concupiscence leads into marriage deserves payment rather than affection; for it is evident that she goes after his wealth and not the man, and is willing to prostitute herself, if she can, to a richer."[41] Peter Abelard himself reproduces her arguments (citing Heloise) in Historia Calamitatum.[40] She also writes critically of childbearing and child care and the near impossibility of coexistent scholarship and parenthood. Heloise apparently preferred what she perceived as the honesty of sex work to what she perceived as the hypocrisy of marriage: "If the name of wife seems holier and more impressive, to my ears the name of mistress always sounded sweeter or, if you are not ashamed of it, the name of concubine or whore...God is my witness, if Augustus, who ruled over the whole earth, should have thought me worthy of the honor of marriage and made me ruler of all the world forever, it would have seemed sweeter and more honorable to me to be called your mistress than his empress."[37] (The Latin word she chose now rendered as "whore", scortum [from "scrotum"], is curiously in medieval usage a term for male prostitute or "rent boy".)[40][42]
In her later letters, Heloise develops with her husband Abelard an approach for women's religious management and female scholarship, insisting that a convent for women be run with rules specifically interpreted for women's needs.[43][44]
Heloise is a significant forerunner of contemporary feminist scholars as one of the first feminine scholars, and the first medieval female scholar, to discuss marriage, child-bearing, and sex work in a critical way.[45][46]
Héloïse is accorded an important place in French literary history and in the development of feminist representation. While few of her letters survive, those that do have been considered a foundational "monument" of French literature from the late thirteenth century onwards. Her correspondence, more erudite than it is erotic, is the Latin basis for the Bildungsroman and a model of the classical epistolary genre, and which influenced writers as diverse as Chretien de Troyes, Madame de Lafayette, Choderlos de Laclos, Rousseau and Dominique Aury.
The authorship of the writings connected with Héloïse has been a subject of scholarly disagreement for much of their history.
The most well-established documents, and correspondingly those whose authenticity has been disputed the longest, are the series of letters that begin with Abelard's Historia Calamitatum (counted as letter 1) and encompass four "personal letters" (numbered 2–5) and "letters of direction" (numbers 6–8) and which include the notable Problemata Heloissae. Most scholars today accept these works as having been written by Héloïse and Abelard themselves. John Benton is the most prominent modern skeptic of these documents. Etienne Gilson, Peter Dronke, and Constant Mews maintain the mainstream view that the letters are genuine, arguing that the skeptical viewpoint is fueled in large part by its advocates' pre-conceived notions.[47]
The great majority of academic scholars and popular writers have interpreted the story of Héloïse's relationship with Abelard as a consensual and tragic romance. However, much controversy has been generated by a quote from Abelard in the fifth letter in which he implies that sexual relations with Heloise were, at least at some points, not consensual. While attempting to dissuade Heloise from her romantic memories and encourage her to fully embrace religion, he writes: "When you objected to [sex] yourself and resisted with all your might, and tried to dissuade me from it, I frequently forced your consent (for after all you were the weaker) by threats and blows."[48] Importantly, this passage runs in stark contrast to Heloise's depiction of their relationship, in which she speaks of "desiring" and "choosing" him, enjoying their sexual encounters, and going so far as to describe herself as having chosen herself to pursue him amongst the "thousands" of men in Notre Dame.[49] Nevertheless, working solely from the sentence in Abelard's fifth letter, Mary Ellen Waithe argued in 1989 that Héloïse was strongly opposed to a sexual relationship,[50] thus presenting her as a victim and depicting an Abelard who sexually harassed, abused, and raped his student.
Most scholars differ in their interpretation of Abelard's self-depiction. According to William Levitan, fellow of the American academy in Rome, "Readers may be struck by the unattractive figure [the otherwise self praising Abelard] cuts in his own pages....Here the motive [in blaming himself for a cold seduction] is part protective...for Abelard to take all the moral burden on himself and shield, to the extent he can, the now widely respected abbess of the Paraclete—and also in part justificatory—to magnify the crime to the proportions of its punishment."[51] David Wulstan writes, "Much of what Abelard says in the Historia Calamitatum does not ring true: his arrogation of blame for the cold seduction of his pupil is hardly fortified by the letters of Heloise; this and various supposed violations seem contrived to build a farrago of supposed guilt which he must expiate by his retreat into monasticism and by distancing himself from his former lover."[52]
Heloise is thus motivated in her responses to Abelard's letters to set the record straight, that if anything she had initiated their relationship. Héloïse's writings express a much more positive attitude toward their past relationship than does Abelard. She does not renounce her encounters as sinful and she does not "accept that [Abelard's] love for her could die, even by the horrible act of...castration."[52]
It is important in investigating these allegations of abuse or harassment on Abelard's part to consider the crude sexual ethics of the time (in which a prior relationship was generally taken as establishing consent), Heloise's letters which depict her as complicit if not the initiator of sexual interaction, and Abelard's position as an abbot relative to Heloise, an abbess, towards whom he owed a debt of responsibility and guardianship.[51] By depicting himself—a castrated and now repentant monk—as to blame for their liaison, he denied Heloise her own sexual scandal and maintained the purity of her reputation. An allegation of sexual impropriety on the part of Heloise would furthermore endanger the sanctity of Abelard's property, the Paraclete, which could be claimed by more powerful figures in government or the Catholic Church. Heloise's prior convent at Argenteuil and another convent at St. Eloi had already been shut down by the Catholic hierarchy due to accusations of sexual impropriety by nuns. Monasteries run by male monks were generally in no such danger, so Abelard sealing his reputation as a repentant scoundrel would not harm him.
Waithe indicated in a 2009 interview with Karen Warren that she has "softened the position [she] took earlier" in light of Mews' subsequent attribution of the Epistolae Duorum Amantium to Abelard and Héloïse (which Waithe accepts), though she continues to find the passage troubling.[53]
Héloïse's place of burial is uncertain. Abelard's bones were moved to the Oratory of the Paraclete after his death, and after Héloïse's death in 1163/64 her bones were placed alongside his. The bones of the pair were moved more than once afterwards, but they were preserved even through the vicissitudes of the French Revolution, and now are presumed to lie in the well-known tomb in Père Lachaise Cemetery in eastern Paris. The transfer of their remains there in 1817 is considered to have considerably contributed to the popularity of that cemetery, at the time still far outside the built-up area of Paris. By tradition, lovers or lovelorn singles leave letters at the crypt, in tribute to the couple or in hope of finding true love.
This remains, however, disputed. The Oratory of the Paraclete claims Abélard and Héloïse are buried there and that what exists in Père Lachaise is merely a monument,[54] or cenotaph. Others believe that while Abelard is buried in the tomb at Père Lachaise, Heloise's remains are elsewhere.
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